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Ill Considered - Reconsidered
by Karl Ackermann
London Calling, AgainAround 2010, the South London jazz scene began breaking with tradition for an alternative union of music rooted in global cultures. It represented a fundamental change in the way young Londoners related to music; the rhythms were infused with hip hop, spiritual jazz, dubstep, funk, groove, reggae, and future soul in various combinations. In ...
Theon Cross: Intra-I
by Chris May
A member of tenor saxophonist Shabaka Hutchings' Sons Of Kemet since 2015, tuba player Theon Cross released his first full-length album, Fyah (Gearbox), in 2019. Most of it was performed by a trio comprising Cross, tenor saxophonist Nubya Garcia and drummer Moses Boyd, augmented on two tracks by other luminaries of the alternative London jazz scene. ...
Run Logan Run: For A Brief Moment We Could Smell The Flowers
by Chris May
Tenor saxophone and drums albums have been at the heart of London's alternative jazz scene since its first stirrings around 2015. That year, saxophonist Binker Golding and drummer Moses Boyd, then members of singer Zara McFarlane's backing band, started tossing riffs and beats back and forth to each other during pre-gig soundchecks. In ...
Mankwe Ndosi, Marc Johnson & Damien Kingston
by Maurice Hogue
Mankwe Ndosi is not a singer (more like a true vocal artist!!!) that was familiar to me, but she certainly is now. Her recording Felt/Not Said is strikingly different. She's from Minneapolis, not that far from Chicago, the home of the AACM, and that's where Ndosi set out to incorporate AACM influences to her African roots ...
On Our Own Clock: On Our Own Clock
by Chris May
The fourteen-strong international ensemble which recorded On Our Own Clock includes, from London, keyboard player Danalogue from Shabaka Hutchings' The Comet Is Coming and tuba player Theon Cross from Hutchings' Sons Of Kemet; from Dakar, percussionist Yahael Camara Onono and kora player Tarang Cissoko; and, from Johannesburg, keyboardist Zoe Molelekwa, bassist Tebogo Sedumede, trombonist Siya Makuzeni ...
Mark Kavuma & The Banger Factory: Arashi No Oto
by Chris May
London-based trumpeter and composer Mark Kavuma was last seen in this parish in July 2019. At the start of that month, Kavuma released his second album with his nonet, The Banger Factory. A couple of weeks later, he led a quintet on the floor of the Barbican Art Gallery, performing Thelonious Monk's Brilliant Corners (Riverside, 1956) ...
Fano Jazz by the Sea 2021
by Libero Farnè
Fano Varie sedi 2331.7.2021 Nell'arco di nove giornate zeppe di iniziative, Fano Jazz by the Sea ha invaso vari punti della città adriatica, proponendo un cartellone ricco di progetti italiani e stranieri significativi dell'attuale ricerca musicale. Fra l'altro il festival rappresenta solo la punta dell'iceberg di un'articolata attività, estesa durante tutto l'anno ...
Various: Journeys In Modern Jazz: Britain (1965-1972)
by Chris May
As British jazz in 2021 reaches domestic and international audiences of unprecedented size, so record companies are being emboldened to open up their archives and reissue long-buried treasures. So, too, are new labels being formed to make available recordings which have not previously been released, but which have survived in the tape libraries of the musicians ...
Cecil Taylor: Mixed to Unit Structures Revisited
by Chris May
This story has been revisited before, in the context of an Albert Ayler review, but good stories bear repeating, particularly when they are instructive ones. So here it is again... During a May 2021 interview with All About Jazz, the reed player Shabaka Hutchings was asked to name six albums which had made a more than ...
Nathaniel Cross: The Description Is Not The Described
by Chris May
Trombonist Nathaniel Cross is a key presence on London's alternative jazz scene, just like his brother, Theon Cross, who plays tuba in Shabaka Hutchings' Sons Of Kemet. Until now, however, Nathaniel has probably been better known among his fellow musicians than with the general public, for he has been most active behind the scenes as a ...



