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219

Article: Album Review

Samo Salamon: Two Hours

Read "Two Hours" reviewed by Budd Kopman


It matters not that this recording took but two hours to record after very little rehearsal. Samo Salamon was ready with his music, and his compatriots, three well-traveled musicians with fast musical reflexes and good instincts, actually thrived when thrown into this situation. It is hard to predict whether better music will be ...

199

Article: Album Review

Jamie Stewardson: Jhaptal

Read "Jhaptal" reviewed by Jim Santella


Guitarist Jamie Stewardson approaches modern jazz composition with the kind of expertise that comes from dedicated study. A master's degree in jazz composition from the New England Conservatory and studies with John Abercrombie, Joe Maneri and Mick Goodrick have prepared him well. Jhaptal, his second recording as leader, features nine of the guitarist's compositions, ...

133

Article: Album Review

Jamie Stewardson: Jhaptal

Read "Jhaptal" reviewed by Jerry D'Souza


Jamie Stewardson uses the ten-beat cycle called jhaptal as the title for this recording. He uses the beat effectively to make the title tune a standout, but he goes beyond the North Indian rhythm cycle to gather several other idiomatic pulses as well. In tandem, they bring about a strength to his compositions, which are fleshed ...

210

Article: Album Review

Jason Rigby: Translucent Space

Read "Translucent Space" reviewed by Mark F. Turner


Modern jazz saxophone is healthy--a wealth of talented young horn players are proving their own merit in the genre. New York based Jason Rigby shows he also has what it takes on as serious player and composer on Translucent Space. Rigby has performed with seminal artists like pianist Kris Davis (Life Span, 2004) and bassists Eivind ...

137

Article: Album Review

Francisco Pais Quintet: Not Afraid Of Color

Read "Not Afraid Of Color" reviewed by Michael P. Gladstone


Guitarist Francisco Pais was born in Lisbon, Portugal and graduated cum laude from Boston's Berklee School of Music after having studied with Pat Metheny, Peter Bernstein, Kurt Rosenwinkel, Mulgrew Miller, Mark Turner and Branford Marsalis. Following his gradution in 2002, he spent years touring through festivals and venues of Europe, as well as performing with American ...

177

Article: Album Review

Jamie Stewardson: Jhaptal

Read "Jhaptal" reviewed by Troy Collins


A Berklee and New England Conservatory graduate, guitarist Jamie Stewardson spent time gigging with jazz legends George Russell, Jimmy Giuffre and Mat Maneri after paying his dues backing up pop and soul acts on cruise ships. With a stellar backing band and a solid release to his name, Stewardson's days supporting road weary Motown acts should ...

69

Article: Album Review

Jamie Stewardson: Jhaptal

Read "Jhaptal" reviewed by Dan McClenaghan


These sounds on Jhaptal are a long way from the O'Jays, the Temptations, Pattie Page or the Drifters, but guitarist Jamie Stewardson began his performing career on a cruise ship backing these pop oldies acts before he moved on to the higher challenge of playing with the likes of George Russell, Jimmy Guiffre and Mat Maneri.

101

Article: Album Review

Francisco Pais Quintet: Not Afraid of Color

Read "Not Afraid of Color" reviewed by Jim Santella


In this lively session of original compositions, guitarist Francisco Pais leads his quintet through hot impressions that entice and excite. Not afraid of color? They're not afraid of anything. They love originality and show it with their unbridled enthusiasm. The sound is contemporary, and yet the quintet remains firm in its portrayal of jazz tradition.

89

Article: Album Review

Francisco Pais Quintet: Not Afraid Of Color

Read "Not Afraid Of Color" reviewed by Mark F. Turner


Instead of going for the typical chops-laden style that marks most releases, Portuguese guitarist Francisco Pais takes a more relaxed approach with Not Afraid of Color. Backed by a sure-fire quartet featuring saxophonist Chris Cheek and pianist Leo Genovese, his music is easy on the ears but also provides cerebral enjoyment. Pais' compositional skills combine elements ...

151

Article: Album Review

Samo Salamon Quartet: Two Hours

Read "Two Hours" reviewed by Paul Olson


Next time you find yourself underwhelmed by a jazz recording on an indie jazz label, it might be entirely the fault of the artist--some people make bad records, after all. That said, the whole system might be the culprit: small labels offer musicians opportunities to do sessions, but don't (and usually can't) give them what they ...


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