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John Cage
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In 1952, David Tudor sat down in front of a piano for four minutes and thirty-three seconds and did nothing. The piece 4?33--written by John Cage, is possibly the most famous and important piece in twentieth century avant-garde. 4?33--was a distillation of years of working with found sound, noise, and alternative instruments. In one short piece, Cage broke from the history of classical composition and proposed that the primary act of musical performance was not making music, but listening. Born in Los Angeles in 1912, Cage studied for a short time at Pamona College, and later at UCLA with classical composer Arthur Schoenberg
Sergio Armaroli: The Musical Omnivore
by Mark Corroto
Sergio Armaroli is an Italian composer, percussionist, vibraphonist, teacher and visual artist whose music can be found on multiple labels including ezz-thetics, Leo Records, Dodicilune, Ictus Records and Da Vinci Classics. His 2025 releases include Deconstructing Ayler In The Universe (Dodicilune), And I Entered Into Sleep (Die Schachtel), and the ezz-thetics discs Introducing A Very Heavy ...
Two Great Composers From Decades Apart
by John Eyles
Although the Another Timbre label was originally set up in 2007 to release recordings of improvised music--its very first release was The Contest of Pleasures by John Butcher, Axel Dorner and Xavier Charles--it did not take long for it to be releasing recordings of modern compositions... The label's tenth release, Lost Daylight, was played by John ...
Craig Taborn / Nels Cline / Marcus Gilmore: Trio Of Bloom
by Mike Jurkovic
Maelstroms come and maelstroms go, but the maelstrom generated by a pumped-up Marcus Gilmore on Ronald Shannon Jackson's “Nightwhistlers," the concussive kicker that jump-starts Trio of Bloom, holds its storm-warning, jazz-rocking, course. That guitarist Nels Cline--cranked by the spirit of Jimi Hendrix via Bill Frisell circa late '87; and keyboardist Craig Taborn (himself a modern acolyte ...
Piano Four-té: Keyboard Masters Delight On A Quartet of ECM Luminessence Vinyl Reissues
by Joshua Weiner
Blue Note. Verve. Impulse! Prestige. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. Over the past half century, the German ECM label has earned its place in this pantheon by steadfastly following its own vision, perhaps best summed up by ...
Christy Doran & Izumi Kimura: Glacial Voyage
by Ian Patterson
One was born in Ireland in the aftermath of WWII and grew up in Switzerland on a diet of Jimi Hendrix; the other was born in Japan a generation later and trained in classical music. But neither time nor musical upbringing can drive a wedge between veteran guitarist Christy Doran and pianist Izumi Kimura. Though each ...
Marilyn Crispell: Fearless, Deeply Sensitive and Shaping the Moment
by Dean Nardi
As Marilyn Crispell talked about her multitude of recent recordings, either solo or with this trio or that quartet, she mentioned needing to pack her bags before going out on tour. She has lived in Woodstock, New York since 1977 and is comfortable there. “When I'm at home, not out recording, I look out in the ...
Sarah Hennies, Richard Valitutto: SOVT
by John Eyles
Composer and percussionist Sarah Hennies was born in Louisville, Kentucky, in 1979. She started playing drums when she was nine years old; in her teens she played drums with local college punk rock bands. She attended the University of Illinois, Urbana-Champaign before receiving a Master's degree from University of California, San Diego. After graduating from UC ...
Simon Toldam: Alt er Luft
by Jakob Baekgaard
There was a time when it was avant-garde to play loud and fast, but in a world that is already moving at full speed without looking back, the new avant-garde is to take it slow and reinstate the value of contemplation. It is hard to stretch time, and many movies have succumbed to fast cutting, but ...
Satoko Inoue: Presents Jo Kondo's Works For Piano 2015-2020
by Alberto Bazzurro
Inciso nei mesi di aprile e luglio 2022, questo album ci restituisce uno spaccato piuttosto significativo di una serie di recenti pagine per pianoforte, per lo più solitario, del compositore giapponese Jo Kondo, oggi settantasettenne, di cui è nota una sia pur fugace frequentazione di John Cage e Morton Feldman, pagine di cui è protagonista la ...
