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The 9th Annual John Coltrane International Jazz and Blues Festival
by La-Faithia White
Jazz and Blues lovers enjoyed a breathtaking view on Oak Hollow Lake in High Point, North Carolina for the ninth annual John Coltrane International Jazz and Blues Festival. The two day event happens every Labor Day weekend. Saturday's lineup consisted of the John Coltrane Youth Workshop, Laurin Talese with the North Carolina Coltrane All-Star ...
Paul Austerlitz: The Vodou Horn
by Mark Sullivan
The Vodou Horn album is part of a trilogy called Marasa Twa: Vodou-Jazz-Merengue, exploring the spiritual traditions of Haiti and the Dominican Republic. The focus here is on Haiti, with ethnomusicologist/bass clarinetist Paul Austerlitz combining his playing with Franck Desire's Asakivle drumming and singing group, which plays traditional ritual rhythms in concert settings. After recording live ...
Nat Birchall: The Storyteller: A Musical Tribute To Yusef Lateef
by Chris May
The deification of Yusef Lateef, which began only after his passing in 2013, rests on the first decade of his long recording career, from 19571967, when he extended the language of jazz to include elements of Asian and Middle Eastern musics while recording for Savoy, Prestige and Impulse. After a second decade with Atlantic, where he ...
Pharoah Sanders: Live At Antibes Jazz Festival Juan-Les-Pins
by Chris May
The first official (allegedly) release of this album for over 30 years, Live At Antibes Jazz Festival Juan-Les-Pins July 21, 1968 captures Pharoah Sanders on the cusp of stylistic change. It is a disc hardcore Sanders fans will treasure. From 1965-1967, with his own bands and in those led by John Coltrane, Sanders' paint-stripping ...
Dwight Trible at Ronnie Scott's Jazz Club
by Chris May
Dwight Trible Ronnie Scott's Jazz Club London August 17, 2019 Dwight Trible inhabits a song with more than just his voice, he does so with his whole bodyhe uses every available limb and digit and twists and turns and shoehorns himself into his material. At Ronnie's tonight he ...
Maleem Mahmoud Ghania & Pharoah Sanders: The Trance Of Seven Colors
by Chris May
Producer Bill Laswell gets a bad rap in some quarters, and sometimes he deserves it. During his mid 1980s through mid 1990s purple period, Laswell tended to apply, some would say impose, a one-size-fits-all, avant-rock-and-funk formula across the board to the projects he took on. It was novel and radical and compelling and Laswell assembled a ...
Mark Kavuma: The Banger Factory
by Chris May
An associate of the Tomorrow's Warriors and Kinetika Bloco community projects through whose ranks have passed practically all the leading musicians in London's woke-jazz world, trumpeter Mark Kavuma stands a little apart from many of his peers. While the new London scene is characterized by hefty infusions of modern Caribbean and African music and London club ...
International Anthem: The Beat of the Past, Present and Future
by Jakob Baekgaard
Dis is da drum. Everything starts with a beat. A heartbeat. A rhythm. A language. Communication between people. Patterns in percussion. Tribal language. Rhythms reaching out. Since the beginning, rhythms have been an integral part of jazz. Swing is rhythm and rhythm is swing. The pace has changed. The patterns have changed. Acoustic ...
Emanative & Phil Ranelin: Vibes From The Tribe
by Chris May
The Tribe referred to here was a musicians' cooperative in Detroit, Michigan, active from 1972-1977. It was co-founded by trombonist Phil Ranelin and saxophonist Wendell Harrison and was equal parts band, record label and community project. Trumpeter Marcus Belgrave was among the members. The organization had close affinities with Chicago's Association for the Advancement of Creative ...
Gerry Gibbs Thrasher People: Our People
by Jack Bowers
Our People, the twelfth album as leader by multi-instrumentalist Gerry Gibbs, is difficult to describe and even harder to pigeonhole. Is it jazz? Not really. Is it world music? Sometimes. And sometimes even other-worldly. Stream of consciousness? Perhaps, but always with a specific plan in mind. Tone poems? Only in the sense that there are times ...





