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Thelonious Monk: Celebrating 75 Years Of His First Recordings Revisited
by Chris May
Another stone resurrection from the Swiss-based ezz-thetics label, Celebrating 75 Years Of His First Recordings Revisited collects 23 of the tracks Thelonious Monk recorded for Blue Note between 1947 and 1952, remastered by ezzthetics' sonic jedi Michael Brändli at Hardstudios in Winterthur. Situated north of Zurich, Winterthur is Switzerland's equivalent of Silicon Valley and Hardstudios looks ...
Markus Eichenberger & Christoph Gallio: Unison Polyphony
by John Eyles
Unison Polyphony features two renowned Swiss players, Markus Eichenberger on clarinet and Christoph Gallio on saxophones. Considering that both were born in 1957 and first played together in the '80s, it is somewhat surprising that this is their first recording together. However, given the instruments they play, it is less surprising as duos of reed instruments ...
Archie Shepp: Fire Music To Mama Too Tight Revisited
by Chris May
In 2022, it is widely accepted that, when free jazz (aka the New Thing) was in its ascent in New York in the 1960s, there was, despite superficial appearances, no fundamental incompatibility between it and the historical jazz tradition. More contentiously, revisionist historians are now suggesting that there was no real conflict between New Thing and ...
Albert Ayler: At Slugs’ Saloon 1966 Revisited
by Mark Corroto
With Albert Ayler it has seemingly always been “what If." What if he had survived that plunge to his death in the East River in 1970? Setting aside the question of whether he was murdered or committed suicide, how would he have altered the course of music if he lived beyond those 34 years? At the ...
Cecil Taylor: With (Exit) To Student Studies Revisited
by Mark Corroto
Documenting the evolution of Cecil Taylor is an undertaking that is way beyond the pay grade of most listeners. Just as in the study of homo sapiens (yes, us) where there is no critical moment (the missing link) that we can definitely pinpoint where our ancestors established language, art and importantly, abstract thought, Taylor's music can ...
Horace Silver Quintet: Live New York Revisited
by Chris May
This fabulous album, recorded during three New York club engagements in 1964, 1965 and 1966, ranks among the finest in the pianist/composer's illustrious catalogue. There are several things going for it: the quality and shared intentionality of the two, slightly different, lineups; the choice of material and its careful sequencing; the vibrancy of the performances, which ...
Miles Davis Quintet: Live Europe 1960 Revisited
by Chris May
A high proportion of the studio albums recorded by Miles Davis from the mid 1950s until Bitches Brew (Columbia) in 1970 are landmark ones, so frequent and so momentous were the occasions on which Davis adjusted his direction. With a few exceptions, notably My Funny Valentine (Columbia, 1964), this is less true of the live albums ...
Sun Ra Arkestra: Nothing Is... Completed & Revisited
by Maurizio Comandini
L'etichetta svizzera Ezz-thetics sta facendo un lavoro eccellente con capolavori degli anni sessanta riproposti in edizione da loro stessi definita 'revisited' che cerca di fare ordine e chiarezza anche su momenti un po' dimenticati che meritano di essere riscoperti e pienamente apprezzati. Tutto questo è ancora più necessario quando ci troviamo alle prese ...
Silvan Schmid: Augmented Space
by Glenn Astarita
Progressive Switzerland and Netherlands-based trumpeter Silvan Schmid (Gamut Kollektiv, KvG's Bottom Orchestra) delves into risky territory via these avant-garde solo performances. The good news is, that these are not cacophonous screeching, squealing and directionless free-form improvisations, although minor parts include oddball phrasings and upper-register plaintive cries. Yet the artist remarkably induces a polyphonic sound by often ...
Albert Ayler Quintet: At Slugs’ Saloon 1966 Revisited
by Chris May
There continues to be as much discussion about Albert Ayler's personality and motivations as there is about the music he left us. Was he a religious fundamentalist? Was he bi-polar? Was he an attention seeker? Was he some sort of leather fetishist? The evidence suggests Ayler may have been borderline bi-polar, but as for the other ...
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