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John Lely: The Harmonics of Real Strings

by John Eyles
The Harmonics of Real Strings is amazing, in the original sense of the word--it is packed full of moments that cause genuine amazement. Yet the simplicity of its conception and execution are both breathtakingly audacious, to the extent that describing it risks making it sound mundane. Nonetheless, here goes. The album consists of four realisations of ...
John Butcher: So Far

by Sammy Stein
Saxophonist John Butcher's career could have taken an academic path. He completed a Ph.D in theoretical physics--Charmed Quarks to be precise--but left the academic world behind shortly thereafter. As a saxophonist, Butcher has played with and collaborated with many musicians. He is not afraid to try completely off the wall musical experimentation.
Nate Wooley, Seymour Wright: About Trumpet and Saxophone

by John Eyles
About Trumpet and Saxophone has an intriguing image across the back and front of its double fold-out sleeve. Painted by Geoff Wright in 1968 and entitled Svetlana, it consists of eight images of a woman which, read from left to right, show her dressing from compete nakedness through the donning of items of underwear to full ...
As Alike As Trees Returns to Café Oto
Café Oto, London, Saturday 12 October and Sunday 13 October. In 2011, the inaugural As Alike as Trees festival was held at The Rag Factory near Brick Lane in London. Organised by drummer Eddie Prévost, saxophonist David O'Connor and violinist Jennifer Allum, it drew from the pool of musicians who had been participants, alumni or sympathisers ...
Various Brits: Just Not Cricket!

by Mark Corroto
In the 1972 Monty Python Flying Circus skit Are You Embarrassed," the announcer reads the lines, Are you embarrassed easily? I am. But it's nothing to worry about; it's all part of growing up and being British." The announcer goes on to describe embarrassing words like Shoe" ..... Megaphone" ..... Grunties," to test the listener's discomfort ...
Duncan Heining: Trad Dads, Dirty Boppers, and Free Fusioneers - British Jazz, 1960-1975

by Mike Oppenheim
Trad Dads, Dirty Boppers, and Free Fusioneers: British Jazz, 1960-1975 Duncan Heining pp. 486 ISBN: 978-1-84553-405-9 Equinox Publishing Ltd. 2012 Trad Dads, Dirty Boppers, and Free Fusioneers: British Jazz, 1960-1975, by freelance writer Duncan Heining, is a significant addition to the jazz literature. Consisting of fourteen chapters and 450 ...
Trad Dads, Dirty Boppers, and Free Fusioneers: British Jazz, 1960-1975

by Duncan Heining
From Duncan Heining's Trad Dads, Dirty Boppers and Free Fusioneers (Equinox, 2012) and is taken from from Chapter 11, The Best Things in Life are Free," which discusses free jazz and free improvisation in British jazz. In this section, Heining examines the early work of the avant-garde group AMM and discusses its philosophy and wider influence ...
Workshop improvisers in action: James O’Sullivan, Tom Soloveitzik, Jerry Wigens

by John Eyles
Every Friday evening since November 1999, a variable number of musicians--from six to twenty-six--has gathered together in south London for over two hours to improvise together in various combinations from duos upward. Originally convened by AMM drummer Eddie Prévost, and still led by him most weeks, this Workshop has featured hundreds of musicians since 1999 and ...
Catching Up With Guitarist John Russell

by John Eyles
2012 has been a memorable year for guitarist John Russell. It marked the twenty-first anniversary of his concert series Mopomoso which meets monthly at The Vortex jazz club in Dalston, London, making it the city's longest-running improvised music series. The year was also the thirtieth anniversary of Fete Quaqua, his annual festival of improv. Both Mopomoso ...
Marilyn Crispell / Harrison Smith / Eddie Prevost: London, UK, November 7, 2012

by John Sharpe
Marilyn Crispell / Harrison Smith / Eddie PrévostCafé OtoLondon, UKNovember 7, 2012It was almost as if no-one wanted to break the perfection of the anticipatory hush at north London's Café Oto. Eventually, Harrison Smith ventured a quizzical phrase on tenor saxophone, which inaugurated an unostentatious exchange of ideas and viewpoints. Pianist ...