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Anthony Braxton: Creative Orchestra (Koln) 1978
by Glenn Astarita
Composer and multi-reedman Anthony Braxton's complex and personalized compositional paradigms emanated in the 1960s, underscored by 12 language types, diagrams, and other methodologies to complement the improvisation aspect. On this double-disc, 2009 reissue of a 1978 concert, Braxton employs a diverse dream team including reedmen Marty Ehrlich and Ned Rothenberg and trumpeter Kenny Wheeler. Consequently, Braxton ...
Teddy Presberg: Outcries From A Sea Of Red
by Glenn Astarita
Guitarist Teddy Presberg's brand of jazz, funk, and infusion of psychedelic wah-wah guitar parts, offers a stylistic amalgamation that hints at the past and aligns with a modernistic ideology, coupled with memorable hooks. Outcries From A Sea Of Red is an extension of previous roads traversed and features saxophonist Jim Stevens with other guest artists.
Taylor's Universe: Artificial Joy
by Glenn Astarita
Danish composer and multi-instrumentalist Robin Taylor is one of the hardest working progressive rockers in the business. Based on the strength of his rapidly growing discography and forthright intentions, his Taylor's Universe band features some longtime collaborators, despite occasional personnel shifts. Artificial Joy remains consistent with his penchant for imbuing knotty deviations on top of burgeoning ...
Dave Sharp's Secret Seven: 7
by Glenn Astarita
Bassist Dave Sharp and his Secret Seven ensemble interconnect an expansive jazz layout with New Orleans swamp-funk, world-beat rhythm structures, and variable components of Eastern and Western fare. They propagate a cheery panorama via these sustainable compositions, often highlighted by memorable hooks and edgy soloing ventures by multi-reedman Chris Kaercher and others. Variety looms as a ...
Rodrigo Amado: Motion Trio
by Glenn Astarita
Portuguese saxophonist Rodrigo Amado is one of the busier and more productive European jazz improvisers. He follows up his superfine trio release, The Abstract Truth (European Echoes, 2009), with a new and equally explosive rhythm section. Here, cellist Miguel Mira and drummer Gabriel Ferrandini replace eminent improvisers, bassist Kent Kessler and drummer Paal Nilssen-Love. ...
Lull: The Zipper
by Glenn Astarita
Excitement, expert musicianship and vigor are fused into an adventurous program via these four European instrumentalists, who reunite after life's circumstances separated them approximately four years ago. In practical terms, the group moniker might serve as the antithesis of what the quartet has to offer. Indeed, they are not aiming to lull anyone into some form ...
Eddie The Rat: Food For The Moon Too Soon
by Glenn Astarita
Composer, multi-instrumentalist and bandleader Peter Martin describes the methodology of his band, Eddie The Rat, as “head music for your feet." Here, the Bay Area twelve-piece unit is captured live in 2001 at Artist's Television Access in San Francisco. And when citing Martin's use of various instruments, it is worth noting that some of them include ...
Ergo: Multitude, Solitude
by Glenn Astarita
Keyboardist Carl Maguire is a multifaceted artiste, often-heralded for his work in various jazz-related formats for Between The Lines, MoonJune Records and other progressive record labels. On this trio's second CD, Maguire, trombonist/computer operator Brett Sroka and drummer Shawn Baltazor spawn an experimental muse, where rigid definitions or categorizations, justifiably fall flat. Essentially, the respective artists ...
Makajodama: Makajodama
by Glenn Astarita
The debut from this Swedish quartet, including guest hornists and percussionists, offers a refreshing glimpse into the sometimes, demure world of progressive rock. The press verbiage draws parallels to King Crimson and Univers Zero, amid a few other cutting edge and irrefutably unique prog outfits, partly due this unit's acute fusion of thorny time signatures and ...
Nicolas Masson Parallels: Thirty Six Ghosts
by Glenn Astarita
Switzerland reared tenor sax ace and composer Nicolas Masson draws inspiration from Yoshitoshi Taiso's (1839-1892) woodblock paintings. Hence, emotion and impressionism is projected via the power of jazz music, as Masson and his quartet render a poly-angled view that incorporates the artist's lucid imagery and contrasting colors. With Thirty Six Ghosts, the saxophonist leads a concentrated ...
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