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Chris Foreman: Now Is The Time
by Hrayr Attarian
As the house organist at the legendary The Green Mill as well as a member of various ensembles Chris Foreman is one of Chicago's unsung jazz heroes. As a sideman Foreman has marked several recordings with his soulful, earthy grooves and, finally he has released an album under his own name. On his much-anticipated debut Now ...
Conte Candoli: Sincerely, Conte
by Richard J Salvucci
On the old Tonight Show (as in Carson, not Leno, much less Parr), I once remember “Conte Candoli unwinding a great solo on “King Porter Stomp." No surprise, I guess, for a guy who cut his teeth with the big bands of the late 1940s. But as he went into his second chorus, he quoted “Epistrophy," ...
John Carter: Echoes from Rudolph's
by AAJ Staff
Oggetto del desiderio di collezionisti e appassionati, documento centrale nell'evoluzione del disegno espressivo di John Carter, Echoes from Rudolph's, trova finalmente una sua diffusione in CD grazie alla NoBusiness. Alle tracce del vinile originale, realizzato in un numero limitato di copie su etichetta Ibedon nel 1976, si aggiunge qui un secondo disco registrato ...
Vance Thompson's Five Plus Six: Such Sweet Thunder
by Angelo Leonardi
La ricca didattica orchestrale delle università statunitensi continua a dare i suoi frutti, facendo nascere organici che non hanno molto da invidiare alle formazioni più celebrate. Questo riguarda in particolare il perfezionismo del collettivo, la flessibilità delle sue dinamiche, la tensione ritmica e l'opulenza timbrica. Il tutto entro orchestrazioni variopinte, capaci di padroneggiare un'ampia gamma espressiva ...
Deborah Shulman: My Heart's In The Wind
by Dan Bilawsky
My Heart's In The Wind is a modest and muted affair, understated in nature yet emotionally stirring in its own way. It's a collection of music that speaks directly to intimacy, loss, and the bends in life's road. The eleven tracks presented on this quiet beauty tap into a variety of emotions, with love, sadness, mourning, ...
Bram De Looze: Septych
by John Sharpe
Young Belgian pianist Bram De Looze leads a 7-piece outfit of unusual instrumentation and multinational origin through a captivating and ambitious journey on Septych. While De Looze might be best known for his small group work, with his own LABtrio and drummer Dre Hocovar's combo (checkout Coding of Evidentiality (Clean Feed, 2015)), here he flexes his ...
Rodrigo Amado: This Is Our Language
by Glenn Astarita
Experimental jazz, largely framed on wide-ranging improvisational tactics, inhabits a tightknit if not cloistered community, partially by default due to its avant-garde underpinnings. With the album moniker This Is Our Language, eminent Portuguese saxophonist Rodrigo Amado imparts a bond or connection to free-jazz pioneer Ornette Coleman's fifth album, This Is Our Music (Atlantic, 1960).
Danny Mixon: Pass It On
by Mark Sullivan
Despite his low profile, veteran pianist Danny Mixon has quite a history. His career has included stints playing with Betty Carter, Kenny Dorham, Art Blakey's Jazz Messengers, Frank Foster, Grant Green, Pharoah Sanders, Dee Dee Bridgewater, Charles Mingus, and many others. Most of Pass It On finds him alternating between solos and trios. Many of the ...
Liberty Ellman: Radiate
by Stefano Merighi
Ascoltando Radiate si coglie immediatamente la comunanza linguistica che stringe quel manipolo di musicisti abituati ad incidere per la PI, forse la migliore etichetta odierna di jazz contemporaneo. Si percepiscono i medesimi studi giovanili, i medesimi sviluppi creativi, quella telepatia esecutiva che rende interessante una performance jazzistica. Anche quando la prima impressione è ...
Simon Rose, Stefan Schultze: The Ten Thousand Things
by Alberto Bazzurro
Il sassofonista londinese Simon Rose e il pianista tedesco (di Colonia) Stefan Schultze praticano un'improvvisazione ispida, anticonsolatoria per eccellenza, attraversata da un minimalismo qua e là fin troppo insistito, estenuato, con l'inevitabile conseguenza che il margine di comunicabilità con l'esterno (ascoltatore in primis) si stringe pericolosamente. È--lo diciamo subito, senza mezzi termini--il tipo d'improvvisazione (più o ...
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