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Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation
by Artur Moral
Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...
The Large Ensembles of Ryan Truesdell and Claire Cope
by Jerome Wilson
These are two excellent recent large ensemble jazz recordings. One celebrates the work of a venerated master composer and arranger while the other showcases an outstanding newer writing talent. Ryan Truesdell Shades of Sound Outside in Music 2025 This is the third release from Ryan Truesdell's Gil ...
Michael Arbenz meets Andy Sheppard: From Bach to Ellington - Live
by Neil Duggan
Recorded live at the Bird's Eye Jazz Club, Basel, Switzerland, in 2024, From Bach to Ellington--Live, has Swiss pianist Michael Arbenz and British saxophonist Andy Sheppard reinterpreting four of Duke Ellington's classics, together with two original pieces from Arbenz inspired by Johann Sebastian Bach. Arbenz came to All About Jazz's attention when, along with ...
The Maria Schneider Orchestra at Birdland
by Paul Reynolds
Maria Schneider Orchestra Birdland Jazz Club New York, NY May 30, 2025 The late set by Maria Schneider and her orchestra on Friday at Birdland Jazz Club was so engrossing as to be a world unto itself. Every aspect of the performance--even including, in the best way, the musicians' identities--bowed to ...
Ryan Truesdell: Shades of Sound
by Angelo Leonardi
Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i ...
Atzko Kohashi & Tony Overwater: Porgy
by Dan McClenaghan
George Gershwin's 1935 folk opera, Porgy and Bess, a quintessentially American masterpiece, has had its share of jazz interpretations. Louis Armstrong and Ella Fitzgerald visited the work in 1957 on Verve Records. Pianist Oscar Peterson dug into the Gershwin score--again, on Verve--in 1959. But the most notable rendition is the Miles Davis/Gil Evans collaboration Porgy and ...
Mark Masters Ensemble: Sam Rivers 100
by Dan McClenaghan
The Mark Masters Ensemble released Porgy and Bess Redefined! (Capri Records) in 2005. The music was taken from the George Gershwin/DuBose Heyward English-language opera, which was first performed in 1935. Masters' take on the classic was brilliantly expressed by the ensemble, who dug into his adventurous charts with freedom mixed with respect for the familiar and ...
Ryan Truesdell: Shades Of Sound
by Pierre Giroux
Ryan Truesdell's Shades of Sounds: Gil Evans Project Live at Jazz Standard Vol. 2 is a triumphant continuation of his lovingly curated Gil Evans Project--a musical venture focusing on both preservation and revelation. With this latest volume, Truesdell guides us through Evans' well-known sonic landscape and deeper into the vaults, unearthing four never-before-recorded arrangements that offer ...
Past, Present, And, Future Sounds
by Bob Osborne
The most fascinating and enduring aspect of jazz, and other improvised music, is its' capacity to surprise the listener. This week a diverse collection of pieces that deliver different and ground breaking new sounds. At the centre Ingrid Laubrock's unique new album which is meets this specification and more. And to close a classic album from ...
Dave Monsch: Struttin' at the Winedale
by Dean Nardi
Dallas-based saxophonist and flautist Dave Monsch wants his debut album to catch listeners' attention. “I don't feel that it is a predictable album," he stated through an email exchange with AAJ. “There are so many different types of songs and styles, I would hope that something will grab them, if not all of it."
