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Marc Johnson / Eliane Elias: Swept Away
by John Kelman
It's a relatively rare occasion when Marc Johnson releases an album under his own name, but based on the bassist's track record--from Bass Desires (ECM, 1985) through to Shades of Jade (ECM, 2005)--it's always one to celebrate. As Johnson fast approaches 60, it seems like only yesterday that he emerged as the bassist in Bill Evans' ...
Punkt 2012: Kristiansand, Norway, September 6-8, 2012
by John Kelman
Punkt Festival Kilden Performing Arts Centre Kristiansand, Norway September 6-8, 2012Another year, another Punkt. If that sounds flippant or dismissive, that's not the intention; instead, it's a reflection that a year simply isn't complete without visiting Kristiansand, Norway, for the Live Remix festival that continues to expand its network and garner attention ...
Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note
by John Kelman
The idea of going into a club and playing a set of standards without any plans, preconceptions or pre- arrangements ain't exactly new; it's what plenty of jazz musicians do, each and every night. But it's one thing to go in and run down some Real Book charts, head-solo-head style, and give everyone a chance to ...
Mike Nock / Laurenz Pike: Kindred
by John Kelman
Despite the lack of major label support--or, perhaps, as a result of it--jazz appears to be in a strange period of ascendancy, where the number of people playing it seems diametric to the industry support it receives. New Zealand-born Mike Nock should know; since relocating to Sydney, Australia in the mid-1980s--after spending a quarter century in ...
Travis & Fripp: Follow
by John Kelman
The potential of the improvising duo has been tremendously extended thanks to the seemingly limitless possibilities of technology. King Crimson co-founder/guitarist Robert Fripp has always been on the cutting edge of that technology, whether in the context of his now-deserted flagship group, on his groundbreaking duo recordings with Brian Eno or alone, with his series of ...
Brad Mehldau Trio: Where Do You Start
by John Kelman
Hot on the heels of Brad Mehldau's Ode (Nonesuch, 2012)--the pianist's first all-original set with his current trio--comes Where Do You Start, culled from the same recording sessions but, with the exception of one Mehldau tune, all cover material. This isn't the first time Mehldau has split a particularly fruitful session down the same compositional line: ...
Simin Tander: Softly, As In A Morning Dew
by Ian Patterson
For many people around the world, the word jazz evokes a singer in a bar, club, restaurant or hotel, reworking the standards of yore. Vocal jazz has such a high profile, relatively speaking, because radio stations and TV stations largely balk at the idea of instrumental music, and, easy listening-as a lot of vocal jazz tends ...
What Is Jazz Now?
by Dom Minasi
Back in February, All About Jazz Managing Editor John Kelman asked me to develop a column based on points I made in the comment section of the article BAM or JAZZ: Why It Matters. I still feel the same way, but trumpeter Nicholas Payton's statement that jazz died in 1959 made me think, and I've been ...
Django Bates Beloved: Confirmation
by John Kelman
In the jazz world, groups often convene for special projects, though, more often than not, the participants then usually go their separate ways, even if the underlying concept- -or, even, just the band's chemistry--suggests further continuance. When Django Bates put together Belovèd Bird (Lost Marble, 2010), it seemed likely that the maverick British pianist, composer and ...
Jan Bang / Erik Honore: Uncommon Deities
by John Kelman
Jan Bang / Erik Honoré Uncommon Deities SamadhiSound 2012 As the 2012 Punkt Festival debuts its eighth annual edition at its home base of Kristiansand, Norway--but this time, in the brand new, state of the art Kilden Performing Arts Centre--it has gradually evolved into something more than just a festival. The ...
