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Ramsey Lewis & Urban Knights: VII
by Phillip Woolever
Back in 1995, an executive named Carl Griffin at Ramsey Lewis' record label reportedly conceived the idea of forming a jazz “super group" around the well-established Chicago pianist. The resulting all-star project, deemed Urban Knights, featured Grover Washington Jr. and a rhythm section with Omar Hakim and bassist Victor Bailey, who'd worked together in the early ...
Scott Henderson: People Mover
by Glenn Astarita
Scott Henderson looms as one of the reigning guitar heroes since the mid-1980s, beginning with the powerhouse jazz fusion band Tribal Tech—an outfit that helped bring this genre back to life after it waned in the late 1970s and early 1980s. And other than his lengthy and impressive solo career, he's performed with the Zawinul Syndicate, ...
Antonio Sanchez & Migration al Roma Jazz Festival
by Serena Antinucci
Antonio Sanchez & Migration Auditorium Parco della Musica Roma Jazz Festival 4.11.2019 “Alcune persone sognano mondi di fantasia, io sogno muri." (Jean René, in arte JR) Per Kikito non esistono regole quando si parla di barriere, di confini protettivi. Sette anni, di Tecate (Messico) è il protagonista dell'installazione mobile ...
Norwegian Road Trip, Part 4: Oslo and an Interview with Jan Erik Kongshaug
by John Kelman
Author's Note: Jan Erik Kongshaug, owner and recording engineer at Rainbow Studios, Oslo, passed away on November 5, 2019. Beyond his best-known work on hundreds of recordings for the lauded ECM Records label in collaboration with label head/producer Manfred Eicher, Kongshaug's studio and engineering, mixing and mastering work has garnered significant international acclaim. Still, Rainbow continues ...
Woody Shaw: At Onkel Po's Carnegie Hall: Vol. 1: Hamburg 1979
by Chris May
Woody Shaw was born a decade or so after quintessential hard-bop trumpeters Lee Morgan, Donald Byrd and Freddie Hubbard, Shaw's professed role model. He came to the party late but he came bearing gifts—a strong technique, an ability to play inside and outside with equal conviction, and a lot of soul. These qualities were to the ...
Bob Sheppard: The Clark Kent of Jazz
by Jim Worsley
An unassuming bespectacled man in his mid-sixties walks on to the stage. In a band with stellar, famous, and maybe flashier musicians, one could be forgiven if they didn't even notice him right away. But as soon as Bob Sheppard presses a saxophone, clarinet, or flute onto his lips, he is super, man! An incredible musician ...
Eric Wyatt: The Golden Rule: for Sonny
by Rob Rosenblum
The Golden Rule: For Sonny sounds at times like a Sonny Rollins cover, especially on those tunes where Rollins' nephew and frequent sideman, trombonist Clifton Anderson, joins the front line, but a second listen shows that there is a lot more than slavish idolatry here. Wyatt is a talented young tenor player, whose admiration ...
Ruslan Sirota: A Lifetime Away
by Mackenzie Horne
The Ruslan Sirota who engineered A Lifetime Away (Ruslan Sirota, 2019) has been years in the making. Sirota, who tends to view growth in terms of saying the most with the least, has developed an objective sophistication since the release of his self-titled debut record in 2011. More unified in mind and spirit, he has manifested ...
Andy Fusco: Vortex
by David A. Orthmann
Vortex, Andy Fusco's fourth release on the SteepleChase imprint in as many years, is cause for celebration. Until recently, recordings by the veteran alto saxophonist as a leader have been few and far between. The date reunites Fusco with tenor saxophonist Walt Weiskopf, who composed four of the selections and arranged nine of the ten tracks. ...
Petros Klampanis: Irrationalities
by Mark Corroto
You'd expect a strong pulse on Irrationalities by bassist Petros Klampanis. What comes as a beautiful surprise is the diversified approach he utilizes in his compositions and performance. Not that we don't hear a variety of approaches on he previous outings. Both Chroma (Minos-EMI, 2017) and Minor Dispute (Inner Circle Music, 2015) concentrated on a chamber sound ...
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