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Jazz in the Key of Japan: The J Jazz Masterclass Series on BBE
by Jakob Baekgaard
It's widely known that Japan is a country with a jazz-loving population. The audience appreciates the music and shows it proper respect. It has been that way for a long time. In fact, the history of jazz in Japan goes back to the 1920s when jazz was still popular dance music. Since then, the music has ...
Donald Byrd: Ethiopian Knights
by Chris May
Donald Byrd (1932-2013) was a solid and dependable and prolifically recorded hard-bop trumpeter during the style's mid 1950s to mid 1960s heyday, though he was never an innovator, far less an auteur. He later went on to make a string of tedious disco-cum-jazz-funk albums which sold by the truckload. On the cusp of this ...
50th Anniversary Blue Notes from August 1969
by Marc Cohn
Salutes to Blue Note recordings by organists John Patton (with James Blood Ulmer on guitar) and Lonnie Smith (live in Atlantic City), vibraphonist Bobby Hutcherson (with Harold Land), saxophonist Lou Donaldson (with Charles Earland), The Three Sounds, pianist Andrew Hill (from a session never formally released on Blue Note), as well as Wayne Shorter (with a ...
Jay Anderson: Deepscape
by Karl Ackermann
Jay Anderson took up the acoustic bass as a pre-teen, earned a Bachelor's Degree in Performance from CSU and cut his teeth playing with the Woody Herman Orchestra, right out of school. His deep resume includes classical performance with the Australian Chamber Orchestra, alternative music with Frank Zappa and Tom Waits, and pop with David Bowie. ...
Timeless All Stars: At Onkel Po's Carnegie Hall: Hamburg 1982
by Chris May
They were timeless and they were all stars. Bobby Hutcherson, Harold Land, Curtis Fuller, Cedar Walton, Buster Williams and Billy Higgins got together in the early 1980s to play post-hard-bop jazz in the studio and on the US and European performance circuits. The band recorded three fine albums between 1982 and 1986. At Onkel Po's Carnegie ...
Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays
by Arthur R George
Sociologist, anthropologist, historian: storyteller, raconteur, entrepreneur and griot, in the guise of a deejay. Registrar, dean, professor: The jazz class of Sonny Buxton is barely concealed as entertainment within his weekly radio program every Saturday 10 a.m. to 2 p.m. Pacific time on San Francisco Bay Area FM station KCSM 91.1, streaming live on kcsm.org.
A New Shade Of Blue
By Harold Land
Label: We Want Sounds
Released: 2018
Track listing: A New Shade Of Blue; Mtume; Ode To Angela; De-Liberation; Short Subject;
Dark Mood.
Jay Thomas: We Always Knew
by Paul Rauch
Legacy is a fleeting notion. It is incomprehensible in real time when a career hits high points, when certain doors open to quantitative opportunity. Jay Thomas can tell you a thing or two about that, based on his own personal experience as a jazz artist over half a century. His story includes playing on the Seattle ...
Blue Note 50th Anniversaries: November 1968 & More
by Marc Cohn
We celebrate the 50th anniversary of Blue Note sessions recorded in November, 1968 from Lou Donaldson (with Charles Earland, Blue Mitchell, Jimmy Ponder and Idris Muhammad), Bobby Hutcherson (with Stanley Cowell and Harold Land) and McCoy Tyner. Bien sur, there's more, including 78 rpm recordings of The Port Of Harlem Jazz Men from 1939--the ...
Jack Wilkins: Windows
by Chris May
Guitarist Jack Wilkins' debut on producer Bob Shad's Mainstream label lay gathering dust for almost forty-five years before being reissued on CD by Solid Records in 2017. That disc, and now WeWantSounds' 2018 vinyl edition, have restored to general circulation an album that can be filed alongside such mid-twentieth century jazz-guitar gems as Johnny Smith's Moonlight ...
