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Steve Lehman Trio + Craig Taborn: The People I Love
by Mark Corroto
It is easy think about the shock of the new that was bebop when listening to The People I Love by alto saxophonist Steve Lehman's trio. Not that Lehman plays bebop as it was in the 1940s. It took mammals millions of years of evolution to climb down out of trees and fashion tools, but it ...
Polly Gibbons: Jazz or Blues, It's The Feeling
by R.J. DeLuke
British singer Polly Gibbons is past the up-and-coming stage. Her strong will, passion and impressive talent continue to propel her down a path where more good things are sure to come. An indication of her prodigious talent is heard on her latest release, and third for Resonance Records, All I Can Do. It's a ...
Tommy Halferty & Norma Winstone: Tommy Halferty Invites Norma Winstone
by Ian Patterson
Though the collaboration between Irish guitarist Tommy Halferty and English singer Norma Winstone goes back twenty five years, this, surprisingly, is the duo's debut recording. That it came about at all is thanks to the lever pulling of Irish jazz impresario Allen Smith, who first brought Winstone across the pond in the early 1990s. Winstone and ...
Ernest Turner: My Americana
by Dan McClenaghan
Pianist Ernest Turner could have gone after the Great American Songbook--Cole Porter, George Gershwin, Lerner and Loewe--a repertoire he has learned well. Instead, on My Americana, he turns toward the sounds that reflect how he grew up, music taken from the African-American experience, with tunes from Thelonious Monk, Kenny Kirkland, Stevie Wonder and Fats Waller, along ...
The Branford Marsalis Quartet at Jazz Standard
by Peter Jurew
Branford Marsalis Quartet Jazz Standard New York, NY February 20, 2019 The Branford Marsalis Quartet came into New York's Jazz Standard in late February to showcase The Secret Between The Shadow And The Soul, their first new album release in seven years and, in marking the special occasion, ...
James Johnson III: Full Circle
by Mackenzie Horne
Pittsburgh drummer James Johnson III has spent the past several years developing his songwriting style—the results of that development can be heard at length on the drummer's sophomore solo record, Full Circle. Full Circle is not only more subdued than 2014's Between ( James Johnson III), but it is also more stylistically uniform. This record is ...
Jazz Musician of the Day: Kenny Kirkland
All About Jazz is celebrating Kenny Kirkland's birthday today! Beginning his career as a teacher of classical music, Kenny Kirkland next became a jazz musician. Later he emerged from his jazz chrysalis as a practitioner of exotic pop/rock music and finally shed his wings to follow the mundane but financially more stable profession of studio musician. ...
The Jazz Bubble: Neoclassical Jazz in Neoliberal Culture
by Ian Patterson
The Jazz Bubble: Neoclassical Jazz in Neoliberal Culture Dale Chapman282 PagesISBN: 9780520279384 University of California Press 2018 What explains vibraphonist Stefon Harris giving a TED talk at a conference devoted to behavioral finance? Why would one of the world's largest investment banks sink $10 million into the New Orleans ...
Andreas Varady: Guitar Wizard On The Rise
by R.J. DeLuke
Listening to Andreas Varady play guitar, it's difficult to guess his age. Its not just the fleet fingers across the fret board, the subtle bending of notes and the dexterity. Many young players display those features. He possesses a warm tone, a mature style with free-flowing ideas that go to interesting places. His style is mature ...
Stafford Hunter: Continuum
by Paul Rauch
Stafford Hunter is known as a trombonist who grew out of the modern paradigm set by Steve Turre. He also shares a unique quality with Turre, in that he is an expert player of conch shells in the jazz idiom, joining him in the ensemble, Steve Turre and Sanctified Shells. While this tie with ...
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