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Jeremy Udden: Torchsongs
by Terrell Kent Holmes
Saxophonist Jeremy Udden brought his sextet to Cornelia Street Café recently in support of his debut disc, Torchsongs, comprised mostly of his originals that blend straight-ahead themes laced with jazz/rock influences. Udden displayed a soft yet sure touch on alto (he plays soprano on the disc, too, but didn't pick up the second horn at the ...
Sebastian Noelle: Across the River
by Brian P. Lonergan
Warm, relaxed yet energetic original compositions dominate guitarist Sebastian Noelle's inviting album Across the River. Much of that warmth and relaxation comes from Noelle's fuzzy, rich harmonies and melodies that ring out with slight reverb and distortion. Much of the energy comes from some of the most exciting players on the New York scene today: Ari ...
Bob Reynolds: Can't Wait For Perfect
by Joshua Weiner
The sheer quality of so much of the music performed by (relatively) unknown up-and-coming musicians is gratifying, for obvious reasons, but it can also be troubling. It is difficult to escape the realization that too many of these musicians will ultimately fail to get the attention they deserve. How nice it is, then, to hear Bob ...
Jason Rigby: Translucent Space
by Michael P. Gladstone
31-year-old New York musician Jason Rigby has previous experience working with the Village Vanguard Jazz Orchestra, the Cleveland Orchestra, and Aretha Franklin's Band at Radio City Music Hall. He trained at Youngstown State University in Ohio, DePaul University in Chicago and at the Manhattan School of Music. While still in Cleveland, he performed regularly with organist ...
Chris Cheek: Blues Cruise
by Paul Olson
Saxophonist Chris Cheek is such a hardworking New York sideman that it's understandable that he hasn't been recording prolifically as a leader. Still, his last CD, Vine, appeared in 1999, so his new quartet set, Blues Cruise, is his first release in six years.The long hiatus certainly seems not to have produced any sense of anxiety ...
Helen Sung: Helenistique
by Dan McClenaghan
New York-based pianist Helen Sung's debut as a leader, Push (Fresh Sound New Talent, 2003), featured mostly original tunes. For her sophomore effort, Sung has chosen some jazz standards, a Prince tune, and one from her own pen, “H*Town," an homage to her hometown of Houston, Texas.In covering jazz standards, one measure of success ...
Chris Cheek: Blues Cruise
by Matt Merewitz
Even though he has turned in one stunning performance after another on albums by Paul Motian's Electric Bebop Band, Charlie Haden's Liberation Music Orchestra, Guillermo Klein's Los Gauchos and various lesser-known, though equally interesting ensembles, Chris Cheek is still a lurker. Your only good chance of seeing this reedman live is in New York ...
Kris Davis: The Slightest Shift
by Troy Collins
The Slightest Shift is young Canadian-born pianist Kris Davis' second release as a leader, following her acclaimed 2004 debut, Lifespan. Joined by her husband, drummer Jeff Davis, the ever reliable bassist Eivind Opsvik and the ubiquitous saxophonist Tony Malaby, this recent New York resident reconvenes her sympathetic working ensemble to investigate a new set of abstract ...
Helen Sung Trio: Helenistique
by John Fidler
The clean, uncluttered sound of the piano trio gets a refreshing workout on Helenistique, Helen Sung's tribute to the jazz standard. For her second recording, Sung works with drummer Lewis Nash and bassist Derrick Hodge.A classically trained pianist, Sung leads her trio well: she solos with authority, intelligence and grit, especially on Rodgers and ...
Kris Davis: The Slightest Shift
by Mark F. Turner
If Canadian pianist Kris Davis' auspicious debut, Life Span (FSNT, 2004), was an indication of her progressive tendencies, then The Slightest Shift reinforces those forward-thinking ideas in resounding and surprising ways. Whereas her debut was colored with expansive lyricism and melodic tapestries, the new recording is a bolder statement of Davis' compositional prowess, and the music ...
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