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Jamie Stewardson: Jhaptal
by Jerry D'Souza
Jamie Stewardson uses the ten-beat cycle called jhaptal as the title for this recording. He uses the beat effectively to make the title tune a standout, but he goes beyond the North Indian rhythm cycle to gather several other idiomatic pulses as well. In tandem, they bring about a strength to his compositions, which are fleshed ...
Jason Rigby: Translucent Space
by Mark F. Turner
Modern jazz saxophone is healthy--a wealth of talented young horn players are proving their own merit in the genre. New York based Jason Rigby shows he also has what it takes on as serious player and composer on Translucent Space. Rigby has performed with seminal artists like pianist Kris Davis (Life Span, 2004) and bassists Eivind ...
Francisco Pais Quintet: Not Afraid Of Color
by Michael P. Gladstone
Guitarist Francisco Pais was born in Lisbon, Portugal and graduated cum laude from Boston's Berklee School of Music after having studied with Pat Metheny, Peter Bernstein, Kurt Rosenwinkel, Mulgrew Miller, Mark Turner and Branford Marsalis. Following his gradution in 2002, he spent years touring through festivals and venues of Europe, as well as performing with American ...
Jamie Stewardson: Jhaptal
by Troy Collins
A Berklee and New England Conservatory graduate, guitarist Jamie Stewardson spent time gigging with jazz legends George Russell, Jimmy Giuffre and Mat Maneri after paying his dues backing up pop and soul acts on cruise ships. With a stellar backing band and a solid release to his name, Stewardson's days supporting road weary Motown acts should ...
Jamie Stewardson: Jhaptal
by Dan McClenaghan
These sounds on Jhaptal are a long way from the O'Jays, the Temptations, Pattie Page or the Drifters, but guitarist Jamie Stewardson began his performing career on a cruise ship backing these pop oldies acts before he moved on to the higher challenge of playing with the likes of George Russell, Jimmy Guiffre and Mat Maneri.
Francisco Pais Quintet: Not Afraid of Color
by Jim Santella
In this lively session of original compositions, guitarist Francisco Pais leads his quintet through hot impressions that entice and excite. Not afraid of color? They're not afraid of anything. They love originality and show it with their unbridled enthusiasm. The sound is contemporary, and yet the quintet remains firm in its portrayal of jazz tradition.
Francisco Pais Quintet: Not Afraid Of Color
by Mark F. Turner
Instead of going for the typical chops-laden style that marks most releases, Portuguese guitarist Francisco Pais takes a more relaxed approach with Not Afraid of Color. Backed by a sure-fire quartet featuring saxophonist Chris Cheek and pianist Leo Genovese, his music is easy on the ears but also provides cerebral enjoyment. Pais' compositional skills combine elements ...
Samo Salamon Quartet: Two Hours
by Paul Olson
Next time you find yourself underwhelmed by a jazz recording on an indie jazz label, it might be entirely the fault of the artist--some people make bad records, after all. That said, the whole system might be the culprit: small labels offer musicians opportunities to do sessions, but don't (and usually can't) give them what they ...
Samo Salamon Quartet: Two Hours
by David Miller
Samo Salamon is a master guitarist. His chops go unchallenged; at any moment he could play any note or chord on the instrument. That said, Two Hours is a disappointment. Salamon and his bandmates (Tony Malaby, tenor sax; Mark Helias, bass; Tom Rainey, drums) fall victim to two of the biggest traps in jazz: sub-par songwriting ...
Sam Bardfeld: Periodic Trespasses
by Robert R. Calder
Vibes, bass and drums make an interestingly different rhythm section, one that Bobby Hutcherson long ago used to help jazz musicians reach new places without exiling them from their origins. One musician the master vibraphonist helped was Eric Dolphy, who is mentioned in this set's notes. Quite right, there is some Dolphy in Sam Bardfeld, who ...
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