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Willie Nile, Howlin' Rain and Divine Horsemen: Hey Hey, My My...
by Doug Collette
Whether or not Neil Young was being ironic or sarcastic in 1979 when he intoned ...'rock and roll can never die...' the descriptive musical term may indeed be outdated after so many years of arbitrary categorizations, hyphenates and glib marketing labels like 'Americana.' Yet that eclectic mix of roots, often referred to as 'mongrel music,' still ...
Bob Dylan: Springtime in New York 1980-1985: The Bootleg Series, Volume 16 (5CD)
by Doug Collette
Generally speaking, revelations abound within the various installments of The Bootleg Series, Bob Dylan's ongoing archive initiative, and Volume 16 is no exception. But in listening to Springtime in New York, 1980- 1985, the epiphanies come in slow bursts, flashing over the course of the five CDs to generate a cumulative momentum that reaches a flash-point ...
Steve Haines and The Third Floor Orchestra: Steve Haines and The Third Floor Orchestra
by Angelo Leonardi
Dare al lettore—nel breve spazio di una recensione—l'idea del contenuto e del valore (in un giudizio ovviamente soggettivo) di un album spinge a usare tutte quelle classificazioni nate per orientarci. In poche parole, creare delle mappe è utile ma se il territorio è ricco di elementi diversi si rischia di usare etichette fuorvianti. ...
Emma Swift's Multitudes
by Eric Gudas
As its title suggests, Blonde on the Tracks, Australian-born, Nashville-based singer-songwriter Emma Swift's first full-length album, re-interprets songs from the heart of Bob Dylan 1960s and '70s catalog, although its span covers his most recent work. Swift belongs to the generations of listeners who grew up on the songs of Gram Parsons}], Dylan, {{m: Joni Mitchell, ...
Mark Murphy, Folk Artist: Hiding Place
by C. Michael Bailey
Mark Murphy's 2018 release Pocketful of Rainbows (Self Produced, 2018) was a surprise stand-out recording that year. Now, this Mark Murphy is not that Mark Murphy (1932 -2015), icon of jazz vocals. This Mark Murphy is a singer/songwriter whose 2016 release, Slip Away (Mini Movie) scored points for one of Downbeat Magazine's recordings of that year. ...
Brad Mehldau: Suite: April 2020
by Emmanuel Di Tommaso
"Suite: April 2020 è un'istantanea musicale della vita nel mondo in cui ci siamo trovati tutti. Ho cercato di ritrarre al pianoforte alcune esperienze e sensazioni che sono allo stesso tempo nuove e comuni a molti di noi." Con queste parole di una semplicità disarmante Brad Mehldau introduce in una nota di presentazione il suo terzo ...
Stoll Vaughan: Desires Shape
by Doug Collette
Stoll Vaughan's profile rose appreciably when he was credited with —and duly lauded for--penning material that appeared on the Allman-Betts Band debut album Down To The River (BMG, 2019). Cryptic as his own album title seems on the surface, there is no lack of clarity in the man's writing nor the spartan production, arrangement and musicianship ...
Ted Templeman: A Platinum Producer’s Life in Music
by Doug Collette
Ted Templeman: A Platinum Producer's Life in Music Ted Templeman as told to Greg Renoff 472 pages ISBN: 10: 1770414835 ECW Press 2020 It's some measure of Ted Templeman's humility that so many of the photos that appear throughout A Platinum Producer's Life in Music do not feature him. ...
Steve Dawson: Finding the Secret of a Song
by Jakob Baekgaard
It might be that singer/songwriter Steve Dawson was born in California and raised in Idaho, but he has become a son of the city he calls home: Chicago. He is teaching at the acclaimed Old Town School of Folk Music and while preparing others for a life in music, he has also followed his own musical ...
Results for pages tagged "Neil Young"...
Neil Young
Born:
After Neil Young left the Californian folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic. From the beginning of his solo career in the late '60s until the late '90s, he never stopped writing, recording, and performing; his official catalog only represented a portion of his work, since he kept countless tapes of unreleased songs in his vaults
