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The Joe Locke Quartet with Lincoln's Symphony Orchestra: Wish Upon a Star
by John Kelman
When Joe Locke signed with Motéma Records in 2012, the vibraphonist was finally allowed an opportunity to more freely explore a broader range of interests, bolstered by the comfort of his affiliation with a label known for its strong artist support. His first release for the label, Signing (2012), was the long overdue follow-up to The ...
Special Edition
by John Kelman
With drummer/keyboardist Jack DeJohnette entering his eighth decade on planet earth, he's managed to accomplish what few other drummers have. Recipient of the 2012 NEA Jazz Masters Award, there are few jazz drummer s alive today who can cite as many recordings as the Chicago-born DeJohnette can, nor are there many who have been on such ...
Asuka Kakitani Jazz Orchestra: Bloom
by Dan Bilawsky
The difference between a “big band" and an “orchestra" in jazz is usually more than nominal in nature. On the surface, they may seem the same, but their intent, musical scope and arranging/compositional methodology are usually very different. While it can be seen as a bit of a generalization, the “band" tag often refers to groups ...
Circular Dreaming
by John Kelman
Now entering its fourth decade, Quest has covered a lot of territory in that time. Featuring, since inception, saxophonist Dave Liebman and pianist Richie Beirach—truly one of the longest-lasting partnerships in jazz; one marked by an inimitable shared understanding and distinct musical language—Quest's initial approach was perfectly articulated by Storyville's 2010 reissue of the quartet's second ...
The Jim Hall Quartet: Live at Birdland
by Victor Verney
Guitarist Jim Hall, now in his eighth decade, continues to be a vigorous performer, fresh-minded arranger and creative composer. He's been around so long, and done so much, that it's humbling to try writing something fresh about him: there is little to say that hasn't already been said, and in many cases quite eloquently.
Eberhard Weber: Resume
by John Kelman
You've got to admire German-born, France-resident bassist Eberhard Weber. Suffering a major stroke while on tour with Jan Garbarek in 2007--an association that went back more than 30 years, the two first collaborating on American guitarist/pianist Ralph Towner's Solstice (ECM, 1975) and Weber becoming the Norwegian saxophonist's bassist of choice beginning with Photo With Blue Sky, ...
Lee Konitz: Four Classic Albums
by David Rickert
Besides being one of the few altoists that emerged in the 1950s that doesn't sound like Charlie Parker, Lee Konitz was a true musical adventurer whose explorations in free jazz, electronic instruments, and just all around anything goes sessions resulted in some of the most exciting music that came out of the fifties and beyond. His ...
Ljubojna Brass Fantasy
by Nenad Georgievski
With Ljubojna Brass Fantasy, Ljubojna exceeds the exceptionally high standards it has set for itself. For this occasion, that band leader/ bassist Oliver Josifovski has completely changed the concept of the band by using a huge brass orchestra instead of the regular band for a collection of traditional Macedonian songs, only this time coming exclusively from ...
Damani Phillips: The Reckoning
by Victor Verney
Damani PhillipsThe ReckoningSelf Produced2012“Reckoning" is a complex word with many shades of meaning, an apt choice for reedman Damani Phillips' latest CD. As a noun, it signifies (among other things) an objective appraisal built with concrete facts. Used as a verb, the word denotes an educated guess based ...
Porcupine Tree: Octane Twisted
by John Kelman
Like it or not, the near-term future of British progressive/psychedelic rock Porcupine Tree is in a place of relative uncertainty. When group founder/singer/primary writer Steven Wilson was interviewed for All About Jazz in support of his the live solo set Get All You Deserve (Kscope, 2012), he revealed that 2013 will be focused largely on The ...
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