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Tobias Grim: Spring 2020
by Mike Jurkovic
Locked down but cool, calm and collected in the midst of global strife, Swedish guitarist Tobias Grim and his equally cool, calm, and collected trio mates, bassist Magnus Bergström and drummer Adam Ross, took a couple of time suspended, life upended days in spring 2020 to jam on few new Grim tunes and some well-known standards ...
Meet Marc Cohn
by Marc Cohn
Meet Marc A. Cohn Dr. Cohn is a New Yorker-in-exile and has been doing jazz radio as an avocation since 1967. He is Professor Emeritus in Seed Biology at Louisiana State University, where he has won numerous teaching awards. He is a widely recognized authority on seed dormancy, is Editor Emeritus of Seed Science Research (the ...
Braxton with Dave Brubeck and Chick Corea & Much More
by Marc Cohn
We're going everywhere this week. We offer you twenty-first century music from Joshua Redman, Michael Sarian, magnificent Vanessa Perica, Nicole Mitchell and Manu Katche. Roll up the rug for Benny Goodman's trio, Fletcher Henderson and Rex Stewart(with Johnny Hodges on soprano and Harry Carney on clarinet). Our Charlie Parker @ 100 celebration continues as we start ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
John Scofield: One For Swallow
by Ian Patterson
From time to time in his storied career John Scofield will take a look over his shoulder and re-examine some of the music that has fed into his own, personal brand of jazz. The influences are many, for no matter the context that Scofield engineers, his distinctive sound always carries something of the blues, a little ...
Uberjamming with John Scofield
by Mike Brannon
From the 1995-2003 archive: This article first appeared at All About Jazz in March 2002. “Uberjam." Literally: “over all jam," translates to 'groove above all' on this true band effort, Scofield's latest recorded outing. You'll likely see this title described as anything from groove...techno...ambient...world...trance... to acid...and back again, but like MMW, it's unique in ...
Dave Glasser: Hypocrisy Democracy
by Dan Bilawsky
Something of a socio-political scythe--a title and tool cutting straight into the failing system that surrounds us--Hypocrisy Democracy is also a broad statement detailing the ceaselessly looping fallibility of man and his actions. It's saxophonist Dave Glasser's most probing work to date, bound to both our present state of affairs and the history it mirrors, and ...
Irreversible Entanglements, Goran Kajfes, Soul Gnawa & Other New Releases
by Ludovico Granvassu
This week's exploration of new and upcoming releases and releases features projects inspired by music from Benin and the Gnawa tradition of Morocco, hip-hop and electronica, as well as a tribute to Eddie Harris and the socially engaged music of Irreversible Entanglements. Happy listening! PlaylistBen Allison “Mondo Jazz Theme (feat. Ted ...
Eddie Who: Michael Blake's Tribute to Eddie Harris
by Ludovico Granvassu
The latest project by veteran saxophonist Michael Blake and his long-time collaborators Clark Gayton on trombone and Tony Mason on drums is a heart-felt tribute to the legendary Eddie Harris. This mixtape features five tunes by Eddie Harris cherry-picked by Michael Blake mixed with music by Michael Blake selected by Mondo Jazz.
About Eddie Harris
Results for pages tagged "Eddie Harris"...
Eddie Harris
Born:
Eddie had always wanted to play the saxophone simply because he admired its design and the way it looked. But in order to play saxophone for Captain Dyette, the aspiring musician had to plat the clarinet. He took private clarinet and saxophone lessons for many years. As his playing improved, Eddie began his saxophone career playing with all types of bands. Captain Dyette retired in his mid-sixties and passed away in his mid-seventies. In the late 50's Eddie was drafted into the Army. While in the Army, he took an audition test for the Army band which included reading music, ear training, written phrases and command of the chosen instrument, Eddie scored a 98 out of 100. This score was so high that he was recommended to join the symphony orchestra in Germany.
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