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Article: Album Review

Jay Clayton, Jerry Granelli: Alone Together

Read "Alone Together" reviewed by Angelo Leonardi


L'età avanzata non aveva spento in Jay Clayton e Jerry Granelli (purtroppo deceduto di recente) la voglia di riprendere la lunga collaborazione in performance liberamente improvvisate. Il sodalizio tra la cantante e il batterista risale alla fine degli anni settanta, quando Collin Walcott suggerì a Granelli d'invitare la Clayton al workshop musicale che tenevano al Naropa ...

Article: Live Review

Sesto Jazz 2021

Read "Sesto Jazz 2021" reviewed by Neri Pollastri


Sesto Fiorentino (FI) Sesto Jazz 2021 Giardino del Teatro della Limonaia 31.7-2.8.2021 Sebbene ritardato dalla pandemia (le precedenti edizioni si svolgevano in marzo), Sesto Jazz—breve rassegna di tre date alle porte del capoluogo= toscano—si è svolta anche quest'anno, confermando la qualità delle proposte artistiche, che stavolta prevedevano un incrocio tra il ...

Article: Album Review

Pandelis Karayorgis Double Trio: CliffPools

Read "CliffPools" reviewed by Neri Pollastri


Ateniese di nascita, ma ormai residente a Boston dal 1985, il pianista Pandelis Karayorgis riunisce in questo album i due piano trio—rispettivamente Cliff e Pools—con i quali aveva registrato per la Driff Records altrettanti lavori negli anni precedenti, dando vita a una formazione atipica: un quintetto con due contrabbassi e due batterie, formalmente un doppio trio ...

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Article: Album Review

Angelica Sanchez & Marilyn Crispell: How To turn the Moon

Read "How To turn the Moon" reviewed by Dan McClenaghan


Fans of piano jazz might have a preference for the trio format—piano/bass/drums. Or they might like their piano straight, no chaser, with solo piano sets. There is no shortage of trio and solo recordings floating around for our listening enjoyment. But two pianos? Rare, though not unheard of. Brad Mehldau and Kevin Hays offered up the ...

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Article: Album Review

Paul Bley: When Will The Blues Leave

Read "When Will The Blues Leave" reviewed by John Ephland


Ornette Coleman recorded “When Will The Blues Leave" in early 1958, released the next year on Something Else!!!! (Contemporary). Paul Bley played Coleman's blues four years later on The Floater Syndrome (Savoy Records), a trio recording with bassist Steve Swallow and drummer Pete La Roca. Both versions--Coleman's in a quintet with trumpeter Don Cherry, bassist Don ...

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Article: Live Review

Gary Peacock Trio at the Jazz Standard

Read "Gary Peacock Trio at the Jazz Standard" reviewed by Mike Jurkovic


Gary Peacock Trio Jazz Standard New York, NY November 7, 2017 We rarely experience true freedom anymore. At random we're caught in someone's selfie or observed by a traffic or security camera. Hackers hack and everyone knows your vital information and search history. The machine knows your algorithm and sends specific ...

Article: My Favourite Things

Peo Alfonsi e il Questionario di Proust

Read "Peo Alfonsi e il Questionario di Proust" reviewed by Paolo Peviani


Il tratto principale della mia musica A dire il vero mi piacerebbe fossero gli altri a rispondere, ma visto che devo farlo io direi forse il tentativo di avvicinare “mondi" musicali diversi, in particolare la spontaneità del jazz e della musica improvvisata al rigore della musica cosiddetta “colta." La qualità che desidero nei ...

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Article: Album Review

Albert Ayler: Spiritual Unity

Read "Spiritual Unity" reviewed by Mark Corroto


Fifty years after the recording of Albert Ayler's Spiritual Unity, the music (and the man) are still causing tumult. It is not so much that free jazz hasn't been on our radar these past decades, it's just that this recording remains one of those “where were you, when you first heard it?" experiences. Recorded ...

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Article: Album Review

Jon Rune Strøm: Jøa

Read "Jøa" reviewed by Eyal Hareuveni


Norwegian double bassist Jon Rune Strøm's energetic and highly rhythmic playing approach on the bull fiddle, sets him apart from other young fellow Norwegian double bass players who explore the solo medium or the sonic capabilities of this massive instrument in intimate settings as Christian Meaas Svendsen, Adrian Myhr, or Inga Margrete Aas. The 29 year ...


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