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Franz Koglmann, Mario Arcari, Attila Pasztor: g(ood)luck
by Alberto Bazzurro
Torna Franz Koglmann, di cui avevamo un po' perso le tracce, e rinverdisce umori e architetture del glorioso trio KoKoKo (Koglmann Koltermann Koch), sempre col suo flicorno (più di rado la tromba) a dialogare morbidamente con un'ancia e un arco grave. Oggi le geometrie appaiono se possibile ancor più oleate, l'ancia è doppia, e il lessico ...
Parma Jazz Frontiere 2015
by Alberto Bazzurro
Casa della Musica 27-29.11.2015 La penultima tranche di una rassegna più che mai “spezzatino" partita il 25 ottobre con gli Oregon e che ha visto poi alternarsi sui vari palchi un doppio omaggio a Giorgio Gaslini, una solo performance di Roberto Bonati, direttore artistico del festival (giunto, sarà il caso di ...
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Label: Orf
Released: 2014
Track listing: Prolog; Song des CEO; Song der Salesmen; Song des Marketingdirektors;
Song der Verkaufsleitering; Song des Moderators; Vom Traum des
Menschen; Model's Song; All Or Nothing At All; No Sign Of Intelligent
Design; Mobbing; What Should Be Wrong With Sex; TV Spot; Join;
Intermezzo; Song der Hybris; Song der Aktivistin; The Cage; Die
Entscheidung; Song des Sponsors; Rücktritt des CEO; It's Done; Epilog.
Franz Koglmann: Join!
by Eyal Hareuveni
Austrian, Vienna-based composer Franz Koglmann always used music as a means to present his ideas, often provocative perspectives, on cultural phenomena at large. He alienated the American jazz community with A White Line (hatART, 1990), where he sketched an alternative history of jazz based on white innovative musicians. Later he reconstructed the compositional ideas of Johan ...
EAOrchestra: Likeidos
by Dave Wayne
The worlds of avant-garde classical music and avant-garde jazz mingle seamlessly on Likeidos, by Italy's Electro Acoustic Orchestra. Also known as the EAOrchestra, the ensemble is co-led by trumpeter Mirio Cosottini and bassoonist Alessio Pisani, who also composed most of the music. The preponderance of double reeds--an oboist and four bassoonists--is highly unusual, especially for improvised ...
Testimoni del '68: Franz Koglmann
by AAJ Italy Staff
Riguardo ai movimenti del Sessantotto ho sentimenti contrastanti. Da un lato apprezzavo il desiderio di portare una ventata di libertà e di “rivoluzione" nella società borghese, ma dall'altro non riuscivo ad accettare la loro ammirazione per dittatori comunisti come Mao. Un'istanza importante era il desiderio di trasformare il tempo lavorativo in tempo libero e viceversa. Non ...
Paul Bley / Franz Koglmann / Gary Peacock: Annette
by Raul d'Gama Rose
Those familiar with the music of Paul Bley, as well as Annette Peacock--after whom this album is named, and whose compositions are featured--will recall the nervy sense of creativity that flowed through their veins and music. In fact, the manner in which Peacock's work is described also fits Bley; both play music that is austere, exacting, ...
Steve Lacy: Let’s Call This…Esteem; Hall Egg Farm 2000.10.16; November and Ideal Bread's Transmit
by Andrey Henkin
Steve Lacy/Mal WaldronLet's Call This...EsteemSLAM-Silta2010 Steve LacyHall Egg Farm 2000.10.16Suigyu2010 Steve LacyNovemberIntakt2010 Ideal BreadTransmitCuneiform2010
Ran Blake & Anthony Braxton: A Memory Of Vienna
by Troy Collins
On November 19, 1988, a few days before the Cool Noir music festival in Vienna, composer Franz Koglmann finished recording Orte Der Geometrie (Hatart) with his Pipetet a couple hours earlier than expected. A number of high profile artists and musicians were in attendance for the festival, so efforts were made to utilize the remaining pre-paid ...
Globe Unity: Austria
by Kurt Gottschalk
Franz KoglmannLo-lee-ta: Music on NabokovCol Legno2009 Studio DanCreatures and Other StuffJazzwerkstatt2009 Max NaglBoulazacRude Noises2009 Maybe there's something in the Austrian water. Or ...
