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Various Artists: Impulse Records: Music, Message & The Moment
by Chris May
Those of us for whom Impulse has been as important a part of our cultural lives as Blue Note, perhaps even a more important one, will not be satisfied until the label reissues its entire catalogue on remastered CDs and audiophile vinyl. In the meantime, it would be churlish to do anything other than applaud such ...
Broken Shadows: Broken Shadows with Tim Berne, Chris Speed, Reid Anderson, Dave King
by Dan McClenaghan
The context for Broken Shadows is--can you guess--the Ornette Coleman album of the same name, recorded in 1971 and released on Columbia Records in 1982. That, along with three tunes from Coleman's Science Fiction (Columbia, 1971), and more from the free jazz pioneer's Atlantic and Blue Note Records days. And while we're at it, throw in ...
Gli Unscientific Italians e l'arte della meta-sintesi Friselliana
by Ludovico Granvassu
Se Nanni Moretti fosse nato nel 1973 invece che nel 1953, la famosa scena di Caro Diario che lo vede in sella ad un vespone per le strade vuote di una languida Roma ferragostana avrebbe avuto come colonna sonora la musica di Bill Frisell piuttosto che quella di Keith Jarrett. Perchè ogni epoca viene definita da ...
John Wolf Brennan: Nitty Gritty Ditties
by Alberto Bazzurro
Sotto l'insegna Nonsolopiano (sottotitolo del CD), John Wolf Brennan ci offre una nuova prova del suo enciclopedismo musicale, fatto di un polistrumentismo tastieristico in cui il piano rimane pur sempre il faro e di input stilistici (meglio ancora linguistici) decisamente variegati. In questi fittissimi trentatré brani (svarianti da meno di un minuto a quasi quattro, per ...
Ilaria Capalbo e il Questionario di Proust
by Paolo Peviani
Il tratto principale della mia musica Cerco sempre di incorporare una certa qualità narrativa nella musica che scrivo e nel modo in cui suono. La qualità che desidero nei musicisti che suonano con me La voglia di aggiungere qualcosa di personale alla musica. Precisione e professionalità sono importantissime. Sono poi particolarmente felice ...
One Man’s Jazz Show 1200th Show Special
by Maurice Hogue
This episode of One Man's Jazz marks the 1200th since its very first show at CKUW FM in Winnipeg. It moved over to taintradio.org in early 2012. One of the mantras of the show has always been that the show was about the music and the musicians who make it. I had no illusions of becoming--let ...
Take Five with Will Lyle
by AAJ Staff
Meet Will Lyle Born in Southern California, Will began studying cello when he was three and also played drums, guitar, piano and percussion, taking up the electric bass at the age of 12. “I had aspirations to become a producer and I originally went to Berklee for musical production, but during my freshman year I heard ...
Jeremy Monteiro, Jay Anderson, Lewis Nash: Live At No Black Tie
by Ian Patterson
Forty-five albums in as many years represents remarkable consistency from pianist Jeremy Monteiro—Singapore's King of Swing. It is worth recounting that Monteiro has played with the likes of Charlie Haden, Benny Golson, Toots Thielemans, Cassandra Wilson, both Michael Brecker and Randy Brecker, James Moody, Eldee Young and, for over thirty years, with Ernie Watts. Oh yes, ...
Instrumental Duos
by Karl Ackermann
The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...
The Bill Frisell Songbook: Part 1
by Ludovico Granvassu
Every generation has a number of defining musicians who stand out for their innovations and distinctive voices. For us growing up musically in the 1980s and 1990s and interested in forward looking music, Bill Frisell is one of these foundational figures. His instrumental style is certainly unique and has shaped the way the following generations have ...
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