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Audio Cave Artists

by Maurice Hogue
This episode hones in on some of the fine artists recorded by Audio Cave, an independent label based in Krakow, Poland. They've been in operation since 2012, releasing a mix of genres. Much attention is paid to the finished products' sound, as you'll hear in the music from the likes of the Oles Brothers, Mark Alban ...
Sensaround: Heart/Noise

by Karl Ackermann
Sensaround is an electro-acoustic trio of Australian and Scottish lineage, co-led by the familiar names of Alister Spence and Raymond MacDonald and the less recognized Shoeb Ahmed. Heart/Noise is the group's third release following the 2014 Isotropes (hellosQuare recordings). The music defies categorization, combining--as the musicians describe it--"jazz ambience, ghostly dub, and post-punk experiments...." It is ...
Frode Gjerstad / Fred Lonberg-Holm / Matthew Shipp: Season of Sadness

by Karl Ackermann
Norwegian multi-reedist/composer Frode Gjerstad has been active in free jazz and avant-garde music across five decades. Among his collaborators are Paal Nilssen-Love, Peter Brötzmann, Evan Parker, Derek Bailey, William Parker, Sabir Mateen and Johnny Dyani. Gjerstad has toured and played festivals extensively, in Europe and North America, and composed commissioned work for the historic Moldejazz festival. ...
We Out Here: The Fast-Forward Evolution of British Jazz

by Chris May
After a lifetime in the shadow of its American parent, British jazz is finally coming of age. A community of young, London-based musicians is forging a style which, while anchored in the American tradition, reflects the modern Caribbean and African cultural heritages of the majority of its vanguard players. The music also addresses the race, class ...
Evan Parker: Crepuscule In Nickelsdorf

by Glenn Astarita
This is another bright spot in acclaimed British saxophonist Evan Parker's extensive career. Along with Matthew Wright's turntable and live sampling activities, Trance Map emanates from the duo's meeting in 2008, for a project that includes field recordings, samples and other EFX-based mediums merged into improvisational creations. It's an electro-organic infusion, complete with the sounds of ...
Evan Parker / Paul G. Smyth: Calenture and Light Leaks

by Don Phipps
The live collaboration of the remarkable English tenor saxophonist Evan Parker and Irish pianist Paul G. Smyth on their album Calenture and Light Leaks is like listening to the piano impressions of Debussy while exploring a gallery of Picassos--pure bliss in action. There is an airy quality to the abstractions here, like playful sunbeams ...
Borghi Swing 2019 - Marano Lagunare

by Neri Pollastri
Borghi Swing 2019 Marano Lagunare Varie Piazze 28-30.6.2019 Seconda edizione di Borghi Swing a Marano Lagunare, piccolo e suggestivo paese del Friuli Venezia Giulia, di origini romane e a lungo territorio della Repubblica di Venezia, come attestano sia l'architettura, sia il curioso fatto che vi si parli veneto. Il ...
New in 2019 - An Eclectic Mix

by Bob Osborne
An eclectic mix of recent releases covering a wide variety of styles and influences. Playlist Sarathy Korwar Mumbay (feat. MC Mawali)" from More Arriving (Leaf) 00:00 Chris Lomheim, Michael O'Brien, Jay Epstein Blue Talisman" from Triage (Shifting Paradigm) 06:00 Marc Copland Gary" from Gary (Illusions Music) 14:00 Mark Dresser Seven Black Arthur's Bounce ...
Lisbon Freedom Unit: Praise Of Our Folly

by John Sharpe
History has repeatedly demonstrated that it may be foolish to bring together large numbers of musicians without any form of roadmap. Those who have set out the slender case for the opposing view include the Globe Unity Orchestra and Peter Brötzmann's Chicago Tentet, but not many more. To that number should now be added the Lisbon ...
سم [ISM]: Metaphor

by Mark Corroto
We are all becoming. Not becoming" as in pretty or handsome, but, as in we are coming to be. You can relate this to the Dharma path, or maturity, maybe even the act of learning how to juggle. Becoming is also the theme of the trio سم [ISM]. Its follow up to Nature In Its Inscrutability ...