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Article: Album Review

Sväng: Hauptbahnhof

Read "Hauptbahnhof" reviewed by Anthony Shaw


From the outset, Sväng's eighth album Hauptbahnhof evokes a bygone age of often gilded life, leisured strolls, and acoustic instrumentation. Or is it just the evocative sound of their four harmonicas that immediately conjures marching men, wartime truces and so forth? In any case this album of idiosyncratic tunes, and one song, does more than its ...

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Article: Live Review

We Jazz Festival 2016

Read "We Jazz Festival 2016" reviewed by Anthony Shaw


We Jazz Festival 2016 Multiple venues Helsinki, Finland December 4-11, 2016 The winter We Jazz 'event' has been running for four years now, and founding mentor Matti Nives is somewhat challenged to find suitable new venues to take his artists to, having established a tradition of taking jazz to improbable ...

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Article: Live Review

Helsinki Festival 2016

Read "Helsinki Festival 2016" reviewed by Anthony Shaw


Love Proge Helsinki Festival (Huvila Tent) Helsinki, Finland August 28, 2016 Richard Thompson couldn't have said it better than he wrote in Fairport Convention's first major single Meet on the Ledge: If you really mean it, it all comes round again. That was in 1968, two years after ...

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Article: Album Review

Oddarrang: Agartha

Read "Agartha" reviewed by Roger Farbey


Agartha is the fourth studio album by Finnish quintet Oddarrang and their second for the UK label Edition Records. The band is led by eclectic musician and drummer, Olavi Louhivuori. The album's title takes its name from the legendary world that is said to reside in the Earth's core, and Miles Davis's similarly named ...

Article: Album Review

Raoul Bjorkenheim eCsTaSy: Out of the Blue

Read "Out of the Blue" reviewed by Mario Calvitti


Raoul Bjorkenheim è uno di quei chitarristi difficili da inquadrare, per via di uno stile strumentale composito che prende in egual misura da rock, jazz, e libera improvvisazione. Anche la sua musica, di conseguenza, si viene a trovare spesso alla confluenza di questi tre generi, e il suo ultimo quartetto eCsTaSy non fa eccezione, anche se ...

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Article: Album Review

Jukka Perko Avara: Invisible Man

Read "Invisible Man" reviewed by Anthony Shaw


The three major names in the Finnish jazz world featured here come from three very different corners of the firmament. Jukka Perko achieved global recognition as a youth playing alto and soprano saxophone with Thelonius Monk, while guitarists Teemu Viinikainen and Jarmo Saari are better known in Scandinavia, the latter also for his proggy and pop ...

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Article: Live Review

The Aki Rissanen Trio plays April Jazz, Espoo, Finland

Read "The Aki Rissanen Trio plays April Jazz, Espoo, Finland" reviewed by Anthony Shaw


The Aki Rissanen Trio Louhi Club April Jazz Espoo, Finland April 4, 2016 Espoo in southern Finland is nominally a city, having its own emblem, transportation system and council though for most people in the vicinity of Helsinki it's merely a close suburb of the metropolis. However every spring it ...

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Article: Album Review

Aki Rissanen: Amorandom

Read "Amorandom" reviewed by Roger Farbey


In a world of piano trios, a point of difference is simply essential. This particular trio, hailing from Finland and led by pianist Aki Rissanen, makes that difference clear from the outset. The key to this, and in addition to each of the musicians' individual talents, is the group's ability to change mood subtly and kaleidoscopically. ...

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Article: Album Review

Juhani Aaltonen & Iro Haarla: Kirkastus

Read "Kirkastus" reviewed by Hrayr Attarian


On the sublime Kirkastus saxophonist & flutist Juhani Aaltonen and pianist & harpist Iro Haarla engage in a series of intimate and impressionistic duets that brim with lyricism and spontaneity. A definite spirituality marks all ten of Haarla's compositions and, although various Psalms inspired most, the sacred nature of the music goes beyond strict religious boundaries ...

Article: Album Review

Olavi Trio: Oh, la vie!

Read "Oh, la vie!" reviewed by Alberto Bazzurro


Trio finnico dalle geometrie ben oliate, oltre che alquanto originali, Olavi gioca molto sulla parola (scritta), oltre che sulla musica (ovviamente suonata), come appare evidente dal titolo di questo suo secondo lavoro, mentre un altro elemento che colpisce è il fatto che il trio riunisca musicisti appartenenti a tre diverse generazioni, separati quasi esattamente da vent'anni ...


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