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Gary Burton's Vibe
I met with the legendary vibraphonist Gary Burton last night to put together a video piece on his upcoming Mack Ave recording Common Ground. From what I heard this looks to be a truly great album and showcases Gary's newly formed quartet featuring Julian Lage (guitar), Scott Colley (bass) and Antonio Sanchez (drums). While we were ...
Thailand International Jazz Conference, January 28-30, 2011
by Ian Patterson
Thailand International Jazz Conference Mahidol University School of Music Bangkok, Thailand January 28-30, 2011It's almost impossible to go anywhere in Thailand without hearing music at all hours: people sing for their own enjoyment as they go about their daily business, displaying a lack of inhibition generally absent in ...
Milt Jackson: Sunflower
by John Kelman
With a series of mainstream dates to his credit dating back to the early 1950s—not to mention charter membership in the now-legendary Modern Jazz Quartet (MJQ) and one-offs with everyone from bop saxophonist Charlie Parker to “new thing" saxophonist John Coltrane—vibraphonist Milt Jackson was the clear link between his instrument's swing era beginnings with Lionel Hampton ...
CTI Masterworks: The Second Batch
by John Kelman
After a mighty kickoff near the end of 2010, CTI Masterworks is pushing ahead full-steam with another set of six remastered reissues, beautifully packaged in soft digipak editions. Its first batch of reissues included a tremendous, four-disc retrospective box set, CTI Records--The Cool Revolution, and an expanded, double-disc version of 1971's California Concert: The Hollywood Palladium, ...
Times Square (ECM 1111)
Gary Burton Times Square Gary Burton vibes Steve Swallow bass guitar Roy Haynes drums Tiger Okoshi trumpet Recorded January 1978 at Generation Sound Studio, New York Engineer: Martin Wieland Produced by Manfred Eicher Of vibraphonist Gary Burton's roving quartets of the seventies, ...
Jonathan Kreisberg: Shadowless
by John Kelman
In a landscape populated by forty-something guitarists like Kurt Rosenwinkel and thirty-something six-stringers like Lage Lund, Jonathan Kreisberg stands alone. Sure, he's got the chops and linguistic sophistication of a group of peers who are the clear next step beyond the innovations of Pat Metheny, John Scofield and Bill Frisell , but what separates Kreisberg is ...
Laurindo Almeida, Charlie Byrd, and Ralph Towner
by Sean Dietrich
The concert guitar is hailed by many as the perfect instrument. After being perfected in the Baroque age, virtuosos believed the wooden torso to posses the variety of an orchestra. The concert guitar produces a wide range of tone, timber, color, and dynamic expression unlike any other stringed instrument, capable of projecting a delicate voice of ...
John Williams' Jazz
by Dan Bilawsky
The idea for this edition of Old, New, Borrowed and Blue isn't new. The seeds were actually sown with an experience I had a few years back. About four years ago, I was writing for a different jazz publication and I received a package of recordings in the mail. This parcel contained the usual mixture of ...
Rich Corpolongo Trio: Get Happy
by Jerry D'Souza
Tenor saxophonist Rich Corpolongo has been a presence on the Chicago jazz scene for several years, during which time he has solidified his base as a performer. In the early days, he played with Herbie Hancock, Eddie Harris and Gary Burton, among others, going on to form his own band, which played several times at the ...
Take Five With Winnie Dahlgren
by AAJ Staff
Meet Winnie Dahlgren: A native of Denmark Winnie Dahlgren started playing percussion at age fifteen, and received both her B.M. in music education and her M.M. in Performance from the Vestjysk Academy of Music in Esbjerg, Denmark. In the middle of her classical studies at the conservatory she took two years off to study jazz at ...
