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Miles at the Fillmore - Miles Davis 1970: The Bootleg Series Vol. 3
by Ian Patterson
It would have been inconceivable for Miles Davis in his post-sabbatical, 1980s reincarnation to have been billed as “an extra added attraction" on any festival or concert hall billing, but that's how it was when the trumpeter--already a legend--played his first ever gigs at the Filmore East, supporting Neil Young & Crazy Horse and the Steve ...
Ryan Blotnick: Solo, Volume I
by Mario Calvitti
Dopo due album a suo nome registrati con formazioni variabili (trio, quartetto, quintetto), il giovane chitarrista Ryan Blotnick (classe 1983) ha sentito il bisogno di ritrovare una dimensione più intimista, dedicandosi intensamente alla pratica del solo, allo stesso tempo ritornando nel nativo Maine dopo alcuni anni trascorsi a New York. Ne scaturisce un lavoro delicato e ...
Brilliant Corners 2014
by Ian Patterson
Brilliant Corners Various Venues Belfast N. Ireland March 26-29, 2014 It's taken a while, but Belfast has finally joined the ranks of cities that play host to an international jazz festival. The first edition of Brilliant Corners was staged in the rejuvenated Cathedral Quarter of the city in 2013 ...
Emmylou Harris: Wrecking Ball
by Nenad Georgievski
Wrecking Ball seemed like a pivotal record in singer Emmylou Harris' history when it was released in 1995 and it is no less important now 20 years later. It is said that great records may go out of print but they rarely go out of style, and Wrecking Ball still radiates with its sheer beauty. Assisted ...
Big Head Todd and the Monsters: Black Beehive
by Doug Collette
Big Head Todd & The Monsters have maintained a solid and occasionally high profile since their formation in 1986. Regular studio and road work has produced a fairly extensive discography of albums and DVD's as well as authorized concert recordings, including their previous project under the pseudonym Big Head Blues Club, 100 Years of Robert Johnson, ...
Amy Cervini: Jazz Country
by Dan Bilawsky
This album title is something of a double entendre. It references the jazz community that surrounds the lady of the hour, but it's really about the nexus that exists between the two American-born forms of music that make up its name. Therefore, it could be said that Jazz Country is missing a hyphen, but that's about ...
Shakin' All Over: Popular Music and Disbaility
by Ian Patterson
Shakin' All Over: Popular Music and Disability George McKay 230 pages ISBN: #978-0-472-05209-7 University of Michigan Press 2013 Given the vast quantities written about popular music culture it is perhaps surprising that so little critical space has been given to disability and popular music. Despite this anomaly, author George ...
Dig A Little Deeper: Songs From The Small Hours
by Ian Patterson
The title of the debut recording from guitarist Mick Stuart's quintet Dig A Little Deeper captures pretty well the mood of the music--a late night vibe of sultry vocal jazz with brushes and earthy bass setting the mood. Singer Riona Hartman's pure-toned voice holds center stage on eleven original compositions that are notable for their simple ...
Dreambox Media: The Philadelphia Jazz Label
by Mike Oppenheim
Any fan of the great American music that is jazz is surely aware that the art form's history depended on the convergence of geography, individual talents, and inspiration. Cities such as New Orleans, Kansas City, Chicago, and New York are synonymous with particular styles of jazz. One often overlooked city is Philadelphia, the birthplace and/or home ...
Bill Frisell: Silent Comedy
by Ian Patterson
Only once before in a discography that runs to 35-odd albums has leader Bill Frisell released a solo guitar album--the brooding Ghost Town (Nonesuch Records, 2000). Thirteen years on, Frisell returns to the solo format, though the difference between the two offerings is like night and day. Whereas Ghost Town was a series of mostly acoustic ...
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