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Mette Rasmussen/Chris Corsano: A View Of The Moon (From The Sun)
by John Sharpe
Both Danish saxophonist Mette Rasmussen and American drummer Chris Corsano thrive on exposed situations. No strangers to solo concerts and recordings, they are equally adept at duo experiences. A View Of The Moon (From The Sun) constitutes their second pairing after All The Ghosts At Once (Relative Pitch, 2015), and once again they share a predilection ...
John Sharpe's Best Releases Of 2019
by John Sharpe
There's sometimes a backlash against picking the year's best albums. Understandably so when it entails pitting one honest artistic endeavour against another. Best to view the selections as a chance to pick up on something that you might otherwise have missed. As a listener I always look forward to the annual year end lists for precisely ...
Ted Quinlan, David S. Ware, Nicolás Boccanera and More
by Bob Osborne
This week there is a focus on new releases from Ted Quinlan, David S. Ware, Nicolás Boccanera and Land of Kush. Other recent releases are on the playlist. Absolutely Dreaming is the latest release from Toronto jazz guitarist Ted Quinlan, who is a veteran of the Canadian jazz scene. It combines his deep roots in the ...
Rodrigo Amado / Chris Corsano: No Place to Fall
by John Sharpe
Portuguese saxophonist Rodrigo Amado's early output has been notable for the freewheeling interplay between him and other talented horn players like trombonist Jeb Bishop, trumpeter Peter Evans and multi-instrumentalist Joe McPhee. It's the quartet he fronts with McPhee which contains the seed for this Lisbon studio date from summer 2014, in that it includes the drummer ...
Aki Takase: In The River's Flow
by Ian Patterson
After forty plus years of recording and touring Aki Takase could be forgiven for easing up a little, for pulling back on the reins. Instead, the Japanese pianist/composer's creative fire is burning as strongly as ever. Since turning seventy in 2018, Takase has released five albums--four in 2019 alone. This output of creative energy showcases the ...
Ned Rothenberg all'Atelier Culturale di Brescia
by Giuseppe Segala
Ned Rothenberg Secret Concert Atelier Culturale Brescia 15.11.2019 I geografi del '500 tracciavano sulle carte il frutto delle loro esplorazioni, con tratto preciso e ricchezza di dettagli iconici, evocando il carattere di terre, popolazioni, animali, piante. Facendo diventare il loro lavoro fonte di conoscenza, ma pure di narrazione stimolante ...
Evan Parker & Kinetics: Chiasm
by Alberto Bazzurro
Inciso a fine febbraio 2018 fra Londra e Copenhagen, come i titoli dei quattro brani su cui si snoda democraticamente ci dicono, al tempo stesso informandoci implicitamente che trattasi di improvvisazione senza rete, questo album fotografa la collaborazione fra un autentico santone del radicalismo jazzistico del Vecchio Continente e un giovane trio danese, che lo asseconda--sarà ...
Katarsis4: Katarsis4
by Vitalijus Gailius
A young generation of Lithuanian jazz and improvised music has been blossoming for the last few years, and Katarsis4 could be taken as one of the best examples of those youngsters who are looking toward new sonic approaches by reshaping the heritage of the past and mixing it with their own ideas.Katarsis4 is a ...
Henry Cow: Jazz Interpretations
by Bob Osborne
Henry Cow were an English avant-rock group, founded at Cambridge University in 1968 by multi-instrumentalists Fred Frith and Tim Hodgkinson. Personnel fluctuated over their decade together, but drummer Chris Cutler, bassist John Greaves, and bassoonist/oboist Lindsay Cooper were important long-term members. Michel Edelin has recently released an album on RogueArt celebrating the music of the band-on ...
Gianni Lenoci, madrelingua jazz
by Neri Pollastri
La sera di lunedì 30 settembre, dopo breve malattia, è scomparso Gianni Lenoci, pianista, compositore, didatta, teorico, intellettuale tra i più originali e prestigiosi del nostro Paese. Non era forse un nome molto conosciuto al grande pubblico, Gianni, vuoi per il rigore artistico che lo portava a non confondere mai l'arte con l'intrattenimento, vuoi per la ...
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