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Eddie "Lockjaw" Davis

Eddie Lockjaw Davis was one musician who provided a link from the big band era through to the soul jazz phenomenon of the late 1950s and early 1960s. Davis developed one of the most unmistakable tenor sax sounds in post war jazz. With a full bodied yet reedy tone that was equally at home in rhythm & blues settings as more modern contexts, his playing always had a direct, singing quality that was a huge influence on the next generation of sax men. Davis began to make his mark on the jazz scene in New York when he worked at Clark Monroe's Uptown House in the late 30s. Despite this establishment's close ties with the emergence of bebop a few years later, Davis' tenor saxophone playing was rooted in swing and the blues, and early in his career he displayed a marked affinity with the tough school of Texas tenors

ARTICLE: RADIO

The Soul Jazz Organ of Jimmy Smith, Baby Face Willette, Shirley Scott (1957 - 1965)

Read "The Soul Jazz Organ of Jimmy Smith, Baby Face Willette, Shirley Scott (1957 - 1965)" reviewed by Russell Perry

Rarely has a jazz instrument been so completely redefined as the organ was at the hands of Jimmy Smith. In his wake, the Hammond B3 organ gained wide-spread popularity and attracted a suite of talented adherents. B3 players Jimmy Smith, Baby Face Willette and Shirley Scott in this hour of Jazz at 100 as we continue ...

NEWS: VIDEO / DVD

8 Clips: Boss Tenors

8 Clips: Boss Tenors

Boss tenors take charge. I don't know how else to put it. When a boss tenor plays a ballad, a mid-tempo tune or a barn-burner, the saxophone's sound is assertive and commanding, with a deep, forceful push in the lower register and a bluesy wail up top. Let me illustrate with eight clips: Here's Ben Webster ...

NEWS: BIRTHDAY

Jazz Musician of the Day: Eddie "Lockjaw" Davis

Jazz Musician of the Day: Eddie "Lockjaw" Davis

All About Jazz is celebrating Eddie “Lockjaw" Davis' birthday today! Eddie Lockjaw Davis was one musician who provided a link from the big band era through to the soul jazz phenomenon of the late 1950s and early 1960s. Davis developed one of the most unmistakable tenor sax sounds in post war jazz. With a full bodied ...

ARTICLE: ALBUM REVIEW

Cory Weeds Little Big Band: Explosion

Read "Explosion" reviewed by Jack Bowers

The size and makeup of a “little big band" depend above all on what the leader has in mind. In this case, leader Cory Weeds patterned his ensemble (four brass, four reeds, three rhythm) after similar groups led by tenor saxophonists Eddie “Lockjaw" Davis and Gene Ammons, and what he had in mind was a mid-sized ...

ARTICLE: ALBUM REVIEW

Cory Weeds Little Big Band: Explosion

Read "Explosion" reviewed by C. Michael Bailey

Renaissance Man Cory Weeds has the Midas Touch. Since attaining Vancouver-local escape velocity with his Cellar Jazz Club and then his record label with the same imprint, the musical entrepreneur has parlayed his notice worldwide with excellent recordings of himself and other noted artists. Weeds' Cellar Jazz focus is what would be defined as an “Arbors ...

ARTICLE: ALBUM REVIEW

The Jason Klobnak Quartet/Quintet: Friends & Family

Read "Friends & Family" reviewed by C. Michael Bailey

Trumpeter/composer Jason Klobnak is one of those artists who creeps up on you. His debut recording, Mountain, Move (Self Produced, 2013), inauspiciously crossed my desk on its way beneath the laser, where it impressed me as just progressive enough to be interesting, but not so much to be a turn off. Klobnak takes the classic Miles ...

NEWS: BIRTHDAY

Jazz Musician of the Day: Eddie "Lockjaw" Davis

Jazz Musician of the Day: Eddie "Lockjaw" Davis

All About Jazz is celebrating Eddie “Lockjaw" Davis' birthday today! Eddie Lockjaw Davis was one musician who provided a link from the big band era through to the soul jazz phenomenon of the late 1950s and early 1960s. Davis developed one of the most unmistakable tenor sax sounds in post war jazz. With a full bodied ...

ARTICLE: INTERVIEW

Eric Ineke: Surveying the European Jazz Scene

Read "Eric Ineke: Surveying the European Jazz Scene" reviewed by Victor L. Schermer

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6[This is the fourth of the All About Jazz series on “The Many Faces of Jazz Today: Critical Dialogues" in which we explore the current state of jazz around the world with musicians, journalists, and entrepreneurs who give ...

ARTICLE: ALBUM REVIEW

Eric Ineke: Let There Be Life, Love and Laughter

Read "Let There Be Life, Love and Laughter" reviewed by Victor L. Schermer

Eric Ineke is a long time drummer, residing in the Netherlands, who is one of a coterie of sidemen favored by American expatriate jazz musicians for their European gigs. This fine compilation of his work with nine of the great tenor saxophonists gives the listener a golden opportunity to listen to some of their best workouts ...


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