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Album

Where We Started

Label: Tone Rogue Records
Released: 2020
Track listing: I: Preludio; II: Winds, Currents; III: Tunnels, Speed; O Vos Omnes; Nemesis; IV: Marshes, Amphibians; Oh Bess, Oh Where’s My Bess; Where We Started.

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Article: Album Review

Julian Shore: Where We Started

Read "Where We Started" reviewed by Troy Dostert


A pianist of uncommon sensitivity and graceful temperament, Julian Shore crafts music with atmosphere and feeling, aiming for emotional depth rather than settling for typical jazz devices. On Where We Started, his third release, he offers eight well-honed tracks which are both evocative and nuanced; while they might not win over the uninitiated in a crowded ...


About Julian Shore

Results for pages tagged "Julian Shore"...

Musician

Julian Shore

Born:

Pianist Julian Shore is known for his "deep maturity as a composer and bandleader" (DownBeat), and his work as both a versatile sideman, and experienced bandleader has JazzTimes calling him one of the “leaders of the young jazz piano scene.” Bandcamp glows “his melodies are fueled by a powerful blend of contemplation and exploration. It’s just as easy to immerse yourself in any single moment as it is to be swept away by the entire epic journey.”

         Based in New York, Shore has become one of the city’s most sought-after pianists. He has performed domestically and abroad with artists as varied as John Patitucci, Gretchen Parlato, George Garzone, Theo Bleckman, Chico Pinheiro, Brian Blade, Chris Speed, Sara Gazarek, Caroline Davis, Noah Preminger, Dave Stryker, Don Braden, säje, among many others. He’s appeared at Carnegie Hall, the Kennedy Center, Blue Note, Jazz at Lincoln Center and major venues and festivals across Europe, Asia and South America.

Album

Which Way Now?

Label: Tone Rogue Records
Released: 2016
Track listing: Our Story Begins On A Mountain; Which Way Now?; Back Home; Moss, Mansion, Sandstorm; Alpine; Across The Ice; Con Alma; All Heart; Pine Needles; Lullaby (From Clair De Lune).

Article: Album Review

Julian Shore: Which Way Now?

Read "Which Way Now?" reviewed by Vincenzo Roggero


L'inizio è promettente. Archi che aprono gentilmente le danze, sinuosi e senza smancerie, accordi di pianoforte che introducono la melodia, il dialogo tra le parti intimista, ricco di suggestioni, evocativo, con piccole anomalie che esaltano l'armonioso incedere complessivo. Poi Wich Way Now si incanala verso un'esercizio di stile. Tutto perfettamente calibrato, la precisione ...

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Article: Album Review

Francisco Pais' Lotus Project: Verde

Read "Verde" reviewed by Dan Bilawsky


Despite this album's title, it's not a monochromatic musical affair. In fact, it's one of the most kaleidoscopic offerings to touchdown in 2016. Guitarist Francisco Pais pulls together a collection of New York's finest young-ish guns to breathe life into his variegated works--pieces that alternately touch on everything from indie rock to modern ...

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Song of the Day

Which Way Now

Album:
By
Label: Tone Rogue Records
Released: 0
Duration: 8:42

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Article: Album Review

Julian Shore: Which Way Now?

Read "Which Way Now?" reviewed by Dan Bilawsky


If the jazz world decided to elect a single questioning phrase to sum up its craft, this album title would be a great candidate. With three words and a single punctuation mark, the very heart of jazz--a music of infinite decision(s), not indecision, as some may (mis)read that--is laid out for all to see. Those who ...

Article: Album Review

Michael Feinberg's Humblebrag: Live at 800 East

Read "Live at 800 East" reviewed by Angelo Leonardi


Nato ad Atlanta ma stabilitosi a New York nel 2009, il bassista e compositore Michael Feinberg è uno dei migliori jazzmen emergenti del decennio. Poco più che 25enne ha già inciso alcuni dischi a suo nome, tra cui spicca l'Elvin Jones Project, registrato nel 2012 per la Sunnyside con la presenza di nomi illustri quali Billy ...

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Article: Extended Analysis

Michael Feinberg's Humblebrag: Live at 800 East

Read "Michael Feinberg's Humblebrag: Live at 800 East" reviewed by Dave Wayne


Blending modern jazz with any aspect of funk or R&B is a risky proposition for a young jazz musician. No matter how personal one's concept may be, or how artfully executed, a segment of the jazz- listening population is going to yell “sellout!" at the first electric bass slap. Though he doesn't do slap bass, Michael ...


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