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Jazz Articles about Philly Joe Jones

1
Book Review

Philly Joe Jones Biography: The Life and Legacy of a Drummer Who Transformed Modern Jazz

Read "Philly Joe Jones Biography: The Life and Legacy of a Drummer Who Transformed Modern Jazz" reviewed by David A. Orthmann


Philly Joe Jones Biography: The Life and Legacy of a Drummer Who Transformed Modern JazzMichael C. Davis140 pagesISBN: #9798269455297Self Published2025 Anyone who is seeking out anecdotes about Philly Joe Jones's relationships with a veritable who's who of jazz greats, or particulars of his life off the bandstand, might want to steer clear of Michael C. Davis's biography of the celebrated drummer, bandleader, mentor, and teacher. Employing a streamlined approach (130 pages of text; no quotes, references, endnotes, or ...

20
Album Review

Kenny Drew: Kenny Drew Trio

Read "Kenny Drew Trio" reviewed by C. Andrew Hovan


One of many American jazz musicians who made Europe home beginning in the early 1960s, pianist Kenny Drew is best remembered as the pianist on John Coltrane's seminal Blue Train--when he is remembered at all. Over the course of his career, Drew forged notable associations with Dexter Gordon and Jackie McLean, and recorded nearly 50 albums as a leader, most prominently Undercurrent (Blue Note, 1961) and Dark Beauty (SteepleChase, 1974). Passing away at the relatively young age of sixty-four, one ...

16
Album Review

Miles Davis: Miles '55: The Prestige Recordings

Read "Miles '55: The Prestige Recordings" reviewed by Richard J Salvucci


It is hard to imagine any casual jazz fan failing a blindfold test on the vinyls on offer here. It is a game people play: how quickly can you identify the performer. A lot of horn players make it into the competition, because horns are boisterous and mimic the human voice and persona. Clark Terry, some say, requires one note. And for much of his career, starting in the mid-1950s, a compatriot and mentee of Terry's: Miles Davis was equally ...

3
Reassessing

Trio and Quintet

Read "Trio and Quintet" reviewed by C. Michael Bailey


Pianist and composer Elmo Hope has more in common with Tadd Dameron than most of his other jazz peers. Both men were primarily composers and arrangers who concentrated on their own music rather than standards. Both men spent their professional lives in New York City during the twilight of bebop and the flourishing of hard bop. Neither man boasted large discographies as leaders, but appeared on a significant number of recordings as sidemen. Their careers were both shortened dramatically by ...

21
Album Review

Miles Davis: 2nd Session 1956 Revisited

Read "2nd Session 1956 Revisited" reviewed by Glenn Astarita


The Miles Davis Quintet's 2nd Session 1956 Revisited revitalizes the iconic recordings from a pivotal year in jazz history. These original sessions, featuring Davis alongside luminaries like John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, stand as timeless classics that have indelibly shaped the course of jazz.This revisited edition captures the very essence and vitality of those legendary sessions while infusing them with a fresh perspective. The music's hallmark traits--the melodic sophistication and improvisational brilliance--are expertly ...

11
Album Review

Phineas Newborn, Jr.: A World of Piano!

Read "A World of Piano!" reviewed by Richard J Salvucci


Did a critic ever accuse classical concert pianist Martha Argerich of displaying too much technique while playing Ravel? It is hardly an idle question as Argerich, one of the most gifted pianists in history, plays Ravel beautifully precisely because she has the technique to do so. She could not play “Sonatine" or “Gaspard de la Nuit"--fearsomely difficult, say pianists--if she did not. The beauty is inseparable from the technique; and the technique part of the beauty. This is ...

8
Album Review

Miles Davis: Workin' With the Miles Davis Quintet

Read "Workin' With the Miles Davis Quintet" reviewed by Mark Corroto


1955/56 was an inflection point in the career of Miles Davis. The trumpeter and bandleader went from a promising talent to the high profile face of jazz and popular music. The two marathon sessions, May 11 and October 26, 1956, that created Workin' With the Miles Davis Quintet along with Cookin', Relaxin' and Steamin' might have been written off by Davis as a mere fulfillment of his contract duties for Prestige Records. He had signed a more lucrative contract with ...


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