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Charlie Persip

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An excellent drummer both in big bands and combos, Charli Persip changed his name from Charlie in the early '80s. He had early experience playing locally in New Jersey and with Tadd Dameron (1953), but gained his initial recognition for his work with Dizzy Gillespie's big band and quintet (1953-1958). In 1959, he formed his own group, the Jazz Statesmen, which featured a young Freddie Hubbard. Persip appeared on many record sessions in the 1950s and '60s with such players as Lee Morgan, Dinah Washington, Red Garland, Gil Evans, Don Ellis, Eric Dolphy, Roland Kirk, Gene Ammons, and Archie Shepp, among others
Freedom Art Quartet: First Dance

by Carl Medsker
Raucous, brash and freewheeling, First Dance by The Freedom Art Quartet is rooted in the past yet fresh and contemporary. The album should sound familiar to those who have ventured outside the mainstream and spent time with Ornette Coleman and the Art Ensemble Of Chicago. Those forces are strong in the band, but labeling them retro ...
Don Ellis: How Time Passes to Essence Revisited

by Angelo Leonardi
Nelle storie del jazz Don Ellis è ricordato principalmente per l'innovativa big band che guidò per un decennio, dalla metà degli anni sessanta. Questa preziosa riedizione ci rammenta i suoi inizi di carriera, quando esplorava nuove soluzioni a partire dalla tromba: accoppia il suo debutto in quartetto (...How Time Passes...) dell'ottobre 1960 con alcuni brani di ...
How Time Passes to Essence Revisited

By Don Ellis
Label: Ezz-thetics
Released: 2024
Track listing: …How Time Passes; Sallie; A Simplex One; Waste; Improvisational Suite 1; Slow Space; Ostinato; Donkey; Form; Irony.
OJC's Big Guns: Art Blakey, Cannonball Adderley, and Ron Carter

by C. Andrew Hovan
Although they were somewhat late to the vinyl renaissance game, Craft Records has made up for lost time by tapping a wide range of music. From the Latin strains of Fania Records to the so-called acid jazz that B3 organ masters churned out for Prestige Records in the late '60s, Craft boasts a huge vault that ...
Kevin “Bujo” Jones: Jazz as a Part of The Continuum

by Jane Kozhevnikova
Jazz musicians can be found working in any other music styles, probably because jazz gives great flexibility and freedom of expression that can be easily applied to any music. Kevin Bujo" Jones, a percussionist born in Englewood, New Jersey, and residing in Grand Rapids, Michigan, feels equally comfortable playing jazz and non-jazz. Moreover, he does not ...
Pat Martino Top Ten Albums: More Than Meets The Eye

by Ian Patterson
Hugely admired by his peers, guitarist Pat Martino never really enjoyed the high profile accorded the likes of John McLaughlin, John Abercrombie, Pat Metheny or John Scofield, though in that esteemed company the Philadelphian guitarist, who passed away in 2021, surely belongs. In a sixty-year career, interrupted for the guts of a decade by ...
In Memoriam: Jazz Musicians Who Passed in 2020

by Maxim Micheliov
As 2020 comes to a close, we wanted to take a moment to remember the extraordinarily gifted musicians who made an indelible mark on jazz. With sadness, we bid farewell to Gary Peacock, Ennio Morricone, Keith Tippett, Henry Grimes, Bucky Pizzarelli, Wallace Roney and many others including NEA Jazz Masters Jimmy Cobb, Lee Konitz, Candido Camero, ...
Greg Abate, Charlie Persip & Steve Grossman

by Joe Dimino
This week we open with the Greg Abate Quintet and then go on marking the Charlie Parker centennial. Champian Fulton has a new album honoring Bird, Birdsong and we hear her take on Yardbird Suite." There are profiles of Kenny Washington, Daniel Hersog and Hal Galper. We also pay respects to musicians that left us in ...
Sam Rivers Quintet: Zenith

by John Sharpe
Concertgoers must have been forced back in their seats by the intensity of Sam Rivers opening foray at the 1977 Berlin Jazztage Festival. After an annunciatory tenor saxophone burst, he goes for the jugular with fierce vocalized overblowing atop a churning four piece rhythm section. But if that sounds forbidding, then like the audience, listeners to ...