Home » Jazz Articles » Album Review » Cynthia Felton: Cynthia Felton Sings The Nancy Wilson Cl...

5

Cynthia Felton: Cynthia Felton Sings The Nancy Wilson Classics: Save Your Love For Me

By

View read count
Cynthia Felton: Cynthia Felton Sings The Nancy Wilson Classics: Save Your Love For Me
Dr. Cynthia Felton dots all the i's and crosses all the t's when putting together an album. She's a detail-oriented singer with enough smarts, business savvy, and musical skill to pull off whatever type of project she wants to pursue, be it a salute to a woefully under-appreciated figure like Oscar Brown Jr. or a tribute to jazz's most lauded figure—the great Duke Ellington. For her third tribute album, and fourth album overall, Felton turns her attention to the work and legacy of vocalist Nancy Wilson. She follows her own previously established formula for success, enlisting the services of A-list musicians, putting together a playlist of appealing numbers, and crafting her own arrangements to suit her range and tastes. As in the past, this formula works like a charm.

Felton's voice is pure and soulful so she's well-suited to walk in Wilson's territory. Five of the eleven numbers she put on the program were plucked from Nancy Wilson/Cannonball Adderley (Capitol, 1962), an album that most consider to be Wilson's masterpiece and many consider to be among the finest vocal works ever recorded. In covering such sacred material, Felton finds a good balance between respect and individuality; she doesn't ape Wilson, but she doesn't stray too far from her territory. The rest of the material, save for a brief, album-opening a cappella take on "Swing Low, Sweet Chariot," comes from Wilson's other '60s releases. All of it sparkles and shines in Felton's hands.

Felton has become quite adept at pairing players to songs and juxtaposing different ingredients and voices against her own. In some places, she pares things down and creates striking scenarios by working against a single element, be it Jeff Tain Watts' drums at the start of "Dearly Beloved," Leon "Ndugu" Chancler's dreamy vibraphone at the outset of "A Sleepin' Bee," or Carol Robbins' harp on the introductory verse of "Guess Who I Saw Today." Elsewhere, she forges relationships in already-established settings. Felton also wisely grants space to her side men, a no-brainer when you consider that musicians like trumpeter Wallace Roney ("The Old Country") and pianist Cyrus Chestnut ("Dearly Beloved") are on board.

All of the material presented here is pretty straightforward, but Felton's interpretive skills, her arrangements, and the variety in personnel from track to track all help to keep things interesting. On the whole, Dr. Cynthia Felton does a magnificent job celebrating Nancy Wilson, one of the greatest voices that jazz has ever known.

Track Listing

Swing Low, Sweet Chariot; The Old Country; Dearly Beloved; Save Your Love For Me; A Sleepin' Bee; Only The Young; West Coast Blues; Guess Who I Saw Today; Never Will I Marry; (I'm Afraid) The Masquerade Is Over; I Wish You Love.

Personnel

Cynthia Felton: vocals; Donald Brown: piano (2); Cyrus Chestnut: piano (3); Patrice Rushen: piano (4, 8); John Beasley: piano (5-7, 9-11); Robert Hurst: bass (2, 3); Tony Dumas: bass (4, 8); John B. Williams: bass (7, 11); Edwin Livingston: bass (5, 6, 9, 10); Jeff "Tain" Watts: drums (3); Terri Lynne Carrington: drums (4, 8); Yoron Israel: drums (2); Lorca Hart: drums (5-7, 9-11); Ernie Watts: tenor saxophone (10); Jeff Clayton: alto saxophone (4, 7); Wallace Roney: trumpet (2); Nolan Shaheed: trumpet (6); Ndugu Chancler: vibraphone (5); Munyoungo Jackson: percussion (11); Carol Robbins: harp (8); Ronald Mudrow: guitar (2, 7, 11).

Album information

Title: Cynthia Felton Sings The Nancy Wilson Classics: Save Your Love For Me | Year Released: 2014 | Record Label: Self Produced

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Tramonto
John Taylor
Ki
Natsuki Tamura / Satoko Fujii
Duality Pt: 02
Dom Franks' Strayhorn
The Sound of Raspberry
Tatsuya Yoshida / Martín Escalante

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.