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Quadraceratops: Quadraceratops
by Bruce Lindsay
It's a question that's puzzled and divided jazz fans and critics alike, since before Louis Armstrong left New Orleans. There's been no sign of resolution and the dissent continues as the jazz world wrestles with this thorniest of debates. Just what is the best-est dinosaur ever? The music on this self-titled debut provides the answer--it's the ...
Cynthia Felton: Cynthia Felton Sings The Nancy Wilson Classics: Save Your Love For Me
by Dan Bilawsky
Dr. Cynthia Felton dots all the i's and crosses all the t's when putting together an album. She's a detail-oriented singer with enough smarts, business savvy, and musical skill to pull off whatever type of project she wants to pursue, be it a salute to a woefully under-appreciated figure like Oscar Brown Jr. or a tribute ...
The Pete McGuinness Jazz Orchestra: Strength in Numbers
by Angelo Leonardi
Il jazz orchestrale cresce e si alimenta grazie anche al magistrale influsso esercitato da Bob Brookmeyer su decine di allievi al New England Conservatory. Uno di questi è stato Pete McGuinness, trombonista di lunga esperienza in molte big band (tra cui quelle di Maria Schneider, Jimmy Heath e quella di Woody Herman guidata da ...
Tom Chang: Tongue and Groove
by Vincenzo Roggero
L'incontro tra musica indiana e musica improvvisata è da qualche anno una presenza tutt'altro che sporadica nelle vicende jazzistiche grazie anche all'affermarsi di una schiera di musicisti di primo piano quali Rudresh Mahanthappa, Rez Abbasi, Vijay Iyer e alle loro differenti visioni espressive. Il chitarrista di origine coreana Tom Chang si aggiunge alla schiera con la ...
Dann Zinn: Shangri La
by Dan Bilawsky
Maybe we've had it all wrong about Shangri-La. Instead of viewing it as a fictional utopian locale, as laid out by author James Hilton in his famed Lost Horizon (Macmillan, 1933), it can be alternately viewed as a wide-open musical state of being waiting to be explored. That's what saxophonist Dann Zinn seems to go for ...
Emilio Solla Y La Inestable De Brooklyn: Second Half
by Dan Bilawsky
The life-as-football-game metaphor is central to this stunning album from pianist Emilio Solla. In 2012, Solla had an epiphany. He awoke to the realities of his existence, the finite nature of things, and the passage of time. He realized that he'd already played the first half of this game called life, working his ...
Amanda Ruzza & Mauricio Zottarelli: Glasses, No Glasses
by Ernest Barteldes
Those familiar with Amanda Ruzza's debut solo This Is What Happened (2012, Pimenta Music) will find no similarities between that project and this collaboration with fellow Brazilian drummer Mauricio Zottarelli. While that first disc went into more of a samba-jazz direction, this one could be classified as an electronic jazz album with funk-blues tendencies. Playing in ...
Michael Blake: Tiddy Boom
by Glenn Astarita
Tenor saxophonist Michael Blake has played a prominent factor within the backbone of New York's progressive jazz scene, having performed with big bands, small ensembles and on Tiddy Boom, re-aligning with New York Jazz Collective comrades, pianist Frank Kimbrough and bassist Ben Allison. In-demand session drummer Rudy Royston complements a group that proffers sympathetic support to ...
Awakening Orchestra: Vol. 1: This Is Not the Answer
by Angelo Leonardi
Questo debutto di Kyle Saulnier è uno dei lavori orchestrali più ricchi e appassionanti degli ultimi anni, paragonabile per fantasia e freschezza a Infernal Machine, il disco d'esordio di Darcy James Argue. Compositore e polistrumentista, Saulnier è nato nel Connecticut, ha studiato composizione alla Berklee e alla Manhattan School of Music e risiede da ...
Jimmy Giuffre 3 & 4: New York Concerts
by Giuseppe Segala
Documento di importanza storica, portato alla preziosa pubblicazione dalla tenacia del produttore Zev Feldman che lo ha rinvenuto nel 2012 nell'archivio di George Klabin, presidente dell'etichetta Resonace Records, New York Concerts rimedia a una lacuna nella produzione di Jimmy Giuffre e nel contempo dà modo di ascoltare alcune tra le sue musiche più significative. A renderle ...

