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Jordi Matas: Racons
by Jason Crane
"After The Gig," the opening track on Racons, sounds like an electrified Oregon--not so much because of the instrumentation as the metrically loose but rhythmically sophisticated interplay of the quintet. That said, the reedy and lilting soprano sax work of Marti Serra runs through the track with Paul McCandless' shoes on.Jordi Matas is a ...
Jeremy Udden: Torchsongs
by Michael P. Gladstone
The experience Jeremy Udden gained through a six-year stint with Boston's Either/Orchestra seems to have given the saxophonist's debut album a variety of moods. The album was recorded in two sessions in 2003 and 2005, and several of the compositions were written while Udden was confined to his apartment for four months due to a case ...
Jason Rigby: Translucent Space
by Jerry D'Souza
On this aptly named album, Jason Rigby makes quite an impact. As a composer, he brings in his several musical influences. As a musician, he shows exemplary skill on the instruments he plays, including a wood flute that is used in India. Rigby keeps his charts open to various styles. For the most part, ...
Bob Reynolds: Can't Wait For Perfect
by Stephen Latessa
Way too many jazz “composers come up with a derivative riff and hastily christen the piece a composition. While that may be technically true, there is quite a difference between these works and full-bodied, sturdy efforts that can stand on their own. Fortunately for listeners, saxophonist Bob Reynolds easily earns the title of composer with the ...
Jeremy Udden: Torchsongs
by Terrell Kent Holmes
Saxophonist Jeremy Udden brought his sextet to Cornelia Street Café recently in support of his debut disc, Torchsongs, comprised mostly of his originals that blend straight-ahead themes laced with jazz/rock influences. Udden displayed a soft yet sure touch on alto (he plays soprano on the disc, too, but didn't pick up the second horn at the ...
Sebastian Noelle: Across the River
by Brian P. Lonergan
Warm, relaxed yet energetic original compositions dominate guitarist Sebastian Noelle's inviting album Across the River. Much of that warmth and relaxation comes from Noelle's fuzzy, rich harmonies and melodies that ring out with slight reverb and distortion. Much of the energy comes from some of the most exciting players on the New York scene today: Ari ...
Bob Reynolds: Can't Wait For Perfect
by Joshua Weiner
The sheer quality of so much of the music performed by (relatively) unknown up-and-coming musicians is gratifying, for obvious reasons, but it can also be troubling. It is difficult to escape the realization that too many of these musicians will ultimately fail to get the attention they deserve. How nice it is, then, to hear Bob ...
Jason Rigby: Translucent Space
by Michael P. Gladstone
31-year-old New York musician Jason Rigby has previous experience working with the Village Vanguard Jazz Orchestra, the Cleveland Orchestra, and Aretha Franklin's Band at Radio City Music Hall. He trained at Youngstown State University in Ohio, DePaul University in Chicago and at the Manhattan School of Music. While still in Cleveland, he performed regularly with organist ...
Chris Cheek: Blues Cruise
by Paul Olson
Saxophonist Chris Cheek is such a hardworking New York sideman that it's understandable that he hasn't been recording prolifically as a leader. Still, his last CD, Vine, appeared in 1999, so his new quartet set, Blues Cruise, is his first release in six years.The long hiatus certainly seems not to have produced any sense of anxiety ...
Helen Sung: Helenistique
by Dan McClenaghan
New York-based pianist Helen Sung's debut as a leader, Push (Fresh Sound New Talent, 2003), featured mostly original tunes. For her sophomore effort, Sung has chosen some jazz standards, a Prince tune, and one from her own pen, “H*Town," an homage to her hometown of Houston, Texas.In covering jazz standards, one measure of success ...
