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1

Article: Interview

Tino Tracanna: L'arte della sintesi

Read "Tino Tracanna: L'arte della sintesi" reviewed by Angelo Leonardi


La pubblicazione dell'ultimo album di Tino Tracanna, Distilled, che è anche il debutto discografico del nuovo trio, ci ha dato l'occasione per parlare con uno dei protagonisti del jazz in Italia. Alla presentazione del nuovo lavoro segue un'ampia discussione sugli elementi costitutivi della sua musica, sugli artisti a lui più cari, sulla didattica nei ...

3

Article: Take Five With...

Take Five with Zvonimir Tot

Read "Take Five with Zvonimir Tot" reviewed by AAJ Staff


Musician Zvonimir Tot: Zvonimir Tot (z-VON-e-mere TOTE) is a Chicago-based jazz guitarist, composer and arranger with a style deeply rooted in the jazz tradition but flavored by his European origin. Tot has performed in the United States, Belgium, Croatia, Germany, Hungary, Macedonia, Mexico, the Netherlands, Portugal, Romania, Serbia, South Africa, and Spain. He has performed and/or ...

48

Article: Building a Jazz Library

Saxophone Colossi: An Alternative Top Ten Banging Albums

Read "Saxophone  Colossi: An Alternative Top Ten Banging Albums" reviewed by Chris May


Miles Davis once said you could tell the history of jazz in four words: Louis Armstrong, Charlie Parker. You might want to add John Coltrane, you might even want to add Davis. But however you cut it, saxophones and trumpets have been the flag bearers of the music. Trumpets got things rolling and saxophones came into ...

5

Article: Album Review

Gustav Lundgren: Live At Fasching

Read "Live At Fasching" reviewed by Chris May


If the Norway's Eivind Aarset is one side of Scandinavian fretboard virtuosity, Sweden's Gustav Lundgren is the other. Aarset works with experimentalists such as Jon Hassell and Jan Bang. Lundgren is more straight-ahead, evoking Jack Wilkins and Pat Metheny. Both guitarists, however, are lyrical players. If you enjoy the linear melodism of Lundgren's Live At Fasching, ...

Article: Album Review

Steve Cardenas: Blue Has A Range

Read "Blue Has A Range" reviewed by Angelo Leonardi


Espressi con uno stile del tutto personale, ritroviamo in Steve Cardenas la ricchezza di accenti, le sfumature cromatiche e il patrimonio di sottigliezze melodiche e ritmiche che hanno caratterizzato -da prospettive diverse-chitarristi ben più noti di lui: ad esempio Jimmy Raney, Jim Hall e Pat Metheny. Il chitarrista è tanto significativo quanto riservato e ...

81

Article: Building a Jazz Library

Guitar Gods & Goddesses: An Alternative Top Ten Albums

Read "Guitar Gods & Goddesses: An Alternative Top Ten Albums" reviewed by Chris May


Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...

182

Article: Interview

Gabriel Vicéns: A Growing Voice In Jazz

Read "Gabriel Vicéns: A Growing Voice In Jazz" reviewed by R.J. DeLuke


Guitarist Gabriel Vicéns from Guaynabo, Puerto Rico, has only been on the New York City scene for about five years. But his rich tone and engaging style have gained him a reputation--still growing--as a remarkable voice and an artist with something valid to say. He's not a guitar shredder, though he has plenty of ...

18

Article: Album Review

Nir Felder: II

Read "II" reviewed by Mike Jacobs


Six years after the release of his solo debut, Golden Age (Okeh, 2014), Nir Felder's follow-up II brings into sharper focus some of the guitarist's more compelling dichotomies as a player. His instrument of choice is the usually more crystalline-sounding Stratocaster but Felder somehow elicits a fatter-than-a-big-ol'-jazz-box tone from it. His style as ...

8

Article: Interview

Benjamin Koppel: Curiosity Won't Kill This Cat

Read "Benjamin Koppel: Curiosity Won't Kill This Cat" reviewed by R.J. DeLuke


Benjamin Koppel is an extraordinary Danish musician from an illustrious music family. He is all about music—of just about any kind. He's always absorbing it, discovering what there is to derive from it. A kind of restless desire to explore envelops him. He simplifies it in his own words: he's curious. It comes naturally to him. ...

15

Article: Album Review

Paul Desmond: The Complete 1975 Toronto Recordings

Read "The Complete 1975 Toronto Recordings" reviewed by C. Andrew Hovan


Even if he had never played another note following the break-up of the Dave Brubeck group in 1967, alto saxophonist Paul Desmond would have entered the history books as one of music's most brilliant improvisers. During his 17 years with Brubeck, Desmond proved himself to be an indispensable part of that quartet with a wistful and ...


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