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Julian Shore
Pianist Julian Shore is known for his "deep maturity as a composer and bandleader" (DownBeat), and his work as both a versatile sideman, and experienced bandleader has JazzTimes calling him one of the “leaders of the young jazz piano scene.” Bandcamp glows “his melodies are fueled by a powerful blend of contemplation and exploration. It’s just as easy to immerse yourself in any single moment as it is to be swept away by the entire epic journey.”
Based in New York, Shore has become one of the city’s most sought-after pianists. He has performed domestically and abroad with artists as varied as John Patitucci, Gretchen Parlato, George Garzone, Theo Bleckman, Chico Pinheiro, Brian Blade, Chris Speed, Sara Gazarek, Caroline Davis, Noah Preminger, Dave Stryker, Don Braden, säje, among many others. He’s appeared at Carnegie Hall, the Kennedy Center, Blue Note, Jazz at Lincoln Center and major venues and festivals across Europe, Asia and South America.
As an educator Shore remains active in a variety of settings. He was an artistic consultant for Herbie Hancock’s Master Class for masterclass.com, and transcribed and notated hundreds of pages of Herbie’s piano performance for the course. He teaches privately at the New School, through the New York Jazz Academy, and has presented workshops and masterclasses at universities and performance venues across the globe.
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Julian Shore: Sharing Secrets Under The Rose
by Dean Nardi
Piano trios walk the thin line between exhibitionism and intimacy, and you can look no further than Bill Evans whose tones vibrated ever so slightly with the distant thrill of zeal. Despite insistent attempts to overlook its worthiness in contemporary jazz, the piano trio is alive and well, in good hands with pianists such as Kris Davis, whose Run the Gauntlet (Pyroclastic Records, 2024) with Robert Hurst and Johnathan Blake sends shivers up and down the spine. The Sunna Gunnlaug ...
Continue ReadingJulian Shore: Sub Rosa
by Jack Kenny
Sub Rosa demonstrates that Julian Shore now plays a key role in the evolution of the jazz piano trio. The jazz piano trio can be seen as the genre's answer to the classical string quartet. Both demand exceptional playing skills, intense listening, and a delicate balance among musicians. However, achieving this quality in a jazz trio is arguably more challenging, as musicians improvise rather than relying entirely on scores. This makes a deep, collusive camaraderie essential.
Continue ReadingNoah Preminger: Ballads
by Pierre Giroux
Noah Preminger has long been an artist who thrives at the intersection of tradition and innovation. On Ballads, the tenor saxophonist delves into the depths of lyricism with a quartet that exudes understated intensity: pianist Julian Shore, bassist Kim Cass, and drummer Allan Mednard. This release communicates in whispers rather than shouts, yet it never loses its sense of adventure. Preminger's tone -warm, breathy, elastic, guides the listener through a charming set of originals, carefully selected ...
Continue ReadingCaroline Davis: Portals, Volume 2: Returning
by Vincenzo Roggero
Il precedente Portals Volume 1: Mourning nasceva dalla necessità di rielaborare la morte improvvisa del padre attraverso una musica che curasse il dolore e conservasse i ricordi migliori. In quel disco, Caroline Davis, sassofonista, flautista, compositrice ed educatrice statunitense nata a Singapore da padre inglese e madre svedese, accostava al suo classico quintetto un quartetto d'archi. Portals vol.2 : Returning è invece un omaggio a Joan Anson-Weber, poetessa nonché nonna di Caroline, e farla da padrone sono in questo caso ...
Continue ReadingNoah Preminger: Ballads
by Dan Bilawsky
Balladry becomes Noah Preminger. And that may come as a surprise to some. Over the past seventeen years and about as many releases, this critically-acclaimed tenor saxophonist has often made his mark going the opposite way--in myriad bold-and-beyond settings where he's thrown haymakers with precision, explored duo dynamism with bassist Kim Cass, pushed the envelope through the demanding music of Steve Lampert, or investigated the gravity of the delta blues with a probing mindset. Yet there's something about his softer ...
Continue ReadingNoah Preminger: Ballads
by Alberto Bazzurro
Il ritorno a casa. Col suo bellissimo suono di tenore, Noah Preminger inanella in meno di trentotto minuti sette sue composizioni ispirate--anzi totalmente concepite--nel segno del titolo, molto semplicemente Ballads. E qui naturalmente si apre la querelle: i tradizionalisti andranno in brodo di giuggiole (evocando magari l'omonimo album di John Coltrane), perché il disco è assolutamente perfetto (o lì nei pressi), altri--come chi scrive--conoscendo, e apprezzando, la curiosità creativa del trentottenne sassofonista del Connecticut, la sua capacità di mettere il ...
Continue ReadingNoah Preminger: Ballads
by Jack Kenny
Noah Preminger is a philosophical, thought-through artist who can gauge the impact of his playing and his thinking on his intended audience. It is interesting to compare Preminger's Ballads to John Coltrane's Ballads (Impulse!, 1963), an illuminating set of familiar tunes that was reputedly instigated after his quartet's first tour of Europe, with Eric Dolphy in tow. Accusations of “anti-jazz" flew. It was hoped that this step back into the Standards on his Ballads album would answer the"anti- jazz" accusations. ...
Continue Reading"Julian Shore shows deep maturity as a composer and bandleader" Downbeat
"His name belongs among the leaders of the young Jazz piano scene" JazzTimes
"Shore is a rising star with a wide gaze and a firm sense of self" All About Jazz
"His melodies are fueled by a powerful blend of contemplation and exploration. It’s just as easy to immerse yourself in any single moment as it is to be swept away by the entire epic journey” Bandcamp
Primary Instrument
Piano
Willing to teach
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Must Keep Going
From: Sub RosaBy Julian Shore
Carry Me Ohio
From: BalladsBy Julian Shore
Which Way Now
From: Which Way NowBy Julian Shore
