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I Don't Hear Nothin' But The Blues: I Don't Hear Nothin' But The Blues Volume 3: Anatomical Snuffbox
by Karl Ackermann
The prolific and eclectic saxophonist/composer Jon Irabagon finds his most uninhibited side with his I Donʼt Hear Nothinʼ but the Blues (IDHNBTB) group, one he aptly describes as his “brutal ensemble." I Don't Hear Nothin' but the Blues Volume 3: Anatomical Snuffbox expands the group that debuted as a duo, then became a trio on Volume ...
The Renewal of AACM: Nicole Mitchell, Mike Reed, Tomeka Reid, Matana Roberts
by Russell Perry
In 100 one-hour programs, the series Jazz at 100 told the story of recorded jazz. It established the foundations upon which the broadly diverse music of today is built. This is the first hour of the successor series which aims to give voice to the current jazz scene and appreciates its countless creators. In ...
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Deerhoof and Wadada Leo Smith: To Be Surrounded By Beautiful, Curious, Breathing, Laughing Flesh Is Enough
by Troy Dostert
When it comes to combining the anarchic spirit of punk rock with whip-smart musicianship and a penchant for unbelievably catchy grooves, few bands come close to Deerhoof. Since the 1990s, the group has been cherished by indie rock cognoscenti, and they've also earned the respect of a large swath of the non-rock community as well, working ...
Playing For Keeps: Improvisation In The Aftermath
by Ian Patterson
Playing For Keeps: Improvisation In The Aftermath Edited by Daniel Fischlin & Eric Porter 352 Pages ISBN: 978-1-4780-0814-9 Duke University Press 2020 Musical improvisation is often described as a conversation. A universal language. Musicians trading back and forth seem to be having a blast, which, on occasion, for ...
Chad Taylor Trio: The Daily Biological
by Giuseppe Segala
Chad Taylor è conosciuto in particolare per essere cofondatore, insieme a Rob Mazurek, del Chicago Underground Duo, con le sue varianti nei diversi ampliamenti degli organici. La sua attività si è dipanata ad ampio raggio negli ultimi trent'anni, facendo fulcro sulla scena di Chicago prima, e di New York poi, collaborando tra l'altro con protagonisti storici, ...
AACM: Together We Are Stronger
by Chris May
With the passing in 2017 of the pianist Muhal Richard Abrams and trumpeter Phil Cohran, the Association for the Advancement of Creative Musicians, formed in Chicago in 1965, lost the last two of the four musicians who organised its inaugural meeting. But with two succeeding generations of standard bearers stepping up to the plate, the AACM ...
Fredrik Lundin, Francesco Cusa, and Gianni Lenoci
by Maurice Hogue
It's just one of those happy coincidences that bassist Lisa Mezzacappa, whose name is likely Italian in orgin, is one of the featured artists in this episode, because there's noticeable Italian content as well. Mezzacappa's latest with her ensemble Six, is inspired by the short stories of Italo Calvino (also Italian). Music from Italian musicians comes ...
Christian McBride, Matana Roberts, Chicago Underground Quartet and More
by Maurice Hogue
Each of February's shows will have some music recognizing Black History Month. The selected recording for 2020 is The Movement Revisited--A Musical Portrait of Four Icons, Christian McBride's epic, and you'll hear tunes from the album each week. This show also features Matana Roberts and Coin Coin Chapter IV -Memphis. The Chicago Underground Quartet is back ...
Results for pages tagged "Matana Roberts"...
Matana Roberts
Matana Roberts is an internationally celebrated composer, performer, band leader, saxophonist, sound experimentalist, and mixed-media practitioner.
Working across many contexts and mediums, including improvisation, music composition, visual art, dance, poetry, and theatre, Roberts is perhaps best known for their acclaimed Coin Coin project - a multi-chapter work of 'panoramic sound quilting' mixed media performance work, that aims to expose the mystical roots and intuitive traditions of American creative expression, while maintaining a deep and substantive engagement with narrative, history, community and political expression within sonic structures.
