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Svetlana and the Delancey Five: Night at the Speakeasy

by C. Michael Bailey
The name Svetlana and the Delancey Five sounds like a Cold War cadre of marauding spies. Moscow-native Svetlana Shmulyian is the real article and brings a certain other-worldness" to a jazz repertoire existing somewhere between 1920 and the Rapture. The band's Night at the Speakeasy is their debut for the West Coast OA2 Record label. With ...
Cyrille Aimee: Let’s Get Lost

by C. Michael Bailey
Vocalist Cyrille Aimee is the face of post-modernity. She is the eclectic intersection of French, Dominican, and Roma genes and cultures. The result is brilliantly polyglot, the beautiful blending of goodness. This whispering description could just as easily apply to Aimee's music. Let's Get Lost boasts the same eclectic origins as the singer. For this current ...
Scott DuBois: Winter Light

by Dan Bilawsky
The journey from morning to night, from the dark and promising wintry dawn to the gelid day's goodbye, is one fraught with possibility. At least that's how guitarist Scott DuBois sees it. On Winter Light, Dubois tells the story of a single frigid day. It's as wondrous, chilling, atmospheric, and powerful as can be.
Myriam Alter: Crossways

by John Ephland
There's a soulful melancholy to much of this music. Composer/pianist Myriam Alter has created yet another collection of her songs that have the potential to evoke feelings of yearning, sadness and perhaps a deep buried joy with Crossways. Akin to a previous outing on enja, the elegiac Where Is There, Crossways can be heard as a ...
Ariel Pocock: Touchstone

by Dan Bilawsky
What are the touchstones of jazz? Harmonic acuity? Internalization of swing aesthetics and advanced rhythmic language(s)? The ability to quickly parse a composition in real time? An understanding of the historical framework of the music? The ability to create and speak one's own mind using any number of vocabulary sets? Yes. Each of those elements are ...
Halie Loren: Butterfly Blue

by C. Michael Bailey
All About Jazz collegue R.J. Deluke published a lengthy piece on Alaska-now-Oregon native vocalist Halie Loren. In that piece, DeLuke concludes: Loren is also in a place vocally where her sound has moved away from influence and is her own. Emulating her favorites, and learning from that in years, are behind. Her phrasing ...
Ivo Perelman/Matthew Shipp: Complementary Colors

by Mark Corroto
When a new batch of Ivo Perelman discs are released, yes he releases music from multiple groups on multiple discs, it is always wise to start with his duets with pianist Matthew Shipp. They've collaborated now for over twenty years, in duo, trio, quartet, and quintet settings. Their development of sound, each player's individual sound, has ...
Sullivan Fortner: Aria

by Dan Bilawsky
New Orleans has produced a bumper crop of notable pianists over its long and storied history--Jelly Roll Morton, Fats Domino, Professor Longhair, Allen Toussaint, James Booker, Dr. John, Ellis Marsalis, Henry Butler, Harry Connick Jr., Jon Batiste--and it's not done yet. Sullivan Fortner, a twenty-eight year old piano phenom who's been a hot topic since receiving ...
Yelena Eckemoff: Growing Into Jazz

by Mark Sullivan
Pianist/composer Yelena Eckemoff goes her own way. Since the 2010 release of Cold Sun on her own L&H Production label, she has produced a series of jazz recordings, all presenting original music, with an impressive array of renowned contemporary musicians. Our conversation mainly dealt with her recording career: making connections with other musicians, composing, and working ...
John Coltrane: A Love Supreme: The Complete Masters

by Mark Corroto
For many a jazz fan John Coltrane's A Love Supreme is their personal desert island pick, the one recording they would not hesitate to live their days out listening to. Recorded on December 9, 1964, the session has endured as a document of the saxophonist's faith, as it was the proclamation of his rebirth from the ...