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Eddie "Lockjaw" Davis

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Eddie Lockjaw Davis was one musician who provided a link from the big band era through to the soul jazz phenomenon of the late 1950s and early 1960s. Davis developed one of the most unmistakable tenor sax sounds in post war jazz. With a full bodied yet reedy tone that was equally at home in rhythm & blues settings as more modern contexts, his playing always had a direct, singing quality that was a huge influence on the next generation of sax men. Davis began to make his mark on the jazz scene in New York when he worked at Clark Monroe's Uptown House in the late 30s. Despite this establishment's close ties with the emergence of bebop a few years later, Davis' tenor saxophone playing was rooted in swing and the blues, and early in his career he displayed a marked affinity with the tough school of Texas tenors

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Article: Radio & Podcasts

New Orbits in Sound + Soulful Sides

Read "New Orbits in Sound + Soulful Sides" reviewed by David Brown


Today, we have a variety show of sounds for your enjoyment. First, a bit of a brew of mild avant-garde meets lounge music with Lyle Murphy (inventor of his own 12-tone system) and Gil Mellé (Modern Primitive Music). Things get serious with works from George Russell and the MJQ, before we change it up with a ...

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Article: Album Review

Doug Lawrence: Doug Lawrence & Friends

Read "Doug Lawrence & Friends" reviewed by Jack Bowers


If the name Doug Lawrence doesn't sound familiar, the name Count Basie surely should. What is the Lawrence- Basie connection? Well, for more than two decades Lawrence has been the featured tenor saxophone soloist with the renowned and still- active Count Basie Orchestra, a chair once impressively occupied by the likes of Lester Young, Eddie “Lockjaw" ...

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Article: Album Review

Houston Person: Live in Paris

Read "Live in Paris" reviewed by Jack Bowers


The greatest jazz musicians have one trait in common; they make everything sound so ridiculously easy that listeners are liable to lose sight of the blood, sweat and tears which brought them to that pinnacle. Tenor saxophonist Houston Person, an octogenarian who keeps sidestepping every obstacle including Father Time, is one such master; regardless of groove ...

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Article: Album Review

Scott Hamilton and Duke Robillard: Swingin' Again

Read "Swingin' Again" reviewed by Kyle Simpler


In 1987, Duke Robillard released the album Swing (Rounder), a successful combination of jazz and jump blues. He got his old friend, tenor saxophonist Scott Hamilton to help him out with the recording. Although Robillard is primarily known as a blues guitarist, the record made it obvious that jazz is also deeply rooted in his musical ...

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Article: Album Review

Ben Goldberg: Everything Happens To Be.

Read "Everything Happens To Be." reviewed by John Chacona


The music of Ben Goldberg seems to come from a place outside of time--or maybe it comes from several times simultaneously. Maybe it's the instruments he chooses; while the clarinet family has been on the comeback trail in jazz for a quarter century, it's a sound that invariably invokes the New Orleans of a century ago. ...

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Article: Radio & Podcasts

New Releases, Birthday Shoutouts As Women's History Month Continues

Read "New Releases, Birthday Shoutouts As Women's History Month Continues" reviewed by Mary Foster Conklin


Now in full swing, Women's History Month continues—this broadcast features new releases from Jane Monheit, Rebecca Dumaine, Yelena Eckemoff, Roni Ben-Hur and Kenney Polson with birthday shoutouts to Keely Smith, Shirley Scott, Nicki Parrott, Judy Niemack, Anat Fort, Miki Yamanaka, Bobby McFerrin and Mark Murphy, among others. Thanks for listening and please support the artists you ...

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Article: Radio & Podcasts

The Soul Jazz Organ of Jimmy Smith, Baby Face Willette, Shirley Scott (1957 - 1965)

Read "The Soul Jazz Organ of Jimmy Smith, Baby Face Willette, Shirley Scott (1957 - 1965)" reviewed by Russell Perry


Rarely has a jazz instrument been so completely redefined as the organ was at the hands of Jimmy Smith. In his wake, the Hammond B3 organ gained wide-spread popularity and attracted a suite of talented adherents. B3 players Jimmy Smith, Baby Face Willette and Shirley Scott in this hour of Jazz at 100 as we continue ...

News: Video / DVD

8 Clips: Boss Tenors

8 Clips: Boss Tenors

Boss tenors take charge. I don't know how else to put it. When a boss tenor plays a ballad, a mid-tempo tune or a barn-burner, the saxophone's sound is assertive and commanding, with a deep, forceful push in the lower register and a bluesy wail up top. Let me illustrate with eight clips: Here's Ben Webster ...

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News: Birthday

Jazz Musician of the Day: Eddie "Lockjaw" Davis

Jazz Musician of the Day: Eddie "Lockjaw" Davis

All About Jazz is celebrating Eddie “Lockjaw" Davis' birthday today! Eddie Lockjaw Davis was one musician who provided a link from the big band era through to the soul jazz phenomenon of the late 1950s and early 1960s. Davis developed one of the most unmistakable tenor sax sounds in post war jazz. With a full bodied ...


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