Home » Jazz Articles » Album Review » Francisco Pais Quintet: Not Afraid Of Color
Francisco Pais Quintet: Not Afraid Of Color
Pais' compositional skills combine elements of American jazz with European classical and pop styles. The first selection, "Water From the Moon, gets my vote for most interesting composition. It begins with a dreamy guitar/sax melody that's then bridged by a dynamic drum solo into a funky swirling pattern with frenzied Fender Rhodes and drum solos leveling back into the calm melody.
But the remaining selections carry the tone of the initial impression: soothing harmony. Pais is a very good musician, much more than just a Rosenwinkel or Metheny mimic: an individual with his own ideas. His playing is light, bluesy and intricate on "Gratiude, allowing the other instruments to take the center until he comes in with a confident and swinging solo.
There are many places where one might want to hear more of Pais out front, but the emphasis is more on arrangements and quintet interaction on "Always Dreaming and "Desert of Colors where the guitarist adds harmonics and slight effects to color the somber mood.
His working quintet of five years understands this cool approach. On "Charmed, Genovese delivers a dissonant and abstract solo into the pleasant melody. The solid rhythm section of bassist Massimo Biolcati and the extremely hot drummer Ferene Nemeth gets a chance to glow on the lively "Melody for Damien, and Cheek's airy saxophone blends nicely with the exotic rhythm of "Transfiguration.
Track Listing
Water From the Moon; Gratitude; Tides; Always Dreaming; Melody for Damien; Transfiguration; Lift your Head From the Sand and Face Reality; Desert Of Colors; Charmed;
Personnel
Francisco Pais: guitar; Chris Cheek: saxophones; Ferenc Nemeth: drums; Leo Genovese:piano, Fender Rhodes; Massimo Biolcati: bass.
Album information
Title: Not Afraid Of Color | Year Released: 2006 | Record Label: Fresh Sound New Talent
About Francisco Pais Quintet
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






