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Instrumental Duos
by Karl Ackermann
The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...
Meroli: Notturni
by Chris May
Jazz has a great track record when it comes to film scores. Standouts include Miles Davis' soundtrack for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959) and Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962). There are dozens more, particularly from the 1950s and 1960s, before rock became the ...
EABS: Discipline Of Sun Ra
by Chris May
Poland's future-jazz collective EABS brightened up summer 2020 with Erozje (Astigmatic), made by a breakout quartet going under the name Bloto. Those musicians—keyboardist Marek Pedziwiatr, saxophonist Olaf Wegier, electric bassist Pawel Stachowiak and drummer Marcin Rak--return to the mothership for Discipline Of Sun Ra, EABS' fifth studio album, on which they are joined by trumpeter Jakob ...
Komeda: A Private Life In Jazz
by Ian Patterson
Komeda: A Private Life In Jazz Magdalena Grzebałkowska 456 Pages ISBN: 978 1 78179 945 1 Equinox Publishing2020 That it has taken over fifty years for the first English-language biography of Krzysztof Komeda to appear reflects the pianist/composer's underground status outside his native Poland. Yet no history of European ...
Jazz & Film: An Alternative Top 20 Soundtrack Albums
by Chris May
Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...
Dark Side Trio: Industrial Song
by Chris May
The sophomore album from Kiev-based tenor saxophonist Danylo Vinarikov's Dark Side Trio is a tuneful, burnished affair which belies the rather forbidding name of the band, the seriosity of the album title and the dark satanic mills evoked by the sleeve art. The name of the band is also paradoxical, for the Dark Side Trio heard ...
Don Cherry: Cherry Jam
by Karl Ackermann
In the same year that composer/multi-instrumentalist Don Cherry recorded his milestone Complete Communion (Blue Note, 1966) he took his cornet to the studio of Danish National Radio. Cherry had established himself by the early 1960s, playing with Steve Lacy, Ornette Coleman, Paul Bley, John Coltrane, Charlie Haden, Archie Shepp, Albert Ayler and Ed Blackwell. Copenhagen began ...
New music from Wojtek Mazolewski
by Bob Osborne
On this show the featured release is the latest album by Wojtek Mazolewski Following the rhapsodic response to his debut Whirlwind release--a deluxe edition of Polka which, internationally, broke through into dance clubs and rock and indie festivals--the double bassist now focuses attention on the music of his compatriot Krzysztof Komeda (1931--1969), a legend ...
Results for pages tagged "Krzysztof Komeda"...
Krzysztof Komeda
Born:
Christopher Komeda's big time began back at the time of the I Sopot Jazz Festival in August 1956, but his ties with music were much older. Born in Poznan in 1931 he took piano lessons since his childhood and his first dreams were to be a famous virtuoso. They were no daydreams for at the age of eight he started at the Poznan conservatory. But the war upset his plans. During the war and later, until 1950 he continued to study the piano and theory but he was aware the six years were actually lost. Having graduated from secondary school he had to make up his mind as to his further studies. He wanted to have an exciting job and so he became an M
Piotr Damasiewicz & Power Of The Horns Ensemble: Polska
by Chris May
Poland's jazz tradition is perhaps the deepest rooted in all of Europe. Only Britain can rival it. But unlike British jazz, Polish jazz began in part as a declaration of protest against slavery and repression, as did that of its American parent, and this has given it a special quality. The slavery and repression were occasioned ...
