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1

Article: Multiple Reviews

Di Zappa di più

Read "Di Zappa di più" reviewed by Mario Calvitti


Sono passati 27 anni da quando Frank Zappa ci ha prematuramente lasciato, ma la sua figura di musicista è ben lontana dall'essere dimenticata, o anche semplicemente messa da parte. Questo sicuramente anche grazie all'attività dei figli Dweezil e Ahmet, il primo con i tour mondiali della sua band Zappa plays Zappa dedicata alla musica del padre, ...

2

Article: Album Review

Jorge Roeder: El Suelo Mío

Read "El Suelo Mío" reviewed by Mark Corroto


Let's not call it pandemic music. Yes, it is a solo recording, but Jorge Roeder conceived of and recorded El Suelo Mío before this world wide pandemic. The bassist is a member of John Zorn's New Masada Quartet, Ryan Keberle's Catharsis, and Julian Lage's ensembles, to name just a few. He has a sound that is ...

4

Article: Album Review

Juan Vinuesa Jazz Quartet: Blue Shots From Chicago

Read "Blue Shots From Chicago" reviewed by Mark Corroto


Chicago, a city of big shoulders, continues to present proof of poet Carl Sandburg's words from the poem of the same name... “Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning." Why is this? Because Chicago in 2020 remains the same as evoked in ...

1

Article: Album Review

Iro Haarla, Ulf Krokfors & Barry Altschul: Around Again: The Music Of Carla Bley

Read "Around Again: The Music Of Carla Bley" reviewed by Jerome Wilson


Although much of her music is imbued with subtle humor, Carla Bley's compositions are serious music. Finnish pianist Iro Haarla is a long-time admirer of the Bley, and on this CD she gives her music an appropriate gravity, while retaining its spirited nature. Haarla is accompanied by her musical partner, Ulf Krokfors, on bass ...

1

Article: Album Review

Lorraine Baker: Eden

Read "Eden" reviewed by Roger Farbey


Lorraine Baker graduated with First Class Honours from South East London's Trinity Laban Conservatoire of Music and Dance in 2009. Since then, she's worked with many of the UK's leading jazz musicians and in addition to such sessions she's also freelance drum tutor. Fellow drummer Jeff Williams is quoted describing Baker as having a “unique style" ...

7

Article: Big Band Report

Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 3-4

Read "Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 3-4" reviewed by Simon Pilbrow


Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 Concert 8: The Herdsmen -Bobby Shew meets Larry McKenna Trumpeter Bobby Shew is a well- known ...

1

Article: Album Review

Alberto Pinton Quartet: Live in Japan

Read "Live in Japan" reviewed by Mark Corroto


You never really recognize a musician or ensemble until you hear them live. In the studio, artists have the luxury of multiple takes and edits to fine-tune their sound. Live in concert, the trade-off for the lack of second takes, is the musicians' ability to feed off of the energies of the audience. Their true identities ...

Article: General Articles

I 10 CD nel CD-Player di... Marcos Varela

Read "I 10 CD nel CD-Player di... Marcos Varela" reviewed by Vincenzo Roggero


01. Kenny Barron -Book of Intuition (Impulse -2016). Adoro questo disco e questo trio che ho avuto la fortuna di sentire diverse volte dal vivo. Barron è uno dei miei pianisti preferiti sin da quando da giovane lo ascoltavo nei lavori di Stan Getz, nel suo disco Live at Bradley's e in duo con Charlie ...

4

Article: Bailey's Bundles

Jazz Quanta May

Read "Jazz Quanta May" reviewed by C. Michael Bailey


Oran Etkin Gathering Light Motema 2014 Multi-reedist Oran Etkin gathers his scattered points of inspiration from the whole of the Eastern Hemisphere and a good bit of the Western one. Etkin's main horn is the bass clarinet...not completely unheard of, Eric Dolphy played a mean one, but one ...

5

Article: Album Review

John Clayton: Parlor Series, Vol. 1

Read "Parlor Series, Vol. 1" reviewed by Dan Bilawsky


The Parlor Series was conceived of long before it came into existence. Bassist/Composer/Arranger/Educator extraordinaire John Clayton had long hoped to explore the piano-bass duo medium on record. He had admired albums like This One's For Blanton (Pablo, 1974), which paired his mentor--bass legend Ray Brown--with the great Duke Ellington, and Steal Away (Verve, 1995), which brought ...


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