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5

Article: Album Review

Kira Kira: Bright Force

Read "Bright Force" reviewed by Dan McClenaghan


The label “music" may be too confining for these sounds. Let us call it an ear-opening sonic experience. That's what pianist Satoko Fujii, with her new group, Kira Kira, has created with a compelling recording called Bright Force. In the year 2018, every review of Fujii's output will include a prelude describing her decision ...

6

Article: Album Review

Satoko Fujii Orchestra Berlin: Ninety-Nine Years

Read "Ninety-Nine Years" reviewed by Karl Ackermann


Three months and three releases into the Satoko Fujii's sixtieth birthday project, the eclectic composer keeps the mix from her musical arsenal, a varied and intriguing monthly adventure. Ninety-Nine Years follows her 2018 Libra releases Solo and Kaze's Atody Man and here Fujii calls out her larger company of Orchestra Berlin. Of her five distinct orchestras, ...

16

Song of the Day

Hypnotique Sympathie

Album:
By
Label: Libra Records
Released: 2018
Duration: 10:39

4

Article: Album Review

Kaze: Atody Man

Read "Atody Man" reviewed by Jerome Wilson


The second offering in Satoko Fujii's 60th birthday CD-a-month marathon is by her long time quartet, Kaze. The group's instrumentation of two trumpets, piano and drums would lead you to think it's heavily experimental and abstract, but while those elements are present, there is, on Atody Man, always a sense of order to this music with ...

Article: Album Review

Satoko Fujii: Solo

Read "Solo" reviewed by Neri Pollastri


Il 2017 è stato per la pianista giapponese Satoko Fujii un anno di grazia, che l'ha vista pubblicare un impressionante numero di lavori di altissimo livello nelle più diverse formazioni -come Aspiration, in quartetto con Wadada Leo Smith, Natsuki Tamura e Ikue Mori, Trouble Kaze in sestetto, Peace con l'orchestra di Tokio e Invisible Hand in ...

14

Article: Album Review

Kaze: Atody Man

Read "Atody Man" reviewed by Karl Ackermann


Atody Man is the fifth album from the quartet Kaze. Beginning with Rafale (Circum-Libra, 2011), the group--initiated by French drummer Peter Orins--has been one of many showcases for the eclectic music of pianist Satoko Fujii and her husband, trumpeter Natsuki Tamura. The unusual formation includes a second trumpeter, Christian Pruvost, also from France. Atody Man also ...

11

Article: Album Review

Kaze: Atody Man

Read "Atody Man" reviewed by Dan McClenaghan


What was it drummer Art Blakey said about surviving in the tough, competitive business of being a jazz musician? Something along the lines of: “You're either busy appearing or you're busy disappearing." There might be something to this. Artists who release a recording every three or four years, or who tour sporadically, face the possibility of ...

23

Article: Album Review

Satoko Fujii: Satoko Fujii Solo

Read "Satoko Fujii Solo" reviewed by Karl Ackermann


In celebration of her sixtieth birthday, pianist/composer Satoko Fujii plans to release twelve albums in one year; one for each month of 2018. With many other artists it would be fair to question whether such output would compromise the integrity of the music but Fujii is--and has been--one of the most inexhaustible artists of her kind. ...

6

Article: Album Review

Satoko Fujii: Solo

Read "Solo" reviewed by Dan McClenaghan


Any solo performance in any discipline--oration, gymnastics, stand-up comedy, music--walks a line between ho-hum and outstanding, between masterful and magnificent. For the pianist, the solo show offers a daunting challenge, and potentially the greatest reward. Japanese pianist Satoko Fujii takes the alone-at-the-keyboard challenge with the first disc in a proposed “one CD release ...

9

Article: Album Review

Satoko Fujii: Solo

Read "Solo" reviewed by Mark Corroto


Solo piano performances generally fall into one of two categories--introverted or extraverted affairs. Obvious examples of extraverts are Fats Waller and Art Tatum, while inward-looking pianists are Brad Mehldau and Bill Evans. Extraverts play music pointed at the audience, while introverts internalize the experience. How then do we categorize the music of Satoko Fujii? ...


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