Results for "Harry Miller"

Harry Miller

Keith Tippett: 100 Best Foots Forward

By DUNCAN HEINING

From the Albert Hall at twenty-two with a fifty-piece band to picking potatoes to make ends meet a decade later, Keith Tippett's life in music could sum up many a jazz career. After a grim '80s, things now look better for the composer, pianist and bandleader. “What I'm about to say is ridiculous but it was ...

Wodgi

By DUNCAN HEINING

Trumpeter Dave Holdsworth has graced a number of key jazz recordings over the years, notably with Mike Westbrook, Barry Guy and Tony Oxley. At the same time, he recorded rather less than many of his peers from that important period in British jazz in the late '60s/early '70s. Instead of the vagaries of a career in ...

King Crimson: Sailors' Tales 1970-1972

By JOHN KELMAN

If it's a fundamental truth that adversity can sometimes bring the absolute best, creatively speaking, out of music and the people who make it, then the roughly 23 months following the release of King Crimson's classic 1969 debut, In the Court of the Crimson King (Island)--and, after a single North American tour, the breakup of its ...

Mike Osborne: Force Of Nature - Part 1-2

By BARRY WITHERDEN

Part 1 | Part 2 Some three-and-a-half minutes into Release, the Deram recording of Mike Westbrook's seminal suite mixing Swing classics with Westbrook originals, after a scorching solo by John Surman on “The Few," an alto saxophone cadenza emerged from a free ensemble passage: the tone was penetrating, incisive, severe, the phrasing intense, passionate ...

Mats Gustafsson

By VINCENZO ROGGERO

If Mats Gustafsson's approach to music were to be described with a single adjective, it would have to be “intense." This applies to him both as a musician, as illustrated by over three decades of playing with stalwarts of the free and creative jazz scenes on both sides of the Ocean (Ken Vandermark, Peter Brötzmann, Joe ...

Mats Gustafsson

By VINCENZO ROGGERO

1. Hank Mobley, Hank Mobley (Blue Note, 1957). Il disco jazz definitivo?! È tutto perfettamente bilanciato in questa supersession. Il sax tenore è poetico e la tromba di Art Farmer non è mai stata così lirica ed emozionante. Art Blakey è un genio dello swing e la foto di copertina è una delle mie ...

Malcolm Griffiths: A Man For All Seasons

By DUNCAN HEINING

We talk often of the stars, like 'Trane and Miles. We remember the bandleaders, such as Basie and Duke. We even recall the composers and arrangers, Ellington again, Gil Evans and Monk. And we never forget those star soloists like Johnny Hodges or Lester Young. But the guys in the machine room, the guys who make ...

Julie Tippetts: Didn't You Used To Be Julie Driscoll?

By DUNCAN HEINING

The respect in which Julie Tippetts is held by her fellow musicians and fans is truly heartening--and truly deserved. Back in the late sixties, then Julie Driscoll, she gave up a very different career trajectory in music, one that had begun with Steampacket and continued with Brian Auger & The Trinity, to follow a journey characterised ...

The Blue Notes and the Brotherhood of Breath - Marching to a Different Drum

By DUNCAN HEINING

Early one August morning in 1964, seven people crossed the border by train passing from South Africa into Mozambique. It was an unusual group of people--five black men, one white man and one white woman. Any “mixing of the races" was, of course, immediately suspicious in apartheid South Africa. The six men--Louis Moholo, Chris McGregor, Dudu ...