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Manu Katche: Touchstone for Manu
by John Kelman
With only four records released as a leader on ECM, it may seem a little early to release a “best of" disc for drummer Manu Katché. But having since moved on to fellow German label ACT for Live in Concert, while Touchstone for Manu is only being released in North America in the summer of 2015, ...
Storie (minime) di chitarra
by Alberto Bazzurro
Non c'è strumento stilisticamente più tentacolare della chitarra, assolutamente centrale nel rock e nel blues, nel flamenco e in tanta musica latinoamericana, nel country e in svariata canzone d'autore, nella tradizione gitana e in altri anfratti ancora dello scibile sonoro planetario (nel jazz e nella classica occupa posizioni magari più appartate ma solidissime), destino tutto sommato ...
Carlo Maver Plus: Tracce d’Africa
by Alberto Bazzurro
Quarantun anni, bolognese, Carlo Maver è un'autentica forza della natura. Suona, intanto, due strumenti fra loro decisamente lontani, eterogenei, quali flauto e bandoneon (nel disco in oggetto alternati con rigore certosino: il primo dei brani dispari, il secondo nei pari) e poi è un viaggiatore instancabile. Nel corso degli anni è stato per esempio in Kurdistan, ...
El Valle de la Infancia
By Dino Saluzzi
Label: ECM Records
Released: 2014
Track listing: Sombras; La Polvadera; Pueblo Part I: Labrador; Pueblo Part II: Salavina; ; Pueblo
Part III: La Tristecita; A mi Padre y a mi Hijo; Urkupiña Part I: Salida del Templo; ;
Urkupiña Part II: Ruego, Procesión y Entonación; La Fiesta Popular Part I: La Danza;
; La Fiesta Popular Part II: Galanteo; La Fiesta Popular Part III: La perseguida; La
Fiesta Popular Part IV: Atardecer; La Fiesta Popular Part V: En la quebrada de Lules;
Tiempos Primeros Part I: La Arribeña; Tiempos Primeros Part II: La casa paterna.
Anja Lechner / François Couturier: Moderato cantabile
by John Kelman
ECM Records has long divided its discography in two: the regular series, representing music of a more improvisational bent; and its New Series, featuring largely classical music ranging from the contemporary to the archaic, but more truly defined in its through-composed nature. Still, the line between the two has, however, often been a porous one, where ...
Dino Saluzzi Group: El Valle de la Infancia
by John Kelman
In his 32-year relationship with ECM Records, Argentinean bandoneonist Dino Saluzzi has explored many paths--paths upon which he has rarely traveled more than once, even if there were certain road marks common to them all. A pair of trio recordings with his son, guitarist José Maria Saluzzi, employed two different bassists--Marc Johnson on 1997's Cité de ...
Yeahwon Shin e il Questionario di Proust
by Paolo Peviani
All About Jazz: Il tratto principale della mia musica Yeahwon Shin: Non so esattamente come rispondere a questa domanda. Quello che posso dire è che cerco sempre di essere onesta e sincera con la musica. AAJ La qualità che desidero nei musicisti che suonano con me Y.S. Ammiro la ...
Dan Willis and Velvet Gentlemen: The Satie Project II
by Dave Wayne
The music of Eric Satie may well be some of the most malleable and adaptable works ever composed. This could be partly due to the fact that Satie himself stood well outside of the musical mainstream of his time, thus his compositions are comparatively unencumbered by the stylistic baggage of his era. Satie was avant-garde before ...
Guinness Cork Jazz Festival 2013
by Ian Patterson
Guinness Cork Jazz Festival Various Venues Cork Ireland October 25-28, 2013 Whether it was chance or fate is debatable but the fact is that had it not been for a cancelled bridge tournament the first Cork Jazz Festival might never have got off the ground. The 35th Guinness Cork Jazz ...
Rickie Lee Jones Sings the Most
by C. Michael Bailey
Scotch whiskey is an acquired taste; you must first be introduced and develop a relationship with it before this strong water reveals her charms. The same can be said for the singing of Rickie Lee Jones. A hipster in the late-1970s, Jones grew into a blind sage prophetess, showing how others' music could be experienced differently. ...
