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Bill Anschell: Curiosity and Invention
by Paul Rauch
Bill Anschell strikes me as a man with boundless curiosity. You perceive this in conversation, in his sense of humor, the patient manner in which he listens on and off the bandstand. You sense it in his inventive compositions, the rhythmic complexity, and the musical conception that lyrically imprints an authentic sense of melody. His work ...
Roxy Coss: Standing Out
by Paul Rauch
All About Jazz: You have recently released a new CD, Chasing the Unicorn (Posi-Tone, 2017), just a year after the release of Restless Idealism (Origin, 2016). Albums are like a snapshot of a timeframe, how has that musical image changed in a year? Roxy Coss: More back story is it was recorded more than ...
Carmen Rothwell: The Art of Intuition
by Paul Rauch
Seattle, a city synonymous with alternative rock, has long sustained a provincial jazz culture, without a signature sound, but with an openness to innovative, progressive invention. To outside jazz partisans, the city is known for phenomenal high school talent that usually flies the coop, heading east for conservatory training and to pursue professional ambitions.
Generation Next: Four Voices From Seattle
by Paul Rauch
Each generation, an insidious notion arises, and is passed about the musical world that jazz music, the only uniquely American art form is somehow experiencing a slow, but certain death. Inevitably, this notion is set aside, and somehow projected forward in time, as a new generation of artists rise to the occasion, not only facilitating the ...
Meet Donna M.
by Tessa Souter and Andrea Wolper
Reader: Are you a jazz Super Fan? Do you know a jazz Super Fan? If so, be sure to see the call-to-action at the end of this column. But first, meet our Super Fan for June, Donna M.: Raised on soul music, Donna M. was a relative late-comer to jazz (Vince Guaraldi's Peanuts score ...
Wes Montgomery with the Wynton Kelly Trio: Smokin’ in Seattle: Live at the Penthouse (1966)
by C. Michael Bailey
In his superb contribution to Bloomsbury Press' 33 & 1/3 series, Bitches Brew (2015), George Grella notes (emphasis mine): “No style of art can remain static: irrelevance is just as much a risk as the inevitable decadence that comes from a style developing to its last measure. But fans, including critics, of particular movements ...
King Crimson To Tour North America Summer 2017 In Support Of Forthcoming Live Ep "Heroes"
Seminal rock band King Crimson begins their 2017 North American tour with the summer leg including a 17-show run spanning June 11 to July 10. The “Radical Action Tour 2017” will begin at Seattle's Moore Theatre on June 11. The tour will run through cities Saratoga, Oakland, San Diego, Los Angeles, Denver, and Minneapolis. King Crimson ...
Ballard Jazz Festival Preview: A Seattle Rite Of Spring
The Ballard Jazz Festival, Seattle's most anticipated and community oriented jazz event, will take place May 17-20, and will headline legendary saxophonist, Chico Freeman. Dubbed three decades ago as one of the “young lions" of jazz for his participation in recordings with other “stars to be," such as Wynton Marsalis, Kevin Eubanks, and Paquito D'Rivera, Freeman's ...
Remembering Milt Jackson
by Lazaro Vega
This interview was first published at All About Jazz in November 1999 and is part of our ongoing effort to archive pre-database material. This interview was conducted prior to a Modern Jazz Quartet performance at Hope College, Holland, Michigan in September of 1989. Broadcast at the time on Blue Lake Public Radio; portions of ...
Dave Douglas and the Art of Festival Direction
by Libero Farnè
Dave Douglas' fame as a forward looking musician is well-known. His contribution to today's music scene, however, is not limited to his playing. Besides having pioneered in 2005 a unique model of musician-run label with the progressive Greenleaf Music, he has been artistic director of the Banff Workshop in Jazz and Creative Music from 2002 to ...
