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About Federica Michisanti
Instrument: Bass, acoustic
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Federica Michisanti
Federica Michisanti, bassist and double bass player, studied in Rome at the University of Music school, at the Saint Louis College of Music and at the Siena Jazz and Città di Castello masterclasses. Plus she studied classical music with Maestro Andrea Pighi.
She won the Top jazz 2018 in the new Italian talents category. Top Jazz is the annual referendum organized by Musica Jazz magazine.
In 2019 won the Siae special prize for the originality of compositional research and as a prize she played with her trio with guest Louis Sclavis.
She won the Top Jazz 2020 with her Horn trio, considered the best Italian group of the year and the Top jazz 2023 as best musician, best band and best Italian album of the year.
Forma e Poesia nel Jazz 2019
by Giuseppe Segala
XXII Forma e Poesia nel Jazz Exma Cagliari 26-29.9.2019 La passione e la tenacia di Nicola Spiga hanno condotto il festival cagliaritano Forma e Poesia nel Jazz fino alla ventiduesima edizione: traguardo ragguardevole per un'iniziativa che si regge sulle forze di un piccolo nucleo di persone. Quest'anno il festival ha ...
Italian Showcase Festival and Fringe Program, Novara
by Ludovico Granvassu
Part 1 | Part 2 | Part 3 European Jazz Conference 2019: Italian Showcase Festival and Fringe Program Various venues Novara, Italy September 11-15, 2019 At a time when the ideals of unity and transnational solidarity that represented the founding values of modern-day Europe seem to be faltering under ...
Vicenza Jazz 2019
by Libero Farnè
Vicenza, varie sedi 9-19.05.2019 “Oltre le colonne d'Ercole, alla ricerca di una nuova luna": questo era il sottotitolo della ventiquattresima edizione di Vicenza Jazz, a significare viaggi per mare alla ricerca di continenti perduti o porti di salvezza, viaggi nello spazio alla conquista di pianeti lontani... o semplicemente viaggi nel frastagliato ...
Wójciński-Szmańda Quartet, Dustin Laurenzi and More
by Maurice Hogue
The underlying theme in this episode appears to be ensembles of varying sizes and styles. From Sweden, trumpeter Goran Kajfeš' quartet Tropique blends elements of groove, trance, improv, African with a Don Cherry on top in the new Into The Wild, while another quartet, the Wójciński/Szmańda Quartet from Poland, knocks down the walls of same-same with ...
Bergamo Jazz Festival 2019
by Libero Farnè
Bergamo Jazz Festival Varie sedi 21-24.3.2019 Il Bergamo Jazz Festival non cessa di rinnovarsi nella continuità. È stato questo il quarto e ultimo anno della direzione artistica di Dave Douglas. Nel 2020 il testimone passerà nelle mani di Maria Pia De Vito. Scelta opportuna non solo perché la cantante napoletana introdurrà la ...
James Brandon Lewis, Mick Rossi and More
by Maurice Hogue
Finding your own path is one thing, staying on it is another. This show features several musicians who are doing that today. Bassist Moppa Elliott's urge to challenge the idiom is not confined to his occasionally controversial Mostly Other People Do The Killing. His new recording, Jazz Band/Rock Band/Dance Band, presents three distinctly different bands and ...
Reissued Eric Dolphy and new sounds from Federica Michisanti
by Bob Osborne
The release of 1963 recordings from Eric Dolphy on Musical Prophet together with new music from Italian bassist Federica Michisanti, alongside a broad selection of older tracks make up an eclectic show. Playlist Eric Dolphy “Jitterbug Waltz" from Musical Prophet: The Expanded 1963 New York Studio Sessions (Resonance) 00:00 Federica Michisanti Horn Trio ...
Mark Lomax, Rosetta Trio & Federica Michisanti
by Maurice Hogue
February is Black History Month and this episode features some music recognizing that fact. Drummer and musicologist Mark Lomax 's 400: An Afrikan Epic is a monumental 12-album cycle honoring the 400th Anniversary of the Transatlantic Slave Trade. He used the music he grew up with--spirituals and blues--as source material, and despite criticism and resistance from ...
Il Meglio del 2018 Secondo Neri Pollastri
by Neri Pollastri
Anche quest'anno, faticosamente e responsabilmente, ho selezionato tra i miei numerosi ascolti dodici dischi e dieci concerti che potessero essere considerati se non “i migliori," quantomeno “tra i migliori." La selezione è fatalmente influenzata non solo dalle mie predilezioni (non si può ascoltar tutto e fatalmente ci si concentra su ciò che per qualche ragione ci ...
