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John Coltrane: Both Directions at Once: The Lost Album
by Luca Canini
Non un bootleg registrato alla meno peggio chissà da chi e chissà come; e nemmeno il remake di un remake spacciato per novità assoluta dopo un paio di goffi aggiustamenti e magari una manciata di minuti mai ascoltati prima. Stavolta l'inedito è clamoroso: quattordici brani fissati su nastro dal quartetto di John Coltrane il 6 marzo ...
Ark Ovrutski: Journey Moments
by Dan Bilawsky
In listening to this music, each song, solo, and split-second decision can be defined as a journey moment. Every single one, large or small, plays as a parallel or reflection of life's rich travels, bringing to light thoughts and emotions both firm and fleeting in nature. And in the sum total of them all, where action, ...
New England Jazz Ensemble: Peter and the Wolf
by Jack Bowers
As the Russian composer Sergei Prokofiev composed the children's tale Peter and the Wolf to introduce classical music to a wider audience, so the world-class New England Jazz Ensemble has reimagined Prokofiev's beloved fantasy in jazz terms as a pathway to a greater awareness of its singular style of music. The redesigned suite, which encompasses almost ...
George Winstone: Outer Spaces
by Roger Farbey
Alto saxophonist and composer George Winstone's debut recording stands out from the crowd. Technically it's an EP but at 33 minutes it's not very different in duration from some LPs; it's actually the same length as Coltrane's A Love Supreme and four minutes longer than (Albert Ayler's Spiritual Unity . Winstone, who was born ...
Linley Weir: Just One More Time
by James Fleming
Easy on the ear does not necessarily mean easy on the consciousness. Many a sweet melody has served as a gateway drug to harder, horizon-expanding sounds. But Just One More Time, from UK-based vocalist Linley Weir, does not open any “doors of perception." Her brand of Latin-infused jazz-pop is safe as a bank vault. And, despite ...
Lou Lanza: Scenes from an Italian: The Billy Joel Project
by Jim Olin
Lou Lanza is a charismatic jazz artist with a unique approach to his creativity. His 2018 album Scenes from an Italian: The Billy Joel Project is not about original songs, but it is actually about offering an original spin on the tunes of one of the most beloved songwriters of all time: Billy Joel.Through ...
Ronnie Cuber: Live At Montmartre
by Chris Mosey
Of all the musical instruments invented by Adolphe Sax in the mid-19th century, the baritone saxophone remains the least played. Harry Carney persuaded Duke Ellington to use the heavy, cumbersome instrument and it became a distinctive part of the band's sound. Others who have played the baritone saxophone include Cecil Payne, Pepper Adams, Serge Chaloff and--for ...
Esche: Der Dichter Spricht
by Jerome Wilson
A trio of piano, violin and bass seems like it could be limiting in an improvisational context but the German group Esche does just fine with that lineup. They create a bright style of lively chamber music that teems with emotion and romance. This is not one of those European groups that relies on ...
Nick Costley-White: Detour Ahead
by Roger Farbey
Nick Costley-White has appeared on a couple of significant albums recently; Henry Spencer's The Reasons Don't Change (Whirlwind, 2017) and Snowpoet's Thought You Knew (Edition, 2018). Graduating from London's Guildhall School of Music and Drama in 2011 with first class honours and a Yamaha Jazz Scholarship prize for Outstanding Musicians, Detour Ahead is his long-anticipated debut ...
Tiffany Austin: Unbroken
by Walter Atkins
Unbroken (Con Alma Music, 2018) is the follow- up to Tiffany Austin's vibrant debut album Nothing But Soul (Con Alma Music, 2015). Austin beautifully expresses her personal views and positive responses to the past and current atrocities committed against African American citizens in the United States. According to Austin, the title Unbroken “is a ...
