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Article: Album Review

Oliver Lake: Right Up On

Read "Right Up On" reviewed by Troy Dostert

by Troy Dostert

Although he will always be known first and foremost as an uncompromising saxophonist who helped catalyze the jazz avant- garde from the 1970s onward, it's also worth recognizing Oliver Lake's ambition as a composer. He has a particular fondness for strings in this regard, actually, as he has composed extensively for string quartets for over twenty ...

1

Article: Album Review

Charles Rumback: Threes

Read "Threes" reviewed by Hrayr Attarian

by Hrayr Attarian

Versatile drummer Charles Rumback's third release under his name, Threes is a live session recorded at Constellation Chicago. It is also Rumback's first with a piano trio, and although the formation is conventional the music is nothing but that. Indeed, the four long pieces that make up the album are provocative in their inventiveness and passionate ...

5

Article: Album Review

Mie Miki: Das Wohltemperierte Akkordeon

Read "Das Wohltemperierte Akkordeon" reviewed by C. Michael Bailey

by C. Michael Bailey

I wonder if Old Man Bach had much of a sense of humor. I wonder how he would feel about the myriad of ways his music, some of the most important composed in Western Civilization, has been treated and performed. It would be a safe conjecture to think of Bach's music as the supreme music organizing ...

Article: Album Review

Michel Godard, Ihab Radwan: Doux désirs

Read "Doux désirs" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Dodici brani firmati singolarmente o congiuntamente dai due performer compongono questo raffinato album in duo fra il francese Michel Godard, che dà qui la netta preferenza (come del resto gli capita di sovente, in tempi recenti) all'arcaico serpentone, e l'egiziano Ihab Radwan, specialista dell'oud, per una proposta definita dai diretti interessati “un progetto originale che unisce ...

17

Article: Album Review

Adam Rogers: DICE

Read "DICE" reviewed by Dan Bilawsky

by Dan Bilawsky

At some point in time, fusion lost its way. Some say it never really had a firm enough direction, existing only as a symbol of excess, power, and virtuosity to begin with. But those steeped in '70s and early '80s music of this sort know the truth: A perfect blend of rip-roaring lines, one-step-beyond melodicism, feats ...

10

Article: Album Review

Hal Galper And the Youngbloods: Live At The Cota Jazz Festival

Read "Live At The Cota Jazz Festival" reviewed by Dan McClenaghan

by Dan McClenaghan

The trio recordings released by pianist Hal Galper between 2006 and 2014--six discs, all but one on Origin Records--plowed fresh ground. Each disc dug deeply into the “Rubato" form. Taken as a whole--from 2006's Agents Of Change (Fabola Records) through 2014's O's Time (Origin Records)--the full series represents a monumental, sharply focused project that, for those ...

70

Article: Album Review

The Beat Freaks: Leon

Read "Leon" reviewed by Glenn Astarita

by Glenn Astarita

Based in Poland, guitarist Michał Starkiewicz founded this band in 2014, followed by successful concert tours and of course, this album that presents a modicum of youthful vim and vigor, largely within the progressive jazz schema amid a few slight nods to jazz fusion. Moreover, the musicians dedicate the album to a mythical figure Leon Kokaiewicz, ...

3

Article: Album Review

Fabio Delvò: Bella Mia

Read "Bella Mia" reviewed by Neri Pollastri

by Neri Pollastri

Singolare e atipico lavoro di un musicista dalla notevole voce di contralto e dalle indubbie capacità improvvisative, Bella Mia è l'estremo omaggio alla madre Elena, strutturalmente costruito come un solo di sax -in parte accompagnato da un basso semiacustico -attorno al quale operano vari ospiti con i loro contributi. Il titolo del CD rimanda ...

3

Article: Album Review

Morton Feldman: Piano, Violin, Viola, Cello

Read "Piano, Violin, Viola, Cello" reviewed by John Eyles

by John Eyles

"Piano, Violin, Viola, Cello" (often abbreviated to “PVVC") was Morton Feldman's final composition, receiving its premiere on July 4th 1987, less than two months before the composer's death from pancreatic cancer on September 3rd. This recording of the piece dates from January 2017 at Henry Wood Hall, where it was recorded by Simon Reynell. The quartet ...

38

Article: Album Review

Craig Taborn: Daylight Ghosts

Read "Daylight Ghosts" reviewed by Nenad Georgievski

by Nenad Georgievski

It is very difficult to describe or sum up pianist Craig Taborn's inimitable artistic vision, style of playing and compositions. He employs a wide range of stylistic means and concepts, and as a result his playing style and compositions, be it in a solo setting or with accompaniment, are very diverse and insistently exploratory. This improvising ...


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