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Sylvie Courvoisier – Mark Feldman Quartet: Birdies for Lulu
by Alberto Bazzurro
Sodalizio ampiamente collaudato, quello tra la pianista svizzera e il violinista chicagoano, che in questo nuovo capitolo, inciso a fine 2013, esprime molte delle pieghe espressive che riconosciamo ai due musicisti, sia come singole entità che come coppia. Così il trittico iniziale (inclusa anche la coda finale), frutto della penna di Mark Feldman, ...
Steve Lehman Octet: Mise en Abîme
by Martin Longley
It's been five years since Steve Lehman's last Octet album, so we're now voracious for more expanded material. Right at the start, his alto saxophone is briefly alone, and then the entire ensemble weighs in, earthy yet finely controlled. Chris Dingman's customised vibraphone is absolutely central to the sound of these Lehman originals, most of which ...
Wil Blades: Field Notes
by Doug Collette
Keyboardist Wil Blades earned his pedigree playing with guitarist Will Bernard and percussionist Billy Martin and now ratchets up his leadership skills fronting a trio including guitarist Jeff Parker and drummer Simon Lott. Concentrating on Hammond B3 organ (using clavinet to leaven the textured sound of the group), Blades proves he has absorbed the lessons from ...
Tony Malaby Tamarindo: Somos Agua
by Robert Bush
Saxophonist Tony Malaby's Tamarindo, featuring the unerring bassist William Parker and explosive drummer Nasheet Waits explore the possibilities of the saxophone trio on Somos Agua with frequently staggering results--sort of like a very free version of the Sonny Rollins unit with Wilbur Ware and Elvin Jones that recorded A Night at the Village Vanguard some 57 ...
Jason Ajemian: A Way a Land of Life
by Vincenzo Roggero
La registrazione, risalente al dicembre del 2006 e opportunamente ripescata e pubblicata dalla sempre più interessante NoBusiness Records, riunisce attorno al bassista Jason Ajemian un terzetto di fuoriclasse della scena improvvisativa statunitense e ci permette di apprezzarne appieno la dirompente vitalità, la contagiosa energia, l'intensità emotiva, la naturalezza nell'agire dentro e fuori i canoni.
Umberto Petrin: Traces and Ghosts
by Stefano Merighi
Dire che il lavoro di Umberto Petrin in Italia è un po' sottostimato, è dire poco. A parte un curriculum di grande sostanza, e una poetica non comune che relaziona la musica con altri linguaggi, è il suo puro pianismo a convincere una volta di più, a quattro anni dal precedente solo A ...
John McLaughlin & The 4th Dimension: The Boston Record
by Ian Patterson
The Boston crowd's roars on this live set from John McLaughlin and the 4th Dimension's 2013 tour say as much about the dazzling interplay of the band as it does about McLaughlin's enduring appeal. For sure, McLaughlin remains one of jazz-fusion's major draws but the acclaim has little to do with nostalgia and everything to do ...
Mike Marshall & Choro Famoso: Segunda Vez
by Dan Bilawsky
Segunda Vez comes a decade after this group's eponymous debut--a forty minute album featuring quintet and septet performances. Here, mandolinist Mike Marshall expands the length and breadth of the work while contracting the size of the group; all seventeen tracks on this seventy-plus minute program feature the same quartet--Marshall on mandolin, Andy Connell on clarinet and ...
Oz Noy: Twisted Blues Volume 2
by Ian Patterson
Two and a half years on from Twisted Blues Volume 1, guitar ace Oz Noy returns with another incendiary serving of jazz-inflected blues. In the intervening period Noy has hardly been idle, releasing a couple of instructional DVDs and touring regularly but his return to the recording studio with his blues bag is certainly welcome. As ...
Rob Mazurek Exploding Star Orchestra: Matter Anti-Matter
by John Sharpe
When he was under contract with Arista in the 1970s, reedman Anthony Braxton discovered that he was able to slip under the rug the release of some of his less commercially viable works, such as the mammoth For Four Orchestras (1978), by alternating them with more traditional quartet material. While electro-acoustic composer and cornetist Rob Mazurek ...
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