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Three New Another Timbre Releases
by John Eyles
As it approaches its sixth birthday, the Another Timbre label is into an exciting period of consolidation and development, building on the foundations laid down in its first five years. The label's latest releases are evidence of this, as all three of them feature musicians who have already made significant contributions to the Another Timbre catalogue. ...
George Thorogood Taught Me To Play Guitar
by C. Michael Bailey
Rounder Records has reissued George Thorogood and the Destroyers' first two recordings, George Thorogood And The Destroyers and Move It On Over. Like many white, middle-class kids, it was through the likes of Eric Burdon and the Animals, John Mayall, Joe Cocker, Eric Clapton and, indeed, George Thorogood that I learned the African-American tradition of the ...
Leslie Lewis: Midnight Sun / Keeper of the Flame
by Jack Bowers
Leslie Lewis is a singer who has found steady work on the West Coast and elsewhere, and for good reason--she's personable, easy on the eyes, and more to the point, has a pleasant mid-range voice, sings squarely on key, and knows how to sell a lyric. Keeper of the Flame and Midnight Sun are Lewis' second ...
Satoko Fujii's Ma-Do and New Trio: Time Stands Still and Spring Storm
by Hrayr Attarian
Japanese pianist Satoko Fujii is a prolific and versatile musician whose fast pace and relatively large volume are never at the expense of quality. In fact her improvisation heavy records are innovative and cerebral yet they maintain a certain, surprising, accessibility. She has recorded in settings ranging from solo to large orchestra and always with a ...
Contrasting Faces of Spontaneous Music Ensemble
by John Eyles
For years, the Emanem label has had so many releases by Spontaneous Music Ensemble in its catalogue that it has become the de facto guardian of the SME legacy, the keeper of the flame. Although there have been excellent SME recordings on other labels--Karyobin (Island, 1968; Chronoscope, 1993) and Spontaneous Music Ensemble (Marmalade, 1969; Polydor, 1972) ...
Due esempi di flamenco moderno
by AAJ Italy Staff
A differenza di altri generi musicali a forte caratterizzazione geografica come ad esempio il tango, il flamenco ha sempre mantenuto una propria forte specificità che ne ha ostacolato la contaminazione con altre forme. Nel jazz è stato impiegato di rado, e quasi sempre in funzione coloristica in ambiti perlopiù orchestrali come nel classico Sketches of Spain ...
Musiche sacre per orecchie profane: Vox Clamantis - Jaan-Eik Tulve / Valentin Silvestrov
by AAJ Italy Staff
Non c'è dubbio che la musica sacra abbia un impatto emotivo senza eguali a dispetto di una sempre più diffusa secolarizzazione. Non solo perché il più delle volte è musica che viene eseguita in ambienti suggestivi, che ne amplificano (anche in termini acustici) la sua forza. Forse il segreto dell'attualità di una musica fondamentalmente scritta per ...
Kit Downes: Light from Old Stars
by AAJ Italy Staff
Kit Downes Light from Old Stars Basho Records Valutazione: 3,5 stelle Vittorio Albani Sono da sempre fermamente convinto che nella scala della creatività (pittura a parte), dopo i musicisti e contro ogni aspettativa, vengano di gran carriera gli scienziati o chi a che fare direttamente o indirettamente con il mondo scientifico. Lesley Barnes è l'art director ...
Osvaldo Coluccino: oltremusica, oltreorme, oltre...
by AAJ Italy Staff
Un'intervista al compositore e poeta Osvaldo Coluccino è l'occasione per parlare di due recenti uscite per la Another Timbre, già segnalate per altro in un'intervista dal produttore Simon Reynell. Osvaldo Coluccino è uno degli sperimentatori sui margini del silenzio" più interessanti del panorama italiano e anche del catalogo Another Timbre. Se Reynell ha puntato su di ...
Australian Allure: The Music Of Gian Slater And Christopher Hale
by Dan Bilawsky
Trying to define or pigeonhole the music and artistry of vocalist Gian Slater and bassist Christopher Hale is an exercise in futility; in fact, reductive tags like vocalist" and bassist" don't even really do them justice. Slater and Hale have each managed to transcend the normal parameters of their chosen instrument(s), reaching a place where they ...

