Home » Jazz Articles » Album Review » Jon Rune Strøm: Jøa
Jon Rune Strøm: Jøa
Strøm's debut Jøa, refers to his childhood home, an island in northwestern Norway, where he recorded the album. He applies his powerful and highly physical approach on nine free improvisations, each featuring a distinct temperament and aspect of his palette of sounds and inventive usage of extended techniques. He uses the bow as a means to extend and often to mess with, the rhythmic options of plucking the strings on "Ølhammeren." On "Seierstad," and "Bragstad" he sounds as if he's negotiating with the big instrument, attempting to submit it to the desired rhythmic discourse. The urgent "Tone fra Trøndelag" features a masterful usage of the bow to create an alternating series of drones and overtones. His physical approach reaches its climax on the intense "Geisnes," "Bragstad" and especially on "Fosnes," where he brilliantly uses the bow. On these improvisations he wrestles head-on with the double bass, with his body, all over the double bass until he and the massive instrument reach a common ground.
Other improvisations as "Faksdal" and "Folla" feature Strøm as a sensitive and emotional improviser. He harnesses his inventive vocabulary and extended techniques in the service of structuring dramatic narratives with surprising subtle shifts in the story, emphasizing the double bass' evocative deep tones and coloring it with exotic percussive sounds. The last improvisation, the heartfelt "Dokk må itj bannast," is dedicated to author Olav Duun, one of the outstanding writers in Norwegian literature, who was born on the island Jøa.
Brilliant and masterful debut.
Track Listing
Ølhammeren; Seierstad; Tone fra Trøndelag; Geisnes; Faksdal; Folla; Bragstad; Fosnes; Dokk må itj bannast (For Olav Duun).
Personnel
Jon Rune Strøm
drumsJon Rune Strøm: double bass.
Album information
Title: Jøa | Year Released: 2014 | Record Label: Stone Floor Records
About Jon Rune Strøm
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







