Home » Jazz Articles » Album Review » Eddie The Rat: Food For The Moon Too Soon
Eddie The Rat: Food For The Moon Too Soon
Eddie The Rat delves into abrasive minimalist ventures and eerie soundscapes amid notions of ascending onto the "other side." The unusual instrumentation is partly equalized by Bill O'Mahony's skronk-like rock guitar phrasings and the core rhythm section's sturdy beats. With booming bass ostinatos and psycho voices, the band embeds a massive array of factors into its repertoire.
On "Spiritual Amnesia," Heather Bradley's rather aching, lead vocals set the stage for a cosmic folk-rock-psychedelic jaunt that teems with dissonant treatments and Jesse Hix's quirky Jews harp lines. Depending on how the program is digested, the music can appear to intimate a blurry nightmare or perhaps a fitting soundtrack for Ouija board fare. Regardless, it's a strangely interesting trip, underscored by the ensemble's offbeat and entertaining manner of spinning a tune.
Track Listing
Metabolized; Listen; Waiting for (Ain't Never Gonna Get); Enlightenment Blues; Food for the Moon Too Soon Pt. 1; Cannibal; I Ovulate in Mode; Spiritual Amnesia; Food for the Moon Too Soon Pt. 2; Primordial Hoot; Life (as a Prosthetic-Workaround for the Soul).
Personnel
Peter J. Martin - (aka Pete Rat): conductor, lead vocals, sermonizing, piano, moog, guitar, birdcage, magazine rack, assorted odds 'n ends; Ronnie Camaro: electric bass, sparklers; Bill O'Mahony: electric guitar; Jesse Hix: contrabass, xylophone, jews harp; Warren Huegel: percussion, wine glasses; Brandon Foust: percussion, wine glasses; Heather Bradley: lead vocals; Molly Tascone: vocals; Floyd Labar: vocals; Jeanette Labar: vocals; Dione Ardania: vocals; Vonn Scott Bair: vocals.
Album information
Title: Food For The Moon Too Soon | Year Released: 2010 | Record Label: Edgetone Records
About Eddie The Rat
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







