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William Parker Orchestra: Essence of Ellington
by John Sharpe
Talk to any member of the so-called avant-garde, and what is immediately apparent is a deep familiarity and love of the tradition. That's not to say that there is a desire to replicate: almost the opposite. New York City bass icon William Parker first began listening to Duke Ellington when he was seven years old. One ...
Mikolaj Trzaska / Olie Brice / Mark Sanders: Riverloam Trio
by John Sharpe
Mikolaj Trzaska (pronounced “Miko-why Chass-kuh") is not a name which drops off even the most assiduous jazz fan's lips. But on the evidence of this recording, it will become increasingly familiar outside his native Poland. Already the reedman has featured alongside American multi-instrumentalist Joe McPhee on the excellent Magic (Not Two, 2009), with reedman Ken Vandermark's ...
Narada Burton Greene: Live at Kerrytown House
by John Sharpe
Does the world need yet another solo piano album? Well if they are all as enjoyable as this then there would be no doubt as to the answer. Live At Kerrytown House captures veteran pianist Narada Burton Greene in pristine clarity on a well-tuned instrument, for an intimate set from Ann Arbor in 2010. Even though ...
Yusef Lateef: Roots Run Deep
by John Sharpe
Roots Run Deep forms a further installment in the ongoing strand of investigation into the marriage of words and music, which has found a home on the Paris-based Rogue Art label, that also includes Maison Hantee (2009). It's unusual in that though issued under the name of veteran multi instrumentalist Yusef Lateef, the work was actually ...
Harris Eisenstadt: Canada Day III
by John Sharpe
The third installment in drummer Harris Eisenstadt's Canada Day adventure follows the same winning formula as established by Canada Day (Clean Feed, 2008) and Canada Day II (Songlines, 2011),carving out a distinctive niche on the contemporary jazz borderlands, with a nod to the '60s Blue Note territory of pianist Andrew Hill and reedmen Sam Rivers and ...
Harris Eisenstadt: Canada Day Octet
by John Sharpe
Drummer/composer Harris Eisenstadt has developed into one of the most imaginative writers on the scene for larger ensembles. On Canada Day Octet, he presents the latest installment following on from such larger scale works as All Seeing Eye + Octets (Poo-bah, 2007), and the wonderful Woodblock Prints (No Business, 2010). But this time, the difference is ...
Various Artists: 13 Miniatures for Albert Ayler
by John Sharpe
Tributes come in many forms. Most blatant is the repertory regurgitation of charts associated with the dedicatee or modern takes on that program. Then comes homage, influenced by the historical figure in question, with works in a contemporaneous style. Finally, there appears art inspired by the spirit of the honoree. It is into this last division ...
William Parker: Centering - Unreleased Early Recordings 1976-1987
by John Sharpe
William ParkerCentering: Unreleased Early Recordings 1976-1987No Business Records2012Nobusiness Records has been building up to this monumental, six-disc cache of unreleased early recordings by bassist William Parker for some time. The Lithuanian label's unsurpassed documentation of the New York City loft jazz era has so far encompassed reissues and ...
Wadada Leo Smith: London, England, August 27, 2012
by John Sharpe
Wadada Leo SmithCafé OtoLondonAugust 27, 2012As if searching for the perfect setting, for the second night of his two-day residency at north London's Café Oto, legendary AACM trumpeter Wadada Leo Smith was pitched against two contrasting ensembles drawn from the capital's reservoir of improvising talent. First up was a brass trio, ...
Joe Morris / William Parker / Gerald Cleaver: Altitude
by John Sharpe
Guitarist Joe Morris is on a roll. Hardly a month goes by without a new release featuring the Boston-based musician. Of course, he doubled his chances by adding acoustic bass to his armory alongside his six-stringed axe. It's the latter he wields on this trio date featuring bassist William Parker and drummer Gerald Cleaver, captured at ...
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