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Peter Bernstein: Let Loose
by C. Andrew Hovan
When it comes to guitarists of his generation, Peter Bernstein stands head and shoulders above the crowd. His tone and melodic approach are so recognizable as to be detected in a just a few bars. Since 1989, he has been the go-to guitarist in New York City and has literally graced hundreds of recordings. Bernstein has ...
One for All: The Third Decade
by C. Andrew Hovan
Hard to believe it will be twenty years ago next year that the hard bop ensemble One For All debuted with Too Soon To Tell on the fledgling Sharp Nine label. Formed as a group that regularly played together at an uptown Broadway club called Augie's, each member was just at the start of their own ...
Yelena Eckemoff Quartet: Everblue
by Neri Pollastri
A due anni di distanza dall'ottimo Glass Song, realizzato in trio, la pianista Yelena Eckemoff, moscovita da oltre vent'anni stabilitasi negli Stati Uniti, allarga la formazione mantenendone l'impianto culturale: ai due monumenti della musica scandinava Arild Andersen e jon Christensen aggiunge infatti il sassofonista Tore Brunborg, per formare un quartetto dalla cifra meditativa e dal lirismo ...
Jim Rotondi: Dark Blue
by C. Andrew Hovan
Back in 1997 when Introducing Jim Rotondi announced that a major new trumpeter star was on the ascent, few could have predicted how important and prolific Rotondi would become to the mainstream landscape. A foremost stylist in the lineage of Freddie Hubbard and Wood Shaw, Rotondi quickly proved he had absorbed the legacy, only to jettison ...
Renee Rosnes: Written in the Rocks
by C. Andrew Hovan
Always a major talent who has transcended the hokum that usually accompanies the precept of women jazz musicians, pianist Renee Rosnes offers a mature and individualistic touch that has been recorded on far too few occasions over the years. In fact, prior to this fabulous session, Rosnes' last U.S. release was a 2010 duo set with ...
Svetlana and the Delancey Five: Night at the Speakeasy
by C. Michael Bailey
The name Svetlana and the Delancey Five sounds like a Cold War cadre of marauding spies. Moscow-native Svetlana Shmulyian is the real article and brings a certain “other-worldness" to a jazz repertoire existing somewhere between 1920 and the Rapture. The band's Night at the Speakeasy is their debut for the West Coast OA2 Record label. With ...
Cyrille Aimee: Let’s Get Lost
by C. Michael Bailey
Vocalist Cyrille Aimee is the face of post-modernity. She is the eclectic intersection of French, Dominican, and Roma genes and cultures. The result is brilliantly polyglot, the beautiful blending of goodness. This whispering description could just as easily apply to Aimee's music. Let's Get Lost boasts the same eclectic origins as the singer. For this current ...
Scott DuBois: Winter Light
by Dan Bilawsky
The journey from morning to night, from the dark and promising wintry dawn to the gelid day's goodbye, is one fraught with possibility. At least that's how guitarist Scott DuBois sees it. On Winter Light, Dubois tells the story of a single frigid day. It's as wondrous, chilling, atmospheric, and powerful as can be.
Myriam Alter: Crossways
by John Ephland
There's a soulful melancholy to much of this music. Composer/pianist Myriam Alter has created yet another collection of her songs that have the potential to evoke feelings of yearning, sadness and perhaps a deep buried joy with Crossways. Akin to a previous outing on enja, the elegiac Where Is There, Crossways can be heard as a ...
Ariel Pocock: Touchstone
by Dan Bilawsky
What are the touchstones of jazz? Harmonic acuity? Internalization of swing aesthetics and advanced rhythmic language(s)? The ability to quickly parse a composition in real time? An understanding of the historical framework of the music? The ability to create and speak one's own mind using any number of vocabulary sets? Yes. Each of those elements are ...
