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Freddie Hubbard: Open Sesame
by Chris May
Blue Note's two 180gm vinyl-reissue series--Blue Note 80 and Tone Poet--continue on their enigmatic going on erratic, but mostly magnificent paths. Tone Poet is billed as the audiophile option but, on a fairly limited sampling of both series, there seems to be little, if anything at all, separating the two in audio terms. The key difference ...
Tina Brooks Quintet: The Complete Recordings
by Chris May
Mosaic Records' spring 2020 release The Complete Hank Mobley Blue Note Sessions 1963-70, the second of the label's box sets devoted to the copiously recorded (and rightly so) Hank Mobley, prompts thoughts of another of Blue Note's singular hard-bop tenor saxophone stylists. Unlike Mobley, Tina Brooks was woefully under-recorded, making just four albums under his own ...
Hank Mobley: The Complete Hank Mobley Blue Note Sessions 1963-70
by C. Andrew Hovan
The music world has changed considerably since Michael Cuscuna and Charlie Lourie founded their boutique reissue label Mosaic Records back in 1983. From its inception, vinyl was still the preferred format, shortly to be overtaken by the popularity of the compact disc. At the cusp of vinyl's recent resurgence, Mosaic briefly got back into that format ...
Kenny Barron / Dave Holland Trio featuring Johnathan Blake: Without Deception
by Mike Jurkovic
No matter the many miles and quantum number of life's triumphs and travails that have visited them since their last encounter, Kenny Barron and Dave Holland walk into a studio and instantly pick up whence they last met. But these two old cronies are not just killing time shooting the proverbial you-know-what. They have ...
Craft Recording's "Chet" is a Rare Win for Baker
by Patrick Burnette
"There's a little white cat out here who's going to eat you up." —Charlie Parker (to Miles Davis) Chet Baker and Miles Davis. Two trumpet players born three years apart. Both unusually handsome and slight of build. Both lacking, as trumpeters, the qualities most often associated with those brass alphas of the jazz ...
Results for pages tagged "Philly Joe Jones"...
Philly Joe Jones
Born:
Philly Joe Jones was born with the name Joseph Rudolph Jones in the city of Philadelphia on July 15, 1923. His mother, a piano teacher taught him the basics in music. In his formative years he also studied the drums with drummers the likes of Cozy Cole and Charles Wilcoxon, receiving valuable advise from Art Blakey and a then younger Max Roach. He established himself as "Philly Joe" Jones, from the name of the city of his birth, to distinguish himself from the mainstay Count Basie’s drummer, Jo Jones. But just as Jo Jones established the rhythm section standard in the 30’s and 40’s, Philly Joe would do the same in the 50’s. He began playing with the rhythm and blues bands in the 40’s, establishing himself on the New York jazz scene
20 Seattle Jazz Musicians You Should Know: Jeff Johnson
by Paul Rauch
The city of Seattle has a jazz history that dates back to the very beginnings of the form. It was home to the first integrated club scene in America on Jackson St in the 1920's and '30s. It saw a young Ray Charles arrive as a teenager to escape the nightmare of Jim Crow in the ...
Chet Baker: Chet
by Karl Ackermann
In the early 1950s, the rural Oklahoman Chet Baker established prominent connections in the jazz world; gigs with Charlie Parker and Stan Getz led to his first recordings. The trappings of both musicians' circles were dusted with heroin and Baker's career breaks coincided with his introduction to the disease that would stifle his musical development and ...
Joey DeFrancesco at Chris’ Jazz Café
by Victor L. Schermer
Joey DeFrancesco Trio & Quartet Chris' Jazz Café Philadelphia, PA November 30, 2019 In the 1970s, before he became a famed performer, Joey DeFrancesco was already at the prodigious age of 10 (!) playing gigs with the likes of Philly Joe Jones, Shirley Scott, and Hank Mobley at ...
Giovanni Tommaso: sulle tracce di Miles Davis passando per Kind of Blue
by Paolo Marra
La musica è un modo per ritrovare le proprie origini, le radici perdute. Un giorno Miles Davis si ricorda di quegli “eccezionali gospel" che ascoltava in chiesa da piccolo in Arkansas. Per rivivere quelle sensazioni perdute butta giù un blues di cinque battute con un suono “molto scorrevole." Ma quando entra in studio il 2 marzo ...
